From a wealth of vivid autobiographical writings, Emmanuel Le Roy Ladurie reconstructs the extraordinary life of Thomas Platter and the lives of his sons. With masterful erudition, Le Roy Ladurie deepens and expands the historical contexts of these accounts and, in the process, brings to life the customs, perceptions, and character of an age poised at the threshold of modernity.
"Le Roy Ladurie paints a remarkably contemporary picture of life in the sixteenth century. . . . It's a good story, told with a deft narrative touch."—Michael S. Kimmel, The Nation
"Le Roy Ladurie is a master of the representative detail and uses the Platters' lives as a means to see a whole century 'through a glass, darkly'."—The Independent
"Le Roy Ladurie has not only thoroughly sketched out the Platters' particular brand of gusto, he has also made it seem a defining characteristic of the sixteenth century."—The New Republic
"All [of] the drama and pathos of a Disney film."—Emily Eakin, Lingua Franca
Max Frisch (1911–91) was a giant of twentieth-century German literature. When Frisch moved into a new apartment in Berlin’s Sarrazinstrasse, he began keeping a journal, which he came to call the Berlin Journal. A few years later, he emphasized in an interview that this was by no means a “scribbling book,” but rather a book “fully composed.” The journal is one of the great treasures of Frisch’s literary estate, but the author imposed a retention period of twenty years from the date of his death because of the “private things” he noted in it. From the Berlin Journal now marks the first publication of excerpts from Frisch’s journal. Here, the unmistakable Frisch is back, full of doubt, with no illusions, and with a playfully sharp eye for the world.
From the Berlin Journal pulls from the years 1946–49 and 1966–71. Observations about the writer’s everyday life stand alongside narrative and essayistic texts, as well as finely-drawn portraits of colleagues like Günter Grass, Uwe Johnson, Wolf Biermann, and Christa Wolf, among others. Its foremost quality, though, is the extraordinary acuity with which Frisch observed political and social conditions in East Germany while living in West Berlin.