The role of generations is an important, yet often overlooked, variable in the study of American politics. A topic of research in sociology, business, and marketing, the focus on generations frequently occurs in American pop culture and journalism. The general public often assumes that different generations have different political leanings and beliefs—that the Silent Generation is all Republican, white, and conservative, or that Millennials are liberal and diverse—but are these assumptions true?

Generational Politics in the United States is the first comprehensive book that examines the concept of generations from a political science perspective. It defines what a generation is and how to sort out the differences between life cycle, cohort, and aging effect. The book then brings together chapters from an array of political science scholars that examine the role of generations in American politics and how it relates to other variables such as age, race, gender, and socioeconomic status. It discusses how politics in the United States are impacted by changes in generations, including how the passing of the Baby Boom generation and rise of the Millennials and Gen Z will change American politics. By examining the differences in political attitudes, engagement, and impact of recent generations, Generational Politics in the United States suggests how generational change will impact American politics in the future.

A great deal has been said and written about pollution, overpopulation, the depletion of natural resources, and the imminence of an ecological breakdown of catastrophic proportions. The urgent questions are: What can and must be done? How can we organize our knowledge, mobilize our energies, and focus our policy planning so as to create a new relationship between man and the world in which he lives? In Growth Policy a team of experts presents a truly original, interdisciplinary approach to growth policy research from an ecosystem perspective. The authors provide an overall systems framework in which research in population, environment, and social values can be integrated and then expanded to aid the policy-decision process. The authors challenge the conventional wisdom and assumptions that underlie current policy making, and they question the ability of present political and policy-making institutions to coordinate and control the interactions among the environment, population, resource consumption, and technological development. Nor do they subscribe to the facile notion that technology alone will solve the overall problem. Instead, they propose a macrosystems approach to policy research that identifies the issues, classifies and expands the range of possible policies, uses analytical models and computer technology to compare these possible policies in terms of the overall effect desired, and finally, requires the cooperation of policy makers and researchers as well as the public at the national and international levels. This approach has the virtue of developing rational and careful planning decisions without denying the elements of subjectivity and risk involved in such decision making. It also seeks to ensure that considerations of basic human values permeate all responses to the environmental crisis. The authors argue that new concepts of life on earth, of human society and culture, and even of man himself need to be formulated if human society is to enhance

Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and music. Gypsy music is popular around the world and often performed with gusto at major events, including at weddings in Bulgaria, jazz bars in Paris, and festivals in the United States.

In Gypsy Music, Alan Ashton-Smith explores why this music has such wide appeal, surveying the varied styles that are considered to be gypsy music and asking what links them together. The book begins in the Balkans, home to the world’s largest Romani populations and a major site of gypsy music production. But just as the traditionally nomadic Roma have traveled globally, so has their music. Gypsy music styles have roots and associations outside of the Balkans, including Russian Romani guitar music, flamenco and gypsy jazz, and the more recent forms of gypsy punk and Balkan beats.

Covering the thirteenth century to the present day, and with a geographical scope that ranges from rural Romania to New York by way of Budapest, Moscow, and Andalusia, Gypsy Music reveals the remarkable diversity of this exuberant art form.