The first Texas-based writer to gain national attention, J. Frank Dobie proved that authentic writing springs easily from the native soil of Texas and the Southwest. In best-selling books such as Tales of Old-Time Texas, Coronado's Children, and The Longhorns, Dobie captured the Southwest's folk history, which was quickly disappearing as the United States became ever more urbanized and industrial. Renowned as "Mr. Texas," Dobie paradoxically has almost disappeared from view—a casualty of changing tastes in literature and shifts in social and political attitudes since the 1960s.
In this lively biography, Steven L. Davis takes a fresh look at a J. Frank Dobie whose "liberated mind" set him on an intellectual journey that culminated in Dobie becoming a political liberal who fought for labor, free speech, and civil rights well before these causes became acceptable to most Anglo Texans. Tracing the full arc of Dobie's life (1888–1964), Davis shows how Dobie's insistence on "free-range thinking" led him to such radical actions as calling for the complete integration of the University of Texas during the 1940s, as well as taking on governors, senators, and the FBI (which secretly investigated him) as Texas's leading dissenter during the McCarthy era.
At a time of few opportunities for women in general and even fewer for African American women, Jackie Ormes (1911–85) blazed a trail as a popular cartoonist with the major black newspapers of the day. Her cartoon characters (including Torchy Brown, Candy, Patty-Jo, and Ginger) delighted readers and spawned other products, including an elegant doll with a stylish wardrobe and “Torchy Togs” paper dolls. Ormes was a member of Chicago’s black elite, with a social circle that included the leading political figures and entertainers of the day. Her cartoons and comic strips provide an invaluable glimpse into American culture and history, with topics that include racial segregation, U.S. foreign policy, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times—and of today’s world as well. This celebrated biography features a large sampling of Ormes’s cartoons and comic strips, and a new preface.
The Jackson County Rebellion explores a dramatic if little-known populist insurgency in the American West. Author Jeff LaLande takes a deep dive into a tumultuous uprising that captured national attention as it played out in rural Oregon. First tracing its roots back to the area’s tradition of protest, including the Ku Klux Klan of the 1920s, he focuses on Jackson County’s politics of upheaval during the worst days of the Great Depression. The broad strokes of the episode may be familiar to contemporary readers: Demagogues fanning rage — relentlessly accusing an elite of corruption and conspiracy. The strife-torn episode featured nativist and anti-Semitic elements.
The local press played a key role in the events. Two inflammatory newspapers, one owned by wealthy orchardist Llewellyn Banks and the other by politician Earl Fehl, became the vehicles by which these men won the loyalty of rural and working-class residents. Partners in demagoguery, Banks and Fehl created a movement — dubbed the “Good Government Congress” that very nearly took over county government through direct action, ballot theft, and threats of violence. Among those opposing the two men was Harvard-educated Robert Ruhl, owner/editor of the Medford Mail-Tribune, who faced off against Banks and Fehl. Despite boycotts and threats of sabotage. Ruhl ran a resolute editorial campaign against the populist threat in his Mail-Tribune, which won a Pulitzer Prize for its reporting on the uprising.
The rebellion blazed hotly but not for long. Its end was marked by the arrest of its leaders after the fiercely contested 1932 election and by Banks’s murder of the police officer sent to arrest him. Placing the Jackson County Rebellion squarely within America’s long tradition of populist uprisings against the perceived sins of an allegedly corrupt, affluent local elite, LaLande argues that this little-remembered episode is part of a long history of violent conflict in the West that continues today.
Ohio’s Rufus P. Ranney embodied many of the most intriguing social and political tensions of his time. He was an anticorporate campaigner who became John D. Rockefeller’s favorite lawyer. A student and law partner of abolitionist Benjamin F. Wade, Ranney acquired an antislavery reputation and recruited troops for the Union army; but as a Democratic candidate for governor he denied the power of Congress to restrict slavery in the territories, and during the Civil War and Reconstruction he condemned Republican policies.
