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"A Half Caste" and Other Writings
Onoto Watanna
University of Illinois Press, 2003

Born Winnifred Eaton to a British father and Chinese mother, Onoto Watanna was the first novelist of Chinese descent published in the United States. Eaton "became" Watanna to escape Americans' scorn of the Chinese and to capitalize on their fascination with all things Japanese. 

This volume includes nineteen of Watanna's shorter works, including thirteen short stories and six essays. "A Half Caste," the earliest essay, appeared in 1898, a year before Miss Numé: A Japanese-American Romance, the first of her bestselling novels. The last short story, “Elspeth,” appeared in 1923. Some of Watanna’s fictional characters will remind readers of the delicate but tragic Madame Butterfly, while others foreshadow types like the trickster in Maxine Hong Kingston’s Tripmaster Monkey (where Watanna makes a cameo appearance). Throughout, Watanna tells stories of people very much like herself—capable, clever, and endlessly inventive.

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Hijra
Hala Alyan
Southern Illinois University Press, 2016
In her third poetry collection, Hijra, Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her aunts, and the female ancestors in Gaza and Syria.
 
The reader sees war, diaspora, and immigration, and hears the marginalized voices of women of color. The poems use lyrical diction and striking imagery to evoke the weight of an emotional and visceral journey. They grow and build in length and form, reflecting the gains the women in the poems make in re-creating selfhood through endurance and strength.
 
In prose, narrative, and confessional-style poems, Alyan reflects on how physical space is refashioned, transmitted, and remembered. Her voice is distinct, fresh, relevant, and welcoming.
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House A
Jennifer S. Cheng
Omnidawn, 2016
House A investigates the tones and textures of immigrant home-building by asking: How is the body inscribed with a cosmology of home, and vice versa? With evocative and intellectual precision, House A weaves personal, discursive, and lyrical textures to invoke the immersive-obscured experience of an immigrant home’s entanglement while mapping a new poetics of American Home, steeped in longing and rooted by displacement.
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How to Be South Asian in America
Narratives of Ambivalence and Belonging
Authored by anupama jain
Temple University Press, 2011

Providing a useful analysis of and framework for understanding immigration and assimilation narratives, anupama jain's How to Be South Asian in America considers the myth of the American Dream in fiction (Meena Alexander's Manhattan Music), film (American Desi, American Chai), and personal testimonies. By interrogating familiar American stories in the context of more supposedly exotic narratives, jain illuminates complexities of belonging that also reveal South Asians' anxieties about belonging, (trans)nationalism, and processes of cultural interpenetration.

jain argues that these stories transform as well as reflect cultural processes, and she shows just how aspects of identity—gender, sexual, class, ethnic, national—are shaped by South Asians' accommodation of and resistance to mainstream American culture.

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How to Make Your Mother Cry
Fictions
Sejal Shah
West Virginia University Press, 2024
From the author of This Is One Way to Dance, linked genre-queer short stories braided with images and ephemera explore the experiences of growing up and living as a diasporic Gujarati woman searching for home.
 
In the eleven linked short stories of How to Make Your Mother Cry, Sejal Shah builds a shrine gleaming with memory and myth. Keys, rocks, photographs, fairy tales, fables, and relics all add texture and meaning to an exploration of growing up and living as a diasporic Gujarati woman in a culture that excuses the behavior of men. Throughout, girls and women contend with the expectations, limitations, and challenges of becoming the heroine of one’s own life.
 
How to Make Your Mother Cry—Shah’s follow-up to her award-winning essay collection This Is One Way to Dance—continues the rich tradition of innovative feminist work by Claudia Rankine, Leslie Marmon Silko, and Maxine Hong Kingston. By braiding stories and images with fictional letters to a beloved English teacher, the collection defies traditional autofiction, epistolary, and short story conventions. These astonishing stories about friendship and love, resilience and survival establish Shah as an exciting new voice in contemporary fiction.
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