front cover of Clowns to the Left of Me, Jokers to the Right
Clowns to the Left of Me, Jokers to the Right
American Life in Columns
Michael A. Smerconish
Temple University Press, 2020

 Opinionated talk show host and columnist Michael Smerconish has been chronicling local, state, and national events for the Philadelphia Daily News and the Philadelphia Inquirer for more than 15 years. He has sounded off on topics as diverse as the hunt for Osama bin Laden and what the color of your Christmas lights says about you. In this collection of 100 of his most memorable columns, Smerconish reflects on American political life with his characteristic feistiness. A new Afterword for each column provides updates on both facts and feelings, indicating how the author has evolved over the years, moving from a reliable Republican voter to a political Independent.  
 
Clowns to the Left of Me, Jokers to the Right covers the post-9/11 years, Barack Obama’s ascension, and the rise of Donald Trump. Smerconish describes meeting Ronald Reagan, having dinner with Fidel Castro, barbequing with the band YES in his backyard, spending the same night with Pete Rose and Ted Nugent, drinking champagne from the Stanley Cup, and conducting Bill Cosby’s only pretrial interview. He also writes about local Philadelphia culture, from Sid Mark to the Rizzo statue.
 
Smerconish’s outlook as expressed in these impassioned opinion pieces goes beyond “liberal” or “conservative.” His thought process continues to evolve and change, and as it does, he aims to provoke readers to do the same.
 
All author proceeds benefit the Children’s Crisis Treatment Center, a Philadelphia- based, private, nonprofit agency that provides behavioral health services to children and their families.  
 

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The Daley Show
Inside the Transformative Reign of Chicago's Richard M. Daley
Forrest Claypool; Foreword by David Axelrod
University of Illinois Press, 2024
“You have to have passion. You have to have honesty in office. You have to love the people.” Those words summed up the outlook, if not always the actions, of Chicago Mayor Richard M. Daley. Elected to govern a city roiled by racial and economic crises, Daley adroitly wielded the tools of power in the rough-and-tumble world of Chicago politics. Under his rule, Chicago rebuilt a dying downtown, becoming a cultural and tourism mecca punctuated by construction of the iconic Millenium Park. To drive growth, he engineered a massive expansion of O’Hare Airport. To correct a historical injustice, he razed the city’s notorious public housing high rises as part of a sweeping plan to transform the lives of the city’s poorest residents. Yet corruption and graft, City Hall’s role in calamities like the 1995 heat wave, and Daley’s inaction in the face of evidence of police torture, tarnished his many accomplishments.

A two-time Daley chief-of-staff, Forrest Claypool draws on his long career in local government to examine the lasting successes, ongoing dramas, and disastrous failures that defined Daley’s twenty-two years in City Hall. Throughout, Claypool uses Daley’s career to illustrate how effectual political leadership relies on an adept and unapologetic use of power--and how wielding that power without challenge inevitably pulls government toward corruption.

A warts-and-all account of a pivotal figure in Chicago history, The Daley Show tells the story of how Richard M. Daley became the quintessential big city mayor.

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front cover of The Eclipse I Call Father
The Eclipse I Call Father
Essays on Absence
David Axelrod
Oregon State University Press, 2019
In The Eclipse I Call Father: Essays on Absence, David Axelrod recalls a balmy night in May 1970 when he vowed to allow no one and nothing he loves to pass from this life without praise, even if it meant praising the most bewildering losses. In each of these fourteen essays Axelrod delivers on that vow as he ranges across topics as diverse as marriage, Japanese poetry, Craftsman design, Old English riddles, racism, extinction, fatherhood, mountaineering, predatory mega-fauna, street fighting, trains, the Great Depression, and the effects of climate change—accretions of absence that haunt the writer and will likewise haunt readers.

The essays in this collection grew from a ten-year period when the author found himself periodically living and working abroad, wondering why foreign landscapes haunted him more than the familiar landscapes of the inland Pacific Northwest he called home. Each place had a long history of habitation, but at home he was blind, unable to see past the surfaces of things. Axelrod examines many aspects of that phenomenon in these pages, framing surface realities and imagining the scale and scope of that surface, but also trying to sense what is absent or changed, and how, despite its absence, the unseen accretes to ever-greater densities and persists as something uncanny.

Curious, alert, and keenly observant, these essays probe the boundaries between what is here and what is gone, what is present and what is past, in elegant prose. Readers familiar with Axelrod’s poetry will find a new facet of his lyrical gifts, while those encountering his work for the first time will be richly rewarded by the discovery of this Northwest literary talent.
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