Ranney was a key delegate at Ohio’s second constitutional convention and a two-time justice of the Ohio Supreme Court. He advocated equality and limited government as understood by radical Jacksonian Democrats. Scholarly discussions of Jacksonian jurisprudence have primarily focused on a handful of United States Supreme Court cases, but Ranney’s opinions, taken as a whole, outline a broader approach to judicial decision making.
A founder of the Ohio State Bar Association, Ranney was immensely influential but has been understudied until now. He left no private papers, even destroying his own correspondence. In The Jacksonian Conservatism of Rufus P. Ranney, David M. Gold works with the public record to reveal the contours of Ranney’s life and work. The result is a new look at how Jacksonian principles crossed the divide of the Civil War and became part of the fabric of American law and at how radical antebellum Democrats transformed themselves into Gilded Age conservatives.
The French writer, editor, and drama critic Jacques Copeau (1879–1949) opened his Théâtre du Vieux-Colombier in Paris in 1913. Copeau was well on his way to exerting a major influence in the theater in the year that saw the end of the career of the dominant innovator of an earlier generation, André Antoine, whose Théâtre Libre (Free Stage) had featured an uncompromising realism.
In marked contrast to Antoine, Copeau returned the poetry and freshness to Shakespeare and Moliére. By May 1914, Paris and Europe had recognized his genius and his special gift to the theater. Yet like Antoine, Copeau wanted to sweep "staginess" from the stage, to banish overacting, overdressing, and flashy house trappings. To cleanse the stage of its artificiality, he created a fixed, architectural acting space where dramatic literature and theater technique could live in harmony and thrive in freedom of thought and movement. A major part of his program was teaching actors and actresses their craft.
Maurice Kurtz points out that the Théâtre du Vieux-Colombier incarnates the "ideal of Copeau's stubborn struggle to remain strong in the face of indifference, independent in the face of success, proud in the face of defeat. It is the story of group spirit in its purest, most eloquent form, the spirit of personal sacrifice of all for the dignity of their art."
Kurtz here re-creates the vitality Copeau imbued in theater artists throughout the world. He conveys Copeau's enthusiasm, the crusading spirit that enabled Copeau and his Théâtre du Vieux-Colombier to transform experimentation into tradition, into the heritage of civilization. He has written a biography of a theater that was tremendously influential in Europe and America.
The documentary biography of Jacques Legardeur de Saint-Pierre, an officer in the Troupes de la Marine, who served throughout New France, sheds new light on the business activity of French colonial officers stationed in the West. Many of the eighty previously untranslated documents in Jacques Legardeur de Saint-Pierre demonstrate the extent and profitability of Saint-Pierre's pursuit of business activities while performing official duties in eighteenth-century French North America. The quest for profit permeated Saint- Pierre's career, particularly his command of the Western Sea Post after he succeeded the fabled Pierre Gaultier de Varennes et de la Vérendrye. Saint-Pierre and his secret partner General Jacques-Pierre de Taffanel de La Jonquière, Intendant François Bigot, and Meret, secretary to La Jonquière, used their positions to engage in extensive trade, especially brandy, with the Cree and Assiniboine northwest of Lake Superior. Saint-Pierre's activities provide fresh insights into the North American fur trade.
In 1983, zoologist Alan Rabinowitz ventured into the rain forest of Belize, determined to study the little-known jaguar in its natural habitat and to establish the world's first jaguar preserve. Within two years, he had succeeded. In Jaguar he provides the only first-hand account of a scientist's experience with jaguars in the wild.
Originally published in 1986, this edition includes a new preface and epilogue by the author that bring the story up to date with recent events in the region and around the world.
“Call me what you want—corrections officer, C.O., guard, jailcop, turnkey—I helped keep people there against their will. For this, the jail rewarded me with food.”
