"My energies for near a lifetime have been used almost entirely to win such prominence as I could in outdoor photography."—H. H. Bennett
Henry Hamilton Bennett (1843–1908) became a celebrated photographer in the half-century following the American Civil War. Bennett is admired for his superb depictions of dramatic landscapes of the Dells of the Wisconsin River and also for his many technical innovations in photography, including a stop-action shutter and a revolving solar printing house that is now housed at the Smithsonian Institution. With his instantaneous shutter, he gained recognition for his striking images of moving subjects, such as lumber raftsmen shooting the river rapids and his son Ashley leaping in midair from a bluff to the craggy pillar of Stand Rock. Less well-known are Bennett’s splendid urban photographs of nineteenth-century Chicago, Milwaukee, and St. Paul.
This engaging biography of H. H. Bennett tells his life story, illustrated throughout with his remarkable photographs, some of them rarely viewed before. It draws on the photographer’s own letters and journals, along with other family documents, to portray the sweep of his career and personal life. An important figure in the history of photography, he also contributed to the growth of American tourism: his nationally distributed stereoscopic views of Dells rock formations and his portraits of local Ho-Chunk Indians played a significant role in creating the Wisconsin Dells as the popular tourist destination it is today. Despite personal challenges—a crippling Civil War injury, the death of his first wife, and continual financial worries—Bennett produced an extensive portfolio that captures the midwestern culture of his time. He accepted commissions in the 1890s to document Chicago’s modern skyscrapers, grand residences of Milwaukee’s entrepreneurs and sailing ships in its harbor, enormous scenic panoramas along the routes of Wisconsin railroads, and sparkling ice palaces lit by fireworks at the St. Paul Winter Carnival.
Finalist, Midwest Regional Interest, Midwest Book Awards
Born in Prague to Holocaust survivors, Hadassah Lieberman and her family immigrated in 1949 to the United States. She went on to earn a BA from Boston University in government and dramatics and an MA in international relations and American government from Northeastern University. She built a career devoted largely to public health that has included positions at Lehman Brothers, Pfizer, and the National Research Council. After her first marriage ended in divorce, she married Joe Lieberman, a US senator from Connecticut who was the Democratic nominee for vice president with Al Gore and would go on to run for president.
In Hadassah, Lieberman pens the compelling story of her extraordinary life: from her family's experience in Eastern Europe to their move to Gardner, Massachusetts; forging her career; experiencing divorce; and, following her remarriage, her life on the national political stage. By offering insight into her identity as an immigrant, an American Jew, a working woman, and a wife, mother, and grandmother, Lieberman’s moving memoir speaks to many of the major issues of our time, from immigration to gender politics. Featuring an introduction by Joe Lieberman and an afterword by Megan McCain, it is a true American story.
Even in the panoply of Roman history, Hadrian stands out. Emperor from 117 to 138 ad, he was at once a benevolent ruler and a ruthless military leader, known for his restless and ambitious nature, his interest in architecture, and his passion for Greek culture. This book moves beyond the familiar image of Hadrian to offer a new appraisal of this Emperor’s contradictory personality, his exploits and accomplishments, his rule, and his military role, against the backdrop of his twenty-one-year reign.
Lavishly illustrated with key works of art and objects, celebrated and little-known sculptures, bronzes, coins and medals, drawings, and watercolors from museums around the globe, the book conveys a vivid sense of the world Hadrian inhabited. Thorsten Opper shows the emperor from many angles—as a complex individual, as a military leader and strategist, as the amateur architect who created magnificent buildings such as his villa at Tivoli (an empire in miniature), as the lover who deified his male lover Antinous after his mysterious death in the Nile, and, finally, as the traveler who tirelessly roamed his empire and its boundaries.
From his place in Roman history to his legacy, which even makes its way into the popular culture of our day, the Hadrian who emerges from these pages is no longer larger than life; rather, he has all the depth and complexity, the color and shadings and detail of life itself.
Half-Life of a Zealot tells how the girl who spoke against “Reds” alongside her father became a fierce advocate for progressive change in America and abroad, an innovative philanthropist, and Bill Clinton’s Ambassador to Austria. In captivating prose, Hunt describes the warmth and wear of Southern Baptist culture, which instilled in her a calling to help those who are vulnerable. The reader is drawn into her full-throttle professional life as it competes with critical family needs.
Hunt gives a remarkably frank account of her triumphs and shortcomings; her sorrows, including a miscarriage and the failure of a marriage; the joys and struggles of her second marriage; and her angst over the life-threatening illness of one of her three children. She is candid about the opportunities her fortune has created, as well as the challenge of life as an heiress.
Much of Swanee Hunt’s professional life is devoted to expanding women’s roles in making and shaping public policy. She is the founding director of Harvard’s Women and Public Policy Program at the Kennedy School of Government, chair of the Initiative for Inclusive Security, and president of the Hunt Alternatives Fund.
