front cover of China Forever
China Forever
The Shaw Brothers and Diasporic Cinema
Edited by Poshek Fu
University of Illinois Press, 2007
Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century.
 
Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.
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front cover of Contesting Malayness
Contesting Malayness
Malay Identity Across Boundaries
Edited by Timothy P. Barnard
National University of Singapore Press, 2014
People who call themselves Malay - Melayu - are found in many countries, united by a notional shared identity but divided by political boundaries, divergent histories, variant dialects and peculiarities of local experience. While the term 'Malay' is widely used and readily understood in Southeast Asia, it remains elusive and open to varying interpretations. "Malay" as an identity, or nationality, is one of the most challenging and perplexing concepts in the multi-ethnic world of Southeast Asia. This book assembles research on the theme of how Malays have identified themselves in time and place, developed by a wide range of scholars. The authors include Malaysian anthropologist Shamsul A.B., Indonesian poet Tenas Effendy, and linguists and historians based in Australia, the Netherlands, Singapore and the U.S.A. While the authors describe some of the historical and cultural patterns that make up the Malay world, taken as a whole their work demonstrates the impossibility of offering a definition or even a description of 'Melayu' that is not rife with omissions and contradictions.
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front cover of Imperial Creatures
Imperial Creatures
Humans and Other Animals in Colonial Singapore, 1819-1942
Timothy P. Barnard
National University of Singapore Press, 2019
One of the areas of fastest-growing interest in the humanities and social sciences in recent years has been the history of animals. Imperial Creatures fills a gap in that field by looking across species at animals in a urban colonial setting. If imperialism is a series of power relationships, Timothy P. Barnard argues, then it necessarily involves not only the subjugation of human communities, but also of animals. What was the relationship between those two processes in colonial Singapore? How did interactions with animals enable changes in interactions between people?

Through a multidisciplinary consideration of fauna, Imperial Creatures weaves together a series of tales to document how animals were cherished, monitored, employed, and slaughtered in a colonial society. All animals, including humans, Barnard shows, have been creatures of imperialism in Singapore. Their stories teach us lessons about the structures that upheld such a society and how it developed over time, lessons of relevance to animal historians, to historians of Singapore, and to urban historians and imperial historians with an interest in environmental themes.
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front cover of Nature's Colony
Nature's Colony
Empire, Nation and Environment in the Singapore Botanic Gardens
Timothy P. Barnard
National University of Singapore Press, 2017
Established in 1859, the Singapore Botanic Gardens are arguably the most important colonial botanic gardens in the world. Not only have the Gardens been important as a park for Singaporeans and visitors, they have had a significant role as a scientific institution and as a testing ground for tropical plantation agriculture implemented around the world. As Timothy P. Barnard shows in Nature’s Colony, underlying each of these uses is a broader story of the Botanic Gardens as an arena where power and the natural world meet and interact.
 
Initially conceived to exploit nature for the benefit of empire, the Gardens were part of a symbolic struggle by administrators, scientists, and gardeners to assert dominance within Southeast Asia’s tropical landscape, reflecting shifting understandings of power, science, and nature among local administrators and distant mentors in Britain. Consequently, as an outpost of imperial science, the Gardens were instrumental in the development of plantation crops, such as rubber and oil palm, which went on to shape landscapes across the globe. Since the independence of Singapore, the Gardens have played a role in the “greening” of the country and have been named as Singapore’s first World Heritage Site. Setting the Gardens alongside the Royal Botanic Gardens, Kew, and botanic gardens in India, Ceylon, Mauritius, and the West Indies, Nature’s Colony provide the first in-depth look at the history of this influential institution.
 
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