When Ben Langston took a job at the State Correctional Institute at Rockview, it was because there were few other options. At his previous job—putting labels on water bottles—he did not have cups of human waste thrown in his face. He did not have to finger sweaty armpits in search of weapons. There were no threats against his life. But the jail paid better.
Jail Speak is a memoir written from a guard’s perspective. It’s about the grind, about dehumanization, drama, punishment, and the cycles of harm perpetrated by the prison industry. It’s about masculinity and conformity and emotional detachment. It’s a look at the inside that you didn’t want to know about, and it’s for mature audiences only. Know your limits.
"My life has been given special purpose," Jake Pickle says. "Some men live to make money, drink, chase women, collect art, excel at a sport, or pursue other things that give them pleasure. The thing I got hooked on was helping people. And I've had the privilege of helping people by the thousands. Serving in Congress was the greatest honor of my life."
In this book, Jake Pickle tells the story of a lifetime in public service, including thirty-one years as Representative for Texas' Tenth Congressional District. Jake tells his story by telling stories—most of them humorous, some poignant—that add up to a warmly personal account of his life and career.
At the heart of the book are Jake's stories of political life in Washington, Austin, and on the campaign trail. These range from hilarious accounts of all that can and does happen at small-town Texas parades and rallies to clear, no-baloney explanations of some of the major legislation that Jake helped to pass. His stories about Social Security reform, tax-exempt organizations, and pension fund reform legislation make these complex topics easy to understand.
This book was written as a collaboration between Jake and his daughter, Peggy Pickle. It offers the fun of listening to a born raconteur spin his tales, while it reveals the ethics and integrity of a man who never forgot that the people elected him to serve them.
It’s difficult to overestimate the impact of the many new works by James Agee uncovered and published in the last twenty years. These previously unknown primary works have, in turn, encouraged a parallel explosion of critical evaluation and reevaluation by scholars, to which James Agee in Context is the latest contribution.
This superb collection from well-known James Agee scholars features myriad approaches and contexts for understanding the author’s fiction, poetry, journalism, and screenwriting. The essays bring the reader from the streets of James Agee’s New York to travel with the author from Alabama to Hollywood to Havana. Contributors explore overlapping and sometimes unique subjects, themes, and accomplishments (or lack thereof) in Agee’s uncovered works and highlight the diversity of interest that Agee’s complete body of work inspires. The insightful scholarship on influence examines connections between Agee and Wright Morris, Helen Levitt, John Dos Passos, Ernest Hemingway, and Stephen Crane. Such juxtapositions serve to illustrate how Agee drew on literary influences as a young man, how he used his work as a journalist to craft fiction as he was about to turn thirty, and his influence upon others. The volume concludes with three poems and a short story by Agee, all previously unknown.
It seems astonishing that so much remains to be discovered about this protean author, his materials, and his circle. Yet, the recovery and analysis of neglected texts and information mined from newspapers and magazines proves the extent to which Agee kept his mind and his work, as he himself put it, “patiently concentrated upon the essential quietudes of the human soul.”
Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.
Barbour, a Virginia contemporary of Thomas Jefferson and James Madison, during a long public career spanning the years 1798-1842, exerted a constructive influence on the nation’s history. Active in state and national politics during the formative decades of the republic, Barbour was a political nationalist who grafted to the dominant political philosophy of the day those elements of the Hamiltonian Federalist creed necessary for governing a dynamic, changing nation.
The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA).
In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation.
Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era.
Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.
Like many of his generation, James M. Landis was motivated by a passion for public service. From the New Deal to the New Frontier, he devoted his life to shaping the many federal regulatory commissions and to making capitalism “live up to its pretensions.” Attacked by conservatives and liberals alike, he became the most important and most controversial figure in the history of the regulatory process. Donald A. Ritchie offers a superbly documented study of the man that analyzes the contributions of Landis's public career and the personal weaknesses that eventually undermined it, leading to his disbarment and disgrace.
Landis