Swanee Hunt’s autobiography brims over with strong women: her mother, whose religious faith and optimism were an inspiration; her daughter, who fights the social stigma of mental disorders; the women of war-torn Bosnia, who transformed their grief into action; and friends like Hillary Clinton, who used her position as First Lady to strengthen the voices of others.
Hunt is one more strong woman. Half-Life of a Zealot is her story—so far.
Hamlin Garland’s Main-Travelled Roads is recognized as one of the early landmarks of American literary realism. But Garland’s shift in mid-career from the harsh verisimilitude of Prairie Folks and Prairie Songs to a romanticizing of the Far West, and from ardent espousal of the principles of “veritism” to violent denunciations of naturalism, is a paradox which has long puzzled literary historians.
In tracing the evolution of Garland’s work, the various reactions of his stories under the influence of editorial comment and of contemporary critical reaction, Jean Holloway suggests that the Garland apostasy was an illusion produced by his very intellectual immobility amidst the swirling currents of American thought. His extensive correspondence with Gilder of the Century, Alden of Harper’s Monthly, McClure of McClure’s, and Bok of the Ladies’ Home Journal is adduced in support of the thesis that the writer’s choices of subject and of treatment were psychologically forced rather than conditioned primarily by literary theory.
As a subject for biography, however, Garland has an appeal far beyond the scope of his literary influence. The friendships of this gregarious peripatetic with the famous began with Howells, Twain, Whitman, and Stephen Crane, stretched down the years to include such younger men as Bret Harte and Carl Van Doren, and crossed the seas to embrace such British literary lions as Barrie, Shaw, and Kipling. Garland’s fervent espousal of “causes”—the Single Tax Movement, psychic experimentation, Indian rights-brought him into close contact with other prominent men—Henry George, Theodore Roosevelt, and William Jennings Bryan.
These public figures form the incidental characters in Garland’s spate of autobiographical works. Yet it is the central figure of his own story which has become permanently identified with the “Middle Border,” that region “between the land of the hunter and the harvester” which Augustus Thomas defined as “wherever Hamlin Garland is.” In A Son of the Middle Border Garland nostalgically recreated his boyhood on the frontier and, regardless of the detractions of literary critics, preserved for posterity an important segment of American social history.
After his mysterious death, Dag Hammarskjöld was described by John F. Kennedy as the "greatest statesman of our century." Second secretary-general of the United Nations (1953 - 61), he is the only person to have been awarded the Nobel Peace Prize posthumously. Through extensive research in little explored archives and personal correspondence, Roger Lipsey has produced the definitive biography of Dag Hammarskjöld. Hammarskjöld: A Life provides vivid new insights into the life and mind of a truly great individual. Hammarskjöld the statesman and Hammarskjöld the author of the classic spiritual journal Markings meet in this new biography - and the reader will meet them both in these pages. A towering mid-twentieth-century figure, Hammarskjöld speaks directly to our time.
"Hanif Kureishi is a proper Englishman. Almost." So observes biographer Kenneth Kaleta. Well known for his films My Beautiful Laundrette and Sammy and Rosie Get Laid, the Anglo-Asian screenwriter, essayist, and novelist has become one of the leading portrayers of Britain's multicultural society. His work raises important questions of personal and national identity as it probes the experience of growing up in one culture with roots in another, very different one.
This book is the first critical biography of Hanif Kureishi. Kenneth Kaleta interviewed Kureishi over several years and enjoyed unlimited access to all of his working papers, journals, and personal files. From this rich cache of material, he opens a fascinating window onto Kureishi's creative process, tracing such works as My Beautiful Laundrette, Sammy and Rosie Get Laid, The Buddha of Suburbia, London Kills Me, The Black Album, and Love in a Blue Time from their genesis to their public reception. Writing for Kureishi fans as well as film and cultural studies scholars, Kaleta pieces together a vivid mosaic of the postcolonial, hybrid British culture that has nourished Kureishi and his work.
The Hanlons—a family of six brothers from Manchester, England—were one of the world’s premiere performing troupes in the mid-nineteenth and early twentieth centuries, yet their legacy has been mostly forgotten. In The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833–1931, Mark Cosdon carefully documents the careers of this talented family and enumerates their many contributions to modern popular entertainment.
As young men, the Hanlons stunned audiences all over the world with their daring acrobatic feats. After a tragic accident severely injured one brother (and indirectly led to his suicide in a manner achievable only by someone with considerable acrobatic talents), they moved into the safer arena of spectacle pantomime, where they became the rage of Parisian popular theatre. They achieved fame with their uproariously funny and technically astonishing production of Le Voyage en Suisse. After settling permanently in the northeastern United States, they developed two more full-length pantomimes, Fantasma and Superba. The three shows toured for more than thirty years, a testament to their popularity and to the Hanlons’ impressive business acumen.
The book’s illustrations—including sketches of their performances, studio photographs of the Hanlons, and posters for all three of their major pantomimes—are essential to the understanding of their work. The Hanlon Brothers is painstakingly researched yet accessible and engaging. Cosdon has managed to provide a thorough and engrossing account of the Hanlons’ lives and careers, which will no doubt help to reestablish their legacy in the world of popular entertainment.
