front cover of Beyond Ideology
Beyond Ideology
Politics, Principles, and Partisanship in the U. S. Senate
Frances E. Lee
University of Chicago Press, 2009

The congressional agenda, Frances Lee contends, includes many issues about which liberals and conservatives generally agree. Even over these matters, though, Democratic and Republican senators tend to fight with each other. What explains this discord? Beyond Ideology argues that many partisan battles are rooted in competition for power rather than disagreement over the rightful role of government.

The first book to systematically distinguish Senate disputes centering on ideological questions from the large proportion of them that do not, this volume foregrounds the role of power struggle in partisan conflict. Presidential leadership, for example, inherently polarizes legislators who can influence public opinion of the president and his party by how they handle his agenda. Senators also exploit good government measures and floor debate to embarrass opponents and burnish their own party’s image—even when the issues involved are broadly supported or low-stakes. Moreover, Lee contends, the congressional agenda itself amplifies conflict by increasingly focusing on issues that reliably differentiate the parties. With the new president pledging to stem the tide of partisan polarization, Beyond Ideology provides a timely taxonomy of exactly what stands in his way.

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front cover of The Truth of Uncertainty
The Truth of Uncertainty
Beyond Ideology in Science and Literature
Edward L. Galligan
University of Missouri Press, 1998

In the last chapter of Walden, Henry David Thoreau proclaims a simple yet profound conviction: "Any truth is better than make- believe." Edward Galligan shares this conviction. In The Truth of Uncertainty: Beyond Ideology in Science and Literature, he argues that contemporary American critics should embrace literary truths with all of their ardent uncertainties rather than cling to the make-believe certainties of ideologies.

 Postmodern critics fail to ask the truth-seeker's essential question, What does the evidence prove? and instead trust the generalizations and slogans of ideologies to guide their interpretations. Attempting to be up-to-date and profound, these critics lose sight of the literature they are supposed to explore.

The Truth of Uncertainty celebrates values commonly associated with modern, not postmodern criticism, applying them to contemporary works in a series of fresh and unusual inquiries. Galligan finds important implications for criticism in work from the physical sciences that are rarely touched on by American intellectuals, such as Gerald M. Edelman's Bright Air, Brilliant Fire: On the Matter of the Mind and Roger Penrose's The Emperor's New Mind: Concerning Computers, Minds, and the Laws of Physics. Likewise, he finds illumination in the works of novelists that American critics have largely ignored—Josef Skvorecky, George V. Higgins, Mary Lee Settle, Robertson Davies.

As a consequence of dealing with these "unusual" texts, Galligan presents a refreshing interpretation of a number of important concepts: language is grounded in talk; all literary criticism is subjective and tentative because reading is a highly subjective enterprise; and, most important, the world is real and any truth is indeed better than make-believe. He moves from a rejection of criticism in the service of ideology to an affirmation of criticism in the service of truthfulness.

The ideas celebrated in The Truth of Uncertainty are timeless and valuable. Galligan returns to the text and provides a penetrating critique of the state of contemporary criticism, which has abandoned truth for ideology. The result is an eloquent salute to literature itself.

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