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Benjamin and Adorno on Art and Art Criticism
Critique of Art
Thijs Lijster
Amsterdam University Press, 2017
This book brings together two of the most important figures of twentieth-century criticism, Walter Benjamin and Theodor Adorno, to consider a topic that was central to their thinking: the place of and reason for art in society and culture. Thijs Lijster takes us through points of agreement and disagreement between the two on such key topics as the relationship between art and historical experience, between avant-garde art and mass culture, and between the intellectual and the public. He also addresses the continuing relevance of Benjamin and Adorno to ongoing debates in contemporary aesthetics, such as the end of art, the historical meaning of art, and the role of the critic.
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Benjamin
Philosophy, Aesthetics, History
Edited by Gary Smith
University of Chicago Press, 1989
Walter Benjamin (1896-1940) has been called by Hannah Arendt the "greatest critic of the century." While an increasing number of Anglo-American literary critics draw upon Benjamin's writings in their own works, their colleagues in the philosophical community remain relatively unacquainted with his legacy. In the European intellectual world, by contrast, Benjamin's critical epistemological program, his philosophies of history and language, and his aesthetics have long since become part of philosophical discourse. The present collection of articles, many of which were contained in earlier versions in the Winter 1983 special issue of the journal The Philosophical Forum, initiates the project of establishing Benjamin's importance to philosophy.

A balance of original work by Benjamin and important commentary on his works, this volume includes the crucial chapter from Benjamin's magnum opus The Arcades Project, his "Program of the Coming Philosophy," and "Central Park," as well as essays by leading scholars (including Theodor W. Adorno, Leo Lowenthal, and Rolf Tiedemann) that treat single philosophical themes and relate his ideas to those of other thinkers such as Gadamer, Goodmann, and Rosenzweig. Gary Smith's introduction to the volume provides an extremely useful and sophisticated entrée for readers unaccustomed to the breadth of Benjamin's philosophical allusions, as well as an informative summation of the contents of the volume. This book will be of interest to philosophers, literary theorists, art historians, anthropologists, and other social scientists.
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The Fall of Language
Benjamin and Wittgenstein on Meaning
Alexander Stern
Harvard University Press, 2019

In the most comprehensive account to date of Walter Benjamin’s philosophy of language, Alexander Stern explores the nature of meaning by putting Benjamin in dialogue with Wittgenstein.

Known largely for his essays on culture, aesthetics, and literature, Walter Benjamin also wrote on the philosophy of language. This early work is famously obscure and considered hopelessly mystical by some. But for Alexander Stern, it contains important insights and anticipates—in some respects surpasses—the later thought of a central figure in the philosophy of language, Ludwig Wittgenstein.

As described in The Fall of Language, Benjamin argues that “language as such” is not a means for communicating an extra-linguistic reality but an all-encompassing medium of expression in which everything shares. Borrowing from Johann Georg Hamann’s understanding of God’s creation as communication to humankind, Benjamin writes that all things express meanings, and that human language does not impose meaning on the objective world but translates meanings already extant in it. He describes the transformations that language as such undergoes while making its way into human language as the “fall of language.” This is a fall from “names”—language that responds mimetically to reality—to signs that designate reality arbitrarily.

While Benjamin’s approach initially seems alien to Wittgenstein’s, both reject a designative understanding of language; both are preoccupied with Russell’s paradox; and both try to treat what Wittgenstein calls “the bewitchment of our understanding by means of language.” Putting Wittgenstein’s work in dialogue with Benjamin’s sheds light on its historical provenance and on the turn in Wittgenstein’s thought. Although the two philosophies diverge in crucial ways, in their comparison Stern finds paths for understanding what language is and what it does.

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Icons of the Left
Benjamin and Eisenstein, Picasso and Kafka after the Fall of Communism
Otto Karl Werckmeister
University of Chicago Press, 1999
In his new book, art historian O. K. Werckmeister advances a critique of Marxist culture in capitalist society.
Focusing on some of the most celebrated instances of traditional "Western Marxism," Werckmeister shows how such "icons of the Left" have been progressively detached from their political roots in communist activism to the safe distance of utopian or revolutionary speculations. He assesses some recent critiques of "Western Marxism" in popular culture such as Soderbergh's film Kafka, pointing out the historic fallacies that underlie such wholesale repudiations. With this analysis, Werckmeister seeks to clear the ground for a coherent cultural policy of the Left that responds to the continuing crisis of society.

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Ideas across Cultures
Essays on Chinese Thought in Honor of Benjamin I. Schwartz
Paul A. Cohen
Harvard University Press, 1990

Benjamin Schwartz taught at Harvard from 1950 until his retirement in 1987. Through his teaching and writing, he became a major force in the field of Chinese studies, setting standards—above all in the area of intellectual history—that have been a source of inspiration to students and scholars worldwide. His influence extends well beyond the China field, cutting across conventional disciplinary boundaries, touching political science, religion, philosophy, and literature as well as history.

The essays in this book are by scholars who have studied with Benjamin Schwartz. Given the range of his own interests, it is fitting that they embrace an expanse of time from the Zhou dynasty to the present and a range of subjects equally inclusive—ancient and medieval Chinese thought, the fate of democracy in early Republican China, the development of aesthetic modernism in the 1920s and 1930s and its reemergence in the post-Mao era, the emphasis on spiritual regeneration and cultural transformation in Chinese and Japanese Marxism, popular values in twentieth-century China (as reflected in village theatrical performances), the larger issue of what part our own values should take in the study and assessment of other societies and cultures, and the equally broad issue of how we are to address the relationship between Chinese modernization and China’s traditional culture.

