front cover of Apollo in the Age of Aquarius
Apollo in the Age of Aquarius
Neil M. Maher
Harvard University Press, 2017

Winner of the Eugene M. Emme Astronautical Literature Award
A Bloomberg View Must-Read Book of the Year
A Choice Outstanding Academic Title of the Year


“A substance-rich, original on every page exploration of how the space program interacted with the environmental movement, and also with the peace and ‘Whole Earth’ movements of the 1960s.”
—Tyler Cowen, Marginal Revolution

The summer of 1969 saw astronauts land on the moon for the first time and hippie hordes descend on Woodstock. This lively and original account of the space race makes the case that the conjunction of these two era-defining events was not entirely coincidental.

With its lavishly funded mandate to put a man on the moon, the Apollo mission promised to reinvigorate a country that had lost its way. But a new breed of activists denounced it as a colossal waste of resources needed to solve pressing problems at home. Neil Maher reveals that there were actually unexpected synergies between the space program and the budding environmental, feminist and civil rights movements as photos from space galvanized environmentalists, women challenged the astronauts’ boys club and NASA’s engineers helped tackle inner city housing problems. Against a backdrop of Saturn V moonshots and Neil Armstrong’s giant leap for mankind, Apollo in the Age of Aquarius brings the cultural politics of the space race back down to planet Earth.

“As a child in the 1960s, I was aware of both NASA’s achievements and social unrest, but unaware of the clashes between those two historical currents. Maher [captures] the maelstrom of the 1960s and 1970s as it collided with NASA’s program for human spaceflight.”
—George Zamka, Colonel USMC (Ret.) and former NASA astronaut

“NASA and Woodstock may now seem polarized, but this illuminating, original chronicle…traces multiple crosscurrents between them.”
Nature

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International Cooperation in Space
The Example of the European Space Agency
Roger Bonnet and Vittorio Manno
Harvard University Press, 1994

With the end of the Cold War, will the space race become a cooperative venture? This book, which tells the story of the European Space Agency, shows how such a cooperative enterprise has worked over the past three decades and how it might apply to future space science.

Linking fifteen European nations, the European Space Agency offers a working model of scientific, technological, and political cooperation on an international scale. Roger M. Bonnet and Vittorio Manno give us an insiders’ view of the agency—its beginnings as the European Space Research Organization, its development in the face of early difficulties, and its daily operations. Covering thirty years, this account traces the evolution of ESA’s programs, facilities, and capabilities and the establishment of its scientific, technological, industrial, and political policies and objectives. With an eye to future global space activities, the authors detail ESA’s relationships with its own member states and with other countries, particularly the United States. The history of cooperation between ESA and NASA as exemplified by two specific projects—Ulysses and the international space station—highlights the difficulties of associating different decision-making bodies and political systems.

Illustrated with pictures and diagrams, enlivened with anecdotes involving key world players in space science, this book provides a rich blend of factual information and personal recollection, history and interpretation. A timely contribution to the study of the politics of science and technology, it points the way to future international cooperation.

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Into the Cosmos
Space Exploration and Soviet Culture
James T. Andrews
University of Pittsburgh Press, 2011

The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement.
      The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the country’s emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish anything it set its mind to.
       Into the Cosmos shows us the fascinating interplay of Soviet politics, science, and culture during the Khrushchev era, and how the space program became a binding force between these elements. The chapters examine the ill-fitted use of cosmonauts as propaganda props, the manipulation of gender politics after Valentina Tereshkova’s flight, and the use of public interest in cosmology as a tool for promoting atheism. Other chapters explore the dichotomy of promoting the space program while maintaining extreme secrecy over its operations, space animals as media darlings, the history of Russian space culture, and the popularity of space-themed memorabilia that celebrated Soviet achievement and planted the seeds of consumerism.

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Picturing the Cosmos
A Visual History of Early Soviet Space Endeavor
Iina Kohonen
Intellect Books, 2017
Space is the ultimate canvas for the imagination, and in the 1950s and ’60s, as part of the space race with the United States, the solar system was the blank page upon which the Soviet Union etched a narrative of exploration and conquest. In Picturing the Cosmos, drawing on a comprehensive corpus of rarely seen photographs and other visual phenomena, Iina Kohonen maps the complex relationship between visual propaganda and censorship during the Cold War.

Kohonen ably examines each image, elucidating how visual media helped to anchor otherwise abstract political and intellectual concepts of the future and modernization within the Soviet Union. The USSR mapped and named the cosmos, using new media to stake a claim to this new territory and incorporating it into the daily lives of its citizens. Soviet cosmonauts, meanwhile, were depicted as prototypes of the perfect Communist man, representing modernity, good taste, and the aesthetics of the everyday. Across five heavily illustrated chapters, Picturing the Cosmos navigates and critically examines these utopian narratives, highlighting the rhetorical tension between propaganda, censorship, art, and politics.
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Soviet Space Mythologies
Public Images, Private Memories, and the Making of a Cultural Identity
Slava Gerovitch
University of Pittsburgh Press, 2015
Winner, 2021 Gardner-Lasser Aerospace History Literature Award

From the start, the Soviet human space program had an identity crisis. Were cosmonauts heroic pilots steering their craft through the dangers of space, or were they mere passengers riding safely aboard fully automated machines? Tensions between Soviet cosmonauts and space engineers were reflected not only in the internal development of the space program but also in Soviet propaganda that wavered between praising daring heroes and flawless technologies. Soviet Space Mythologies explores the history of the Soviet human space program within a political and cultural context, giving particular attention to the two professional groups—space engineers and cosmonauts—who secretly built and publicly represented the program. Drawing on recent scholarship on memory and identity formation, this book shows how both the myths of Soviet official history and privately circulating counter-myths have served as instruments of collective memory and professional identity. These practices shaped the evolving cultural image of the space age in popular Soviet imagination. Soviet Space Mythologies provides a valuable resource for scholars and students of space history, history of technology, and Soviet (and post-Soviet) history.
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Spacecraft Technology
The early years
Mark Williamson
The Institution of Engineering and Technology, 2006
Spacecraft Technology: The early years charts the fascinating story of the early Space Age, encompassing the launch of the first satellites and the landing of men on the Moon. While concentrating on the most significant technology developments, it places them in the context of historical events, specific missions and the individuals that made it all happen.
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Spaceflight and the Myth of Presidential Leadership
Edited by Roger D. Launius and Howard E. McCurdy
University of Illinois Press, 1997
 
      Setting the tone for the collection,
        NASA chief historian Roger D. Launius and Howard McCurdy maintain that
        the nation's presidency had become imperial by the mid-1970s and that
        supporters of the space program had grown to find relief in such a presidency,
        which they believed could help them obtain greater political support and
        funding. Subsequent chapters explore the roles and political leadership,
        vis-à-vis government policy, of presidents Eisenhower, Kennedy,
        Johnson, Nixon, Ford, Carter, and Reagan.
 
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