Hannah Arendt is one of the most famous political theorists of the twentieth century, yet in the social sciences her work has rarely been given the attention it deserves. This careful and comprehensive study introduces Arendt to a wider audience.
Finn Bowring shows how Arendt's writings have engaged with and influenced prominent figures in the sociological canon, and how her ideas may shed light on some of the most pressing social and political problems of today. He explores her critique of Marx, her relationship to Weber, the influence of her work on Habermas and the parallels and discrepancies between her and Foucault. This is a clearly written and scholarly text which surveys the leading debates over Arendt’s work, including discussions of totalitarianism, the public sphere and the nature of political responsibility.
This book will bring new perspectives to students and lecturers in sociology and politics.
In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl ("hapa" is Hawaiian for "mixed") their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.
May-lee Chai's memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans' "fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China's. And I realized finally that it had not been my fault."
“A kind of homemade book—imperfect like a handmade thing, a prize. It’s a galloping, spontaneous book, on occasion within whooping distance of that greatest and sweetest of country books, Ivan Turgenev’s A Sportsman’s Notebook.” —Edward Hoagland, New York Times Book Review
“His subjects are trees and brush, hired help, fences, soil, armadillos and other wildlife, flood and drought, local history, sheep and goats . . . and they come to us reshaped and reenlivened by his agreeably individual (and sometimes cranky) notions.” —New Yorker
“If Goodbye to a River was in some sense Graves’s Odyssey, this book is his [version of Hesiod’s] Works and Days. It is partly a book about work, partly a book about nature, but mostly a book about belonging. In the end John Graves has learned to belong to his patch of land so thoroughly that at moments he can sense in himself a unity with medieval peasants and Sumerian farmers, working with their fields by the Tigris.” —Larry McMurtry, Washington Post Book World
“Hard Scrabble is hard pastoral of the kind we have learned to recognize in Wordsworth, Frost, Hemingway, and Faulkner. It celebrates life in accommodation with a piece of the ‘given’ creation, a recalcitrant four hundred or so acres of Texas cedar brake, old field, and creek bottom, which will require of any genuine resident all the character he can muster.” —Southwest Review
In this ground-breaking collection of literary biographies, many with pictures, authors Lorraine Elena Roses and Ruth Elizabeth Randolph chronicle the lives and works of 100 black women novelists, short-story writers, playwrights, poets, essayists, critics, historians, journalists, and editors writing in the United States between 1900 and 1945.
Here are insightful portraits of famous black women, among them Zora Neale Hurston, Katherine Dunham, Angelina Weld Grimké, Mary Eliza Church Terrell, and Ida Bell Wells-Barnett. Here, too, are many thoughtful profiles of neglected writers--their works deserving to be rescued from obscurity. Drawing on extensive archival research and interviews with the writers and their families, The Harlem Renaissance and Beyond traces its subjects' contributions to literature, their concerns about race and gender, their common themes, their relationships with artistic contemporaries, and the influence of these early writers on their modern-day counterparts in American literature.
This addition to the Badger Biographies series tells the story of four young inventors who shared a dream: to create the best motorized bicycle in America. Their turn of the century aspirations took them from a backyard machine shop to a highly successful business empire - and all in the span of just a few years. With grit, determination, and not a little elbow grease, Bill Harley and the Davidson brothers - Arthur, William, and Walter - used their engineering and machine-shop expertise to continually perfect their designs and present the best possible products to the American public. Along the way they made their mark on the racing circuit and introduced safety measures that continue to this day. After their deaths, their sons and daughters continued this legacy, buying back the company after it changed hands and re-establishing Harley-Davidson as the king of the motorcycle world. From the old Knucklehead, Panhead and Shovelhead motors to the Evolution, Revolution and Twin Cam engines that followed, the story of Harley and the Davidsons remains one of the great success stories of the 20th century.
Harold Frederic - American Writers 83 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The latest volume in the Michigan Modern Dramatists series offers an authoritative but accessible look at Harold Pinter, one of the greatest and most influential postwar British playwrights and author of classic works such as The Birthday Party and The Homecoming. Pinter was awarded the Nobel Prize for Literature in 2005 for his remarkable body of work and plays that "uncover the precipice under everyday prattle and force entry into oppression's closed rooms."
Harold Pinter: The Theatre of Power focuses on the playwright's continuously innovative experiments in theatrical form while tracing the recurrence of a consistent set of ethical and epistemological concerns. Exploring important plays from across this prolific writer’s career, author Robert Gordon argues that the motivating force in almost all of Pinter's drama is the ceaseless desire for power, represented in his work as a compulsive drive to achieve or maintain dominance—whether it be the struggle to defend one's own territory from intruders, the father's battle with his sons to assert his patriarchal position in the family, the manipulation of erotic feelings in the gender warfare that motivates sexual relationships, the abuse of brute force by dictatorships and democracies, or simply the masculine obsession to dominate. Gordon demonstrates the adventurousness of Pinter's experimentation with form while at the same time exposing the ethical, epistemological, and aesthetic preoccupations that have persisted with remarkable consistency throughout his career.
Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women.
Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century.
Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.
The iconic leader of one of America’s most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny’s monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.
An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.
Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.
Both a life story and a portrait of public higher education during the twentieth century, Harry Huntt Ransom captures the spirit of a dynamic individual who dedicated his talents to nurturing intellectual life in Texas and beyond. Tracing the details of Ransom's youth in Galveston and Tennessee and his education at Yale, where he earned a doctorate, Alan Gribben provides new insight into the factors that shaped Ransom's future as a renowned administrator and defender of the humanities.
Ransom's career at the University of Texas began in 1935, when he was hired as an instructor of English. He rose through the ranks to become chancellor, stepping down in 1971 during a volatile period when debates about the University's central mission raged—particularly over the question of commercializing higher education. The development of Ransom's lasting legacy, the Humanities Research Center bearing his name, is explored in depth as well. Bringing to life a legendary figure, Harry Huntt Ransom is a colorful testament to a singular man of letters who had the audacity to propose "that there be established somewhere in Texas—let's say in the capital city—a center of our cultural compass, a research center to be the Bibliothèque Nationale of the only state that started out as an independent nation."
Harry Reasoner was one of the most trusted and well-liked journalists of the golden age of network television news. Whether anchoring the evening newscast on CBS in the 1960s or on ABC in the 1970s, providing in-depth reporting on 60 Minutes, or hosting numerous special programs covering civil rights struggles, the Vietnam War, and Watergate, Reasoner had "that almost mystical quality it seems to take for good television reporting, exuding this atmosphere of truth and believability," in the words of Walter Cronkite. Yet his reassuring manner and urbane, often witty, on-air persona masked a man who was far more complex and contradictory. Though gifted with the intelligence and drive to rise to the top of his profession, Reasoner was regarded by many colleagues as lazy and self-indulgent, a man who never achieved his full potential despite his many accomplishments.
Harry Reasoner: A Life in the News covers the entire sweep of this enigmatic journalist's life and career. Douglass K. Daniel opens with Reasoner's Depression-era Midwestern upbringing and follows him through his early work in newspapers and radio before he joined CBS in 1956. Focusing on Reasoner's thirty-five-year tenure in television news, Daniel presents fascinating, behind-the-scenes accounts of Reasoner's key role in founding the top-rated newsmagazine 60 Minutes. He also explores Reasoner's highly publicized move to ABC in 1970, where he anchored the nightly newscast, first with Howard K. Smith and later with Barbara Walters—a disastrous pairing from which Reasoner's career never fully recovered.
Based on scores of interviews and unpublished letters, memos, and other primary sources, this first biography of the man once rated second in credibility only to Walter Cronkite illuminates an entire era in broadcast journalism, as well as many of the unique personalities, from Andy Rooney to Mike Wallace, who made that era distinctive.
Few U.S. presidents have captured the imagination of the American people as has Harry S. Truman, “the man from Missouri.”
In this major new biography, Robert H. Ferrell, widely regarded as an authority on the thirty-third president, challenges the popular characterization of Truman as a man who rarely sought the offices he received, revealing instead a man who—with modesty, commitment to service, and basic honesty—moved with method and system toward the presidency.
Truman was ambitious in the best sense of the word. His powerful commitment to service was accompanied by a remarkable shrewdness and an exceptional ability to judge people. He regarded himself as a consummate politician, a designation of which he was proud. While in Washington, he never succumbed to the “Potomac fever” that swelled the heads of so many officials in that city. A scrupulously honest man, Truman exhibited only one lapse when, at the beginning of 1941, he padded his Senate payroll by adding his wife and later his sister.
From his early years on the family farm through his pivotal decision to use the atomic bomb in World War II, Truman’s life was filled with fascinating events. Ferrell’s exhaustive research offers new perspectives on many key episodes in Truman’s career, including his first Senate term and the circumstances surrounding the Truman Doctrine and the Marshall Plan. In addition, Ferrell taps many little-known sources to relate the intriguing story of the machinations by which Truman gained the vice presidential nomination in 1944, a position which put him a heartbeat away from the presidency.
No other historian has ever demonstrated such command over the vast amounts of material that Robert Ferrell brings to bear on the unforgettable story of Truman’s life. Based upon years of research in the Truman Library and the study of many never-before-used primary sources, Harry S. Truman is destined to become the authoritative account of the nation’s favorite president.
Given his background, President Truman was an unlikely champion of civil rights. Where he grew up—the border state of Missouri—segregation was accepted and largely unquestioned. Both his maternal and paternal grandparents had owned slaves, and his mother, victimized by Yankee forces, railed against Abraham Lincoln for the remainder of her ninety-four years. When Truman assumed the presidency on April 12, 1945, Michael R. Gardner points out, Washington, DC, in many ways resembled Cape Town, South Africa, under apartheid rule circa 1985.