Despite this heterogeneity and the fact that the contributors include two political scientists, five historians with strong philosophical interests, and three scholars whose writing bridges the disciplines of history and literature, there is a surprising coherence to the volume. Almost all the authors consciously address either aspects of Schwartz’s general approach or specific themes dealt with in his work. Each contribution is about ideas and takes ideas and their societal roles seriously. Although presented in the specific context of China, the issues raised in these essays are important to the world beyond China. Exploring them in both their Chinese and non-Chinese settings reflects the power of Schwartz’s own work in illuminating a broader canvas of human thought.

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Saul, Benjamin, and the Emergence of Monarchy in Israel
Biblical and Archaeological Perspectives
Joachim J. Krause
SBL Press, 2020

Ponder questions of the united monarchy under Saul and David in light of current historical and archaeological evidence

Reconstructing the emergence of the Israelite monarchy involves interpreting historical research, approaching questions of ancient state formation, synthesizing archaeological research from sites in the southern Levant, and reexamining the biblical traditions of the early monarchy embedded in the books of Samuel and Kings. Integrating these approaches allows for a nuanced and differentiated picture of one of the most crucial periods in the history of ancient Israel. Rather than attempting to harmonize archaeological data and biblical texts or to supplement the respective approach by integrating only a portion of data stemming from the other, both perspectives come into their own in this volume presenting the results of an interdisciplinary Tübingen–Tel Aviv Research Colloquium.

Features:

  • Essays on Israel's monarchy by experts in biblical archaeology and biblical studies
  • Methods for integrating archaeology and biblical traditions in reconstructing ancient Israel's history
  • New research on the sociopolitical process of state formation in Israel and Judah
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The Saving Line
Benjamin, Adorno, and the Caesuras of Hope
Márton Dornbach
Northwestern University Press, 2021

Walter Benjamin and Theodor Adorno both turned to canonical literary narratives to determine why the Enlightenment project was derailed and how this failure might be remedied. The resultant works, Benjamin’s major essay on Goethe’s Elective Affinities and Adorno’s meditation on the Odyssey in Dialectic of Enlightenment, are centrally concerned with the very act of narration. Márton Dornbach’s groundbreaking book reconstructs a hitherto unnoticed, wide-ranging dialogue between these foundational texts of the Frankfurt School.

At the heart of Dornbach’s argument is a critical model that Benjamin built around the concept of caesura, a model Adorno subsequently reworked. Countering an obscurantism that would become complicit in the rise of fascism, the two theorists aligned moments of arrest in narratives mired in unreason. Although this model responded to a specific historical emergency, it can be adapted to identify utopian impulses in a variety of works.

The Saving Line throws fresh light on the intellectual exchange and disagreements between Benjamin and Adorno, the problematic conjunction of secular reason and negative theology in their thinking, and their appropriations of ancient and modern legacies. It will interest scholars of philosophy and literature, critical theory, German Jewish thought, classical reception studies, and narratology.

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Shelley with Benjamin
A Critical Mosaic
Mathelinda Nabugodi
University College London, 2023
A comparison of the works of Percy Bysshe Shelley and Walter Benjamin that examines their similarities through citation, translation, and critical commentary.

Shelley with Benjamin is an experiment in comparative reading. Born a century apart, Percy Bysshe Shelley and Walter Benjamin are separated by time, language, temperament, and genre. One is a Romantic poet known for his revolutionary politics and delicate lyricism, and the other is a melancholy intellectual who pioneered a dialectical method of thinking in constellations. Yet, taken together, their ideas are mutually illuminating.

In a series of close readings that are by turns playful, erotic, and violent, Mathelinda Nabugodi unveils affinities between two writers whose works are simultaneously interventions in literary history and blueprints for an emancipated future. In addition to offering fresh interpretations of both major and minor writings, she elucidates the personal and ethical stakes of literary criticism. The book will appeal to readers of Shelley and Benjamin as well as those with an interest in comparative literature, literary theory, romantic poetics, and creative critical writing.
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Street Scenes
Brecht, Benjamin and Berlin
Nicolas Whybrow
Intellect Books, 2004
Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership.
Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The "Street Scene" model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning and everyday life. His preoccupation with the ceaselessness of change, an impulse implying rupture and movement as the key characteristics informing the development of a democratic cultural identity, correlates resonantly with the notion of an ever-evolving city.
Premised on an understanding of performance as the articulation of movement in space, Street Scenes interrogates what kind of "life" is permitted to "flow" in the "new Berlin." Central to this method is the flaneur figure, a walker of streets who provides detached observations on the revealing "detritus of modern urban existence." Walter Benjamin, himself a native of Berlin as well as friend and seminal critic of Brecht, exercised the practice in exemplary form in his portrait of the city One-Way Street.
Street Scenes offers various points of entry for the reader, including those interested in: theatre, performance, visual art, architecture, theories of everyday life and culture, and the politics of identity. Ultimately, it is an interdisciplinary book, which strives to establish the 'porosity' of areas of theory and practice rather than hard boundaries.
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