The war of 1971 was the most significant geopolitical event in the Indian subcontinent since its partition in 1947. At one swoop, it led to the creation of Bangladesh, and it tilted the balance of power between India and Pakistan steeply in favor of India. The Line of Control in Kashmir, the nuclearization of India and Pakistan, the conflicts in Siachen Glacier and Kargil, the insurgency in Kashmir, the political travails of Bangladesh—all can be traced back to the intense nine months in 1971.
Against the grain of received wisdom, Srinath Raghavan contends that far from being a predestined event, the creation of Bangladesh was the product of conjuncture and contingency, choice and chance. The breakup of Pakistan and the emergence of Bangladesh can be understood only in a wider international context of the period: decolonization, the Cold War, and incipient globalization. In a narrative populated by the likes of Nixon, Kissinger, Zhou Enlai, Indira Gandhi, Zulfikar Ali Bhutto, Sheikh Mujibur Rahman, Tariq Ali, George Harrison, Ravi Shankar, and Bob Dylan, Raghavan vividly portrays the stellar international cast that shaped the origins and outcome of the Bangladesh crisis.
This strikingly original history uses the example of 1971 to open a window to the nature of international humanitarian crises, their management, and their unintended outcomes.
Intended for travelers, students, and scholars, the Reader encompasses first-person accounts, short stories, historical documents, speeches, treaties, essays, poems, songs, photographs, cartoons, paintings, posters, advertisements, maps, and a recipe. Classic selections familiar to many Bangladeshis—and essential reading for those who want to know the country—are juxtaposed with less-known pieces. The selections are translated from a dozen languages; many have not been available in English until now. Featuring eighty-three images, including seventeen in color, The Bangladesh Reader is an unprecedented, comprehensive introduction to the South Asian country's turbulent past and dynamic present.
With contributions from a diverse group of media and communications scholars from around the globe, Bangladesh’s Changing Mediascape presents a pioneering study of the trends, patterns, and prospects shaping the contemporary Bangladeshi media. Among the many topics discussed here are the difference among specific media formats, including television, newspapers, radio, film, and photography; policy issues; and the challenge that new media poses to governance in a developing nation faced with innumerable economic, social, and political problems. Eschewing the currently dominant development communication model, the editors argue that market forces rather than planned state interventions will contribute to a more equitable communication environment.
FINALIST FOR THE GREGORY BATESON PRIZE FROM THE AMERICAN ANTHROPOLOGICAL ASSOCIATION
Dispelling stereotypes about garment workers in the global apparel industry
Castoffs of Capital examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.
Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital’s targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women’s aspirations for the “good life” not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.
Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women’s wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.
What happens when a vast multinational mining company operates a gas plant situated close to four densely populated villages in rural Bangladesh? How does its presence contribute to local processes of ‘development’? And what do corporate claims of ‘community engagement’ involve? Drawing from author Katy Gardner’s longstanding relationship with the area, Discordant Development reveals the complex and contradictory ways that local people attempt to connect to, and are disconnected by, foreign capital.
Everyone has a story to tell: whether of dispossession and scarcity, the success of Corporate Social Responsibility, or imperialist exploitation and corruption. Yet as Gardner argues, what really matters in the struggles over resources is which of these stories are heard, and the power of those who tell them.
Based around the discordant narratives of dispossessed land owners, urban activists, mining officials and the rural landless, Discordant Development touches on some of the most urgent economic and political questions of our time, including resource ownership and scarcity, and the impact of foreign investment and industrialisation on global development.
Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity.
By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice.
Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space.
Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.
In Muslims in Motion, Nazli Kibria provides a comparative look at Bangladeshi Muslims in different global contexts--including Britain, the U.S., the Middle East, and Malaysia. Kibria examines international migrant flows from Bangladesh, and considers how such migrations continue to shape Islamization in these areas. Having conducted more than 200 in-depth interviews, she explores how, in societies as different as these, migrant Muslims, in their everyday lives, strive to achieve economic gains, sustain community and family life, and realize a sense of dignity and honor.
Muslims in Motion offers fresh insights into the prominence of Islam in these communities, especially an Islam defined by fundamentalist movements and ideologies. Kibria also focuses on the complex significance of nationality--with rich analyses of the diaspora, the role of gender and class, and the multiple identities of the migrants, she shows how nationality can be both a critical source of support and also of difficulty for many in their efforts to attain lives of dignity. By bringing to life a vast range of experiences, this book challenges prevailing stereotypes of Muslims.
Jude L. Fernando explores the paradoxical relationship between NGOs and capitalism, showing that supposedly progressive organisations often promote essentially the same policies and ideas as existing governments.
The book examines how a diverse group of NGOs have shaped state formation in Bangladesh and Sri Lanka. It argues that, rather than influencing state formation for the better, NGOs have been integrated into the capitalist system and their language adopted to give traditional exploitative social relations a transformative appearance.
This enlightening study will give pause to those who see NGOs as drivers of true social change and will encourage students of development studies to make a deeper analysis of state formation.
The first edition of this work appeared in 1953. The Foreign Service Journal greeted it as a "basic work" and the New York Times Book Review hailed it as "unquestionably the best and most balanced account of India and Pakistan."
The second edition appeared in 1963 and received an equally warm welcome. The Times of India said, "It provides the historical perspective, and discusses the present-day social, economic, and political problems with knowledge, sympathy, and acumen."
Between 1963 and 1972 the two nations of India and Pakistan made a number of important governmental, political, economic, and cultural changes. They had to meet crises caused by forces of nature as well as crises originating in their own institutions. Democratic processes advanced in India; they were repudiated in Pakistan and the repudiation led to the civil war in East Pakistan and the creation of Bangladesh. W. Norman Brown covers all of this and more in his fresh look at the subcontinent.
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