Truman’s background notwithstanding, Gardner shows that it was Harry Truman—not Franklin D. Roosevelt, Dwight D. Eisenhower, or John F. Kennedy—who energized the modern civil rights movement, a movement that basically had stalled since Abraham Lincoln had freed the slaves. Gardner recounts Truman’s public and private actions regarding black Americans. He analyzes speeches, private conversations with colleagues, the executive orders that shattered federal segregation policies, and the appointments of like-minded civil rights activists to important positions. Among those appointments was the first black federal judge in the continental United States.
One of Gardner’s essential and provocative points is that the Frederick Moore Vinson Supreme Court—a court significantly shaped by Truman—provided the legal basis for the nationwide integration that Truman could not get through the Congress. Challenging the myth that the civil rights movement began with Brown v. Board of Education under Chief Justice Earl Warren, Gardner contends that the life-altering civil rights rulings by the Vinson Court provided the necessary legal framework for the landmark Brown v. Board of Education decision.
Gardner characterizes Truman’s evolution from a man who grew up in a racist household into a president willing to put his political career at mortal risk by actively supporting the interests of black Americans.
Hart Crane - American Writers 47 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The University of Minnesota Pamphlets on American Writers series provides concise, stimulating introductions to American writers of all periods. The pamphlet authors are critics and writers recognized for their competence in their particular fields. Each pamphlet devoted to a single writer contains biographical information, a discussion and critical evaluation of his work, and a selected bibliography. Teachers of American literature, both in the United States and abroad, in colleges, universities, and secondary schools find the pamphlets ideal for their students' use. For general readers and librarians they are equally useful and interesting.
Hart Crane was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
More than half a century after his death, the work of Hart Crane (1899–1932) remains central to our understanding of twentieth-century American poetry. During his short life, Crane's contemporaries had difficulty seeing past the "roaring boy" who drank too much and hurled typewriters from windows; in recent years, he has come to be seen as a kind of "last poet" whose only theme is self-destruction, and who himself exemplifies the breakdown of poetry in the modern age. Taking as a point of departure Robert Lowell's 1961 valuation of Crane and his power to speak from "the center of things," Warner Berthoff in this book reappraises the essential character and force of Crane's still problematic achievement. Though he takes into account the substantial body of commentary on Crane's work, his primary intent is to look afresh at the poems themselves, and at the poet's clear-eyed (and brilliant) letters. This approach enables Berthoff, first, to track the emergence and development of Crane's lyric style—an art that recreates, in compact form, the turbulence of the modern city. He then explores the background and historical community that nourished Crane's creative imagination, and he evaluates Crane's conception of the ideal modern poetic: a poetry of ecstasy created with architectural craft. His final chapter is devoted to The Bridge, the ambitious lyric suite that proved to be the climax and terminus of Crane's work. Berthoff's emphasis throughout is on the beauty and power of individual poems, and on the sanity, shrewdness, and sense of purpose that informed Crane's working intelligence.
If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.
For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.
And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”
For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.
This new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed The New Harvard Dictionary of Music and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians.
This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century.
Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.
"In this comprehensive biography, compiled from meticulous research and interviews with many of McCorkle's confidants . . . Dahl reconstructs a career distinguished by great promise and great sadness . . . doing her best to address a large, looming 'Why?' that can never be completely answered."
—New York Times
"A compelling, sympathetic but often chilling view not only of McCorkle's complexities but also of the difficult business of music itself and of the widespread always potentially fatal illness now better known as bipolar disorder, which the singer hid from so many, even from herself for many years."
—Newsweek
“Susannah's life was dark and daunting. Her music was suave and sunny. Both are honored in this remarkably well-researched and constantly revealing keyhole peek into a haunted life that is both chilling and exhilarating. I could not put it down.”
—Rex Reed
“Susannah McCorkle was a mesmerizing singer with a dark side she hid even from her closest friends. Now, thanks to this probing and courageous biography, we can understand the gut ambition that took her to the top of her field and the turmoil that brought her down.”
—James Gavin, author of Deep in a Dream: The Long Night of Chet Baker
“Haunted Heart strikingly resembles the woman it describes: it is vivacious, tender, saturnine, industrious, and deeply intelligent. Like Susannah's way with certain ballads, it opens a wound and begins the work of healing it. I am grateful for Linda Dahl's diligence and sympathy.”
—Leon Wieseltier
Linda Dahl is the author of Stormy Weather: The Music and Lives of a Century of Jazzwomen and Morning Glory: A Biography of Mary Lou Williams. Visit the author’s website at www.dahljazz.com.
This is the story of a man who tried to resurrect the spirit of democratic life. He was born into a time of chaos and absurdity, and he took it as his fate to carry a candle into the night. This is his story and the story of many others, the writers, artists, actors, and philosophers who took it upon themselves to remember a tradition that had failed so miserably it had almost been forgotten.
