front cover of Geographies of the Ear
Geographies of the Ear
The Cultural Politics of Sound in Contemporary Barcelona
Tania Gentic
Duke University Press, 2025
In Geographies of the Ear, Tania Gentic examines the language and soundscape of post-Franco Barcelona to listen for the remnants of a globalized colonial ear. She theorizes “echoic memory” to understand how sound circulates from the past to the present—and from neighborhood to nation to globe—to trace how sonic practices produce and contest modernity, community identity, and democracy. Focusing on migrant and tourist accents, free radio stations, punk music, drag performances, and antigentrification protests, Gentic shows how the underground sounds in Barcelona complicate a modernizing aural imaginary of place. By thinking through the auralities present in literature, fanzines, comic books, documentary films, television and print media, popular music, public protests, and even everyday conversation, Gentic outlines the difficulties of considering the contemporary city as either the product of a monolingual national identity or a lived space easily circumscribed by geographical categories such as North, South, East, or West.
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Jews, Christian Society, and Royal Power in Medieval Barcelona
Elka Klein
University of Michigan Press, 2006

Jews, Christian Society, and Royal Power in Medieval Barcelona traces the development of the Jewish community of Barcelona from 1050 to 1300. Elka Klein challenges the common perception that medieval Jews lived in relative isolation from the surrounding society, argues for the existence of significant cultural common ground between Jews and Christians, and proposes a new model for understanding Jewish communal autonomy and the relationship between Jews and their rulers.

Klein traces the development of the Jewish community of Barcelona in two contexts: the parallel development of the city of Barcelona and the changing relationship of the king to urban communities, Jewish and Christian. Until the later twelfth century, the Jewish community, like the Christian city of Barcelona, was left mostly to its own devices by the counts of Barcelona, who had neither the interest nor the power to interfere in internal affairs. Klein draws on both Hebrew and Latin sources to offer a picture of a communal elite whose power, mostly informal, derived from their influence within the community. This system changed in the later twelfth century as a result of the expansion of comitial-royal administration. Four Jewish families used their positions as bailiffs, accountants, and secretaries to consolidate power within their community. The rule of this courtier elite was short lived; two episodes of communal conflict in the early thirteenth century and increased royal activism led to the institution of a new regime of elected officials in 1241. The book concludes with an examination of the new elite and the implications of increased royal interference in internal affairs.

A central argument of Jews, Christian Society, and Royal Power in Medieval Barcelona is that it is necessary to distinguish between autonomy by default, resulting from the indifference of the ruler, who leaves a community to govern itself; and autonomy by design, guaranteed by selective royal interference. Against the view that royal interference undercut Jewish autonomy, Klein argues that autonomy by default left the community with insufficient power to enforce its decisions; because Catalan kings generally interfered in support of existing structures, autonomy by design in fact strengthened the community.

This book contributes to ongoing debates about the relationship between the cultures of the three religions in the Iberian peninsula. It joins a body of recent scholarship arguing that medieval European Jews and Christians shared considerable cultural common ground.
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Networking Futures
The Movements against Corporate Globalization
Jeffrey S. Juris
Duke University Press, 2008
Since the first worldwide protests inspired by Peoples’ Global Action (PGA)—including the mobilization against the November 1999 World Trade Organization meetings in Seattle—anti–corporate globalization activists have staged direct action protests against multilateral institutions in cities such as Prague, Barcelona, Genoa, and Cancun. Barcelona is a critical node, as Catalan activists have played key roles in the more radical PGA network and the broader World Social Forum process. In 2001 and 2002, the anthropologist Jeffrey S. Juris participated in the Barcelona-based Movement for Global Resistance, one of the most influential anti–corporate globalization networks in Europe. Combining ethnographic research and activist political engagement, Juris took part in hundreds of meetings, gatherings, protests, and online discussions. Those experiences form the basis of Networking Futures, an innovative ethnography of transnational activist networking within the movements against corporate globalization.

In an account full of activist voices and on-the-ground detail, Juris provides a history of anti–corporate globalization movements, an examination of their connections to local dynamics in Barcelona, and an analysis of movement-related politics, organizational forms, and decision-making. Depicting spectacular direct action protests in Barcelona and other cities, he describes how far-flung activist networks are embodied and how networking politics are performed. He further explores how activists have used e-mail lists, Web pages, and free software to organize actions, share information, coordinate at a distance, and stage “electronic civil disobedience.” Based on a powerful cultural logic, anti–corporate globalization networks have become models of and for emerging forms of radical, directly democratic politics. Activists are not only responding to growing poverty, inequality, and environmental devastation; they are also building social laboratories for the production of alternative values, discourses, and practices.

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World Film Locations
Barcelona
Edited by Helio San Miguel and Lorenzo J. Torres Hortelano
Intellect Books, 2013
Barcelona is one of the world’s most beautiful cities. A permanent showcase of the work of acclaimed architect Antoni Gaudí, it also has a long and rich cinematic legacy. Great directors from all over the world—among them Woody Allen, Pedro Almodóvar, and Michelangelo Antonioni—have set their films there. World Film Locations: Barcelona is the first book of its kind to explore the rich cinematic history of this seductive Catalonian city.
The illuminating essays collected here cover essential themes of the city’s cinematic history, including the origins of cinema in Barcelona; the role of Ciutat Vella (old quarter) as a film set; the influential Barcelona School of the 1960s; the film presence of Gaudí and his work; changing attitudes and urban renewal before and after the 1992 Olympics; and the emergence of a new generation of female filmmakers that have made Barcelona the center of their cinematic explorations. This book will be a welcome addition to the libraries of anyone enchanted by the beauty of Barcelona, whether in person on the big screen.

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