front cover of Bad News, Good News
Bad News, Good News
Conversational Order in Everyday Talk and Clinical Settings
Douglas W. Maynard
University of Chicago Press, 2003
When we share or receive good or bad news, from ordinary events such as the birth of a child to public catastrophes such as 9/11, our "old" lives come to an end, and suddenly we enter a new world. In Bad News, Good News, Douglas W. Maynard explores how we tell and hear such news, and what's similar and different about our social experiences when the tidings are bad rather than good or vice versa.

Uncovering vocal and nonvocal patterns in everyday conversations, clinics, and other organizations, Maynard shows practices by which people give and receive good or bad news, how they come to realize the news and their new world, how they suppress or express their emotions, and how they construct social relationships through the sharing of news. He also reveals the implications of his study for understanding public affairs in which transmitting news may influence society at large, and he provides recommendations for professionals and others on how to deliver bad or good tidings more effectively.

For anyone who wants to understand the interactional facets of news delivery and receipt and their social implications, Bad News, Good News offers a wealth of scholarly insights and practical advice.
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Bearing the Bad News
Contemporary American Literature and Culture
Sanford Pinsker
University of Iowa Press, 1990
For a number of years Sanford Pinsker has been one of our most incisive and spirited observers of contemporary American literature. His books have been widely and enthusiastically reviewed and his essays have appeared regularly in such intellectual quarterlies as the Georgia Review, the Virginia Quarterly Review, and the Gettysburg Review.
Now Pinsker focuses on the current American world of letters in this volume of essays to explore what literary culture in America was and what it too often has become, the ways in which cultural politics shapes our sense of contemporary values, and how the resources of American humor and the work of our best writers can help us maintain our equilibrium in “what can only be described as a bad cultural patch.”
The eleven essays in this insightful volume take on such subjects as the decline and fall of "formative reading"; the difficulties of identifying themes that unify American literature; the cultural value of such humorists as Robert Benchley, Lenny Bruce, and Woody Allen; versions of cultural politics—from the rise of the neoconservatives to the steady course held by social critics such as Irving Howe; and the place of the college novel in American literature. Pinsker concludes with some sobering thoughts about the current state of American intellectuals.
Ultimately, Bearing the Bad News reaffirms certain principles that have come under powerful attack during the last few decades—for example, that literature is a human and humanistic enterprise, one which speaks both to individual moral value and to our larger cultural health. It reflects Pinsker's commitment to the clarity and significance of the literary essay and his belief that what we read, and what we say about what we read, matters deeply.
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