Václav Havel (1936–2011), the famous Czech dissident, intellectual, and playwright, was there when a half million people came to Wenceslas Square to demand an end to Communism in 1989. Many came to hear him call for a free Czechoslovakia, for democratic elections, and a return to Europe. The demonstrators roared when he spoke. “Havel to the castle,” they chanted— meaning Havel for president. And a few weeks later, Havel became a most unusual president. He was sometimes misunderstood and not always popular, but by the time of his death in 2011, the world recognized Havel as one of the most prominent figures of the twentieth century.
Born into one of the most prominent and wealthy families in Prague, Havel was the constant subject of attention and an artistic eccentric in a family of businessmen. A young Havel and his family were cast by the Communist takeover as class enemies. Havel traveled a dark road that, ironically, provided the experiences he needed to reconnect not only to his own “ground of being” but to the traditions of civic society. This biography is the story of Havel’s inward journey in his underground years and thus the story of how Havel, the outsider, became the ultimate insider as president of the nation.
In this intimate and sweeping portrayal of Havel, David Barton reveals the eccentricities of the last president of Czechoslovakia, and the first president of the Czech Republic.
At his death, Nathaniel Hawthorne (1804–1864) was universally acknowledged in America and England as "the Great Romancer." Novels such as The Scarlet Letter and The House of the Seven Gables and stories published in such collections as Twice-Told Tales continue to capture the minds and imaginations of readers and critics to this day. Harder to capture, however, were the character and personality of the man himself. So few of the essays that appeared in the two years after his death offered new insights into his life, art, and reputation that Hawthorne seemed fated to premature obscurity or, at least, permanent misrepresentation. This first collection of personal reminiscences by those who knew Hawthorne intimately or knew about him through reliable secondary sources rescues him from these confusions and provides the real human history behind the successful writer.
Remembrances from Elizabeth Peabody, Sophia Hawthorne, Oliver Wendell Holmes, Ralph Waldo Emerson, Bronson Alcott, Rebecca Harding Davis, and twenty others printed in Hawthorne in His Own Time follow him from his childhood in Salem, through his years of initial literary obscurity, his days in the Boston and Salem Custom Houses, his service as U.S. Consul to Liverpool and Manchester and his life in the Anglo-American communities at Rome and Florence, to his late years as the "Great Romancer."
In their enlightening introduction, editors Ronald Bosco and Jillmarie Murphy assess the postmortem building of Hawthorne's reputation as well as his relationship to the prominent Transcendentalists, spiritualists, Swedenborgians, and other personalities of his time. By clarifying the sentimental associations between Hawthorne's writings and his actual personality and moving away from the critical review to the personal narrative, these artful and perceptive reminiscences tell the private and public story of a remarkable life.
"Hazel Scott was an important figure in the later part of the Black renaissance onward. Even in an era where there was limited mainstream recognition of Black Stars, Hazel Scott's talent stood out and she is still fondly remembered by a large segment of the community. I am pleased to see her legend honored."
---Melvin Van Peebles, filmmaker and director
"This book is really, really important. It comprises a lot of history---of culture, race, gender, and America. In many ways, Hazel's story is the story of the twentieth century."
---Murray Horwitz, NPR commentator and coauthor of Ain't Misbehavin'
"Karen Chilton has deftly woven three narrative threads---Adam Clayton Powell, Jr., Harlem, and Hazel Scott---into a marvelous tapestry of black life, particularly from the Depression to the Civil Rights era. Of course, Hazel Scott's magnificent career is the brightest thread, and Chilton handles it with the same finesse and brilliance as her subject brought to the piano."
---Herb Boyd, author of Baldwin's Harlem: A Biography of James Baldwin
"A wonderful book about an extraordinary woman: Hazel Scott was a glamorous, gifted musician and fierce freedom fighter. Thank you Karen Chilton for reintroducing her. May she never be forgotten."
---Farah Griffin, Institute for Research in African-American Studies, Columbia University
In this fascinating biography, Karen Chilton traces the brilliant arc of the gifted and audacious pianist Hazel Scott, from international stardom to ultimate obscurity.
A child prodigy, born in Trinidad and raised in Harlem in the 1920s, Scott's musical talent was cultivated by her musician mother, Alma Long Scott as well as several great jazz luminaries of the period, namely, Art Tatum, Fats Waller, Billie Holiday and Lester Young. Career success was swift for the young pianist---she auditioned at the prestigious Juilliard School when she was only eight years old, hosted her own radio show, and shared the bill at Roseland Ballroom with the Count Basie Orchestra at fifteen. After several stand-out performances on Broadway, it was the opening of New York's first integrated nightclub, Café Society, that made Hazel Scott a star. Still a teenager, the "Darling of Café Society" wowed audiences with her swing renditions of classical masterpieces by Chopin, Bach, and Rachmaninoff. By the time Hollywood came calling, Scott had achieved such stature that she could successfully challenge the studios' deplorable treatment of black actors. She would later become one of the first black women to host her own television show. During the 1940s and 50s, her sexy and vivacious presence captivated fans worldwide, while her marriage to the controversial black Congressman from Harlem, Adam Clayton Powell, Jr., kept her constantly in the headlines.
In a career spanning over four decades, Hazel Scott became known not only for her accomplishments on stage and screen, but for her outspoken advocacy of civil rights and her refusal to play before segregated audiences. Her relentless crusade on behalf of African Americans, women, and artists made her the target of the House Un-American Activities Committee (HUAC) during the McCarthy Era, eventually forcing her to join the black expatriate community in Paris. By age twenty-five, Hazel Scott was an international star. Before reaching thirty-five, however, she considered herself a failure. Plagued by insecurity and depression, she twice tried to take her own life. Though she was once one of the most sought-after talents in show business, Scott would return to America, after years of living abroad, to a music world that no longer valued what she had to offer. In this first biography of an important but overlooked African American pianist, singer, actor and activist, Hazel Scott's contributions are finally recognized.
Karen Chilton is a New York-based writer and actor, and the coauthor of I Wish You Love, the memoir of legendary jazz vocalist Gloria Lynne.
This is an auto-narrated audiobook edition of this book.
Weaving together lyrical history and personal memoir, Virdi powerfully examines society’s—and her own—perception of life as a deaf person in America.
At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America.
Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums in order to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine.
Weaving Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear.
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music
The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works.
Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
"War is about patriotism, about sacrifice, about conquering fear. And perhaps most of all, it's about the guy in the foxhole next to you, taking care of each other, protecting each other, loving each other; a camaraderie so intense only men who have been in combat can ever know what it's like. Yes, most of all, war is about love."
Heartland Heroes is a collection of remarkable stories from ordinary men and women who lived through extraordinary times. They resided in places like Lee’s Summit, Independence, and Kansas City, yet their experiences were very much like those of World War II veterans everywhere. Some were marines, nurses, or fighter pilots, others were simply civilians who lived through the war under the martial law imposed on the Hawaiian Islands after the attack on Pearl Harbor.Examining the Mexican American civil rights movement through the public rhetoric of a veteran activist
Héctor P. García: Everyday Rhetoric and Mexican American Civil Rights examines the transition of Mexican Americans from political and social marginalization to civic inclusion after World War II. Focusing on the public rhetoric of veteran rights activist and physician Dr. Héctor P. García, a Mexican immigrant who achieved unprecedented influence within the U.S. political system, author Michelle Hall Kells provides an important case study in the exercise of influence, the formation of civic identity, and the acquisition of social power among this underrepresented group.
As a major influence in national twentieth-century civil rights reform, García effectively operated between Anglo and Mexican American sociopolitical structures. The volume illustrates how García, a decorated World War II veteran and founder of the American GI Forum in Texas in 1948, successfully engendered a discourse that crossed geographical, political, and cultural borders, forming associations with the working poor as well as with prominent national figures such as John F. Kennedy and Lyndon B. Johnson. Through his rhetoric and action, García publicly revealed the plight of Mexican Americans, crossing class, regional, and racial lines to improve socioeconomic conditions for his people.
Héctor P. García, which is enhanced by sixteen illustrations, contributes to rhetorical, cultural, and historical studies and offers new scholarship establishing García’s role on the national front, effectively tracing Garcia’s legacy of resistance, the process of achieving enfranchisement, and the role of racism in the evolution from social marginalization to national influence.
Author Pat Pascoe, herself a former Colorado senator, uses newspapers, legislative materials, Robinson's published writings, and her own expertise as a legislator to craft the only biography of this contradictory and little-known woman. Robinson had complex politics as a suffragist, peace activist, international activist, and strong supporter of the war effort in World War I and a curious personal life with an often long-distance marriage to lawyer Ewing Robinson, yet close relationship with her stepdaughter, Alycon. Pascoe explores both of these worlds, although much of that personal life remains a mystery. This fascinating story will be a worthwhile read to anyone interested in Colorado history, women's history, labor history, or politics.
The popular veneer of Denver's present-day Market Street - its fancy bars, posh restaurants, and Coors Field - is stripped away to reveal the street's former incarnation: a mecca of loose morals entrenched in prostitution, liquor, and money. Hell's Belles examines the neglected topics of vice and crime in Denver and utilizes a unique and invaluable historic source - the scrapbooks of Detective Sam Howe.
Henry Adams sought, late in life, to thwart prospective biographers by writing his own biography. Published soon after his death in 1918, The Education of Henry Adams was rightly greeted as a masterpiece. Not until thirty years later, with the appearance of the first volume of Ernest Samuels’s biography, did it become apparent how much the story had been colored by Adams’s singular philosophy of history and how great was the disparity between the protagonist of the Education and Adams as he actually was. Upon its completion in 1964, Samuels’s life of Henry Adams was hailed as “one of the great biographical achievements of our time”; its laurels included a Pulitzer Prize.
Ernest Samuels has now distilled his ample narrative into a single absorbing volume. We see Adams as a lively undergraduate, in contrast to the jaded young man of the Education; as budding writer, newspaper correspondent, eager participant in political maneuverings in Washington and at the American embassy in London; as teacher at Harvard and editor of the North American Review; settled in Washington, as scholar, biographer, historian, novelist; as insatiable traveler; as friend and adviser to statesmen; as elderly cosmopolite spending half of each year abroad; and always as witty chronicler of the social scene and trenchant commentator on the events of his time. We are drawn into the personal drama of Adams’s middle years: his married life with Clover; the halcyon period in Washington in the early 1880s, catastrophically terminated by Clover’s depression and suicide; his growing passion for Elizabeth Cameron; and his flight to the South Seas. Throughout the book we follow the genesis and progress of his writings, from his muck-raking journalism in President Grant’s Washington, through the social and political criticism of his novels, his biographies, and his great History, to the classic Mont Saint Michel and Chartres, the daring theories of the Education, and his last essays.
Few biographies have so broad a canvas—sixty years of American political, social, and intellectual life, from the pre–Civil War years to the First World War. And few offer so revealing a portrait of a complex human being and an extraordinary career.
Henry Adams - American Writers 93 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume is written on the same comprehensive scale as its predecessors, The Young Henry Adams and Henry Adams: The Middle Years, which the New York Times called “eminently sympathetic, inclusive, sensible and satisfying.” Ernest Samuels' narrative is mainly chronological, showing the growth and maturity of a long, full, and varied career, but the principal focus is on the internal drama of Adams' life and on the expression of his opinions and ideas.
Drawing on a wealth of unpublished material, including correspondence with such figures as John Hay, William and Henry James, Bernard Berenson, and Theodore Roosevelt, the author discerningly records significant moments in Adams' lifelong dialogue in letters with his friends and acquaintances. Particularly illuminating is the series of brilliant and romantic letters Adams wrote to Elizabeth Cameron which go far to correct the dehumanized image implicit in the Education. As before, Samuels maintains an artistic balance between pure biography and literary history and criticism; his definitive study of Adams' life and works adds a major chapter to American intellectual and social history.
"Education had ended in 1871, life was complete in 1890." With this paradoxical statement from The Education of Henry Adams, Adams apparently dismissed from the record twenty of the most interesting and active years of his career. Those two decades embraced the first great productive season of his literary genius and the most significant years of his emotional life. Opening on the highest note of expectation and closing with his desperate flight to the South Seas in 1890, a divided and lonely figure, that season of fulfillment and inner growth is the subject of this book.
The relationship between Adams' life and writings grew steadily richer as his literary artistry matured, and with that process as his main concern, Mr. Samuels has written a book equally rewarding as a biography and as a critical study. Perhaps the greatest achievement biographically is a definitive and absorbing account of the true relationship between Henry Adams and his wife and an introduction to the grand passion for Elizabeth Cameron which was to affect the rest of his life. The whole intense inner drama of his feelings is really opened up for the first time, as often as possible in his own words, to the tragedy of his wife's suicide, the embittered years of work concluding the great History, and, finally, the escape to the South Seas in an effort to overcome the intolerable intensity of his love for Mrs. Cameron.
Through detailed analyses of Adams' writings, Mr. Samuels shows how all this drama had its counterpoint in his literary activities and eventually became transformed into works of literary art. Equally interesting is the way in which the ideas for his biographical and historical writing emerged from the wide sources of his reading, were tested in the remarkable give and take of hiscircle, and finally adapted to the themes of his writing.
This is the most exhaustive biographical and critical study of Adams' middle years ever made, and probably answers, so far as it is humanly possible, every unanswered question about Adams' life and the writing of his books. From the wealth of family papers deposited with the Massachusetts Historical Society and numerous other sources, Mr. Samuels has unveiled an increasingly complex personality - a brilliant mind in the grip of many prejudices and contradictions, yet one so terrifyingly honest that it more than ever defies explanation in any ordinary terms.
The mass of fresh materials used includes letters from correspondents around the world and admits us to the other side of the enormous dialogue which Adams carried on with the members of his circle. Certain finds have revealed some invaluable sidelights including a striking fragment of Adams' diary for 1888-1889; a sheaf of his sonnets to Elizabeth Cameron, and the unpublished remainder of his letters to his wife. Much untouched material has also come to light in newspapers, magazines, public archives, court records, memoirs, and biographies.
This is the second of three volumes of Mr. Samuels' definitive study of Henry Adams. The other two are The Young Henry Adams and Henry Adams: The Major Phase.
Henry D. Thoreau - American Writers 90 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Henry Darwin Rogers was one of the first professional geologists in the United States. He directed two of the earliest state geological surveys--New Jersey and Pennsylvania--in the mid-1830s. His major interest was Pennsylvania, with its Appalachian Mountains, which Rogers saw as great folds of sedimentary rock. He belived that an interpretation of these folds would lead to an understanding of the dynamic processes that had shaped the earth. From Rogers' efforts to explain these Pennsylvania folds came the first uniquely American theory of mountain elevation, a theory that Rogers personally considered his most significant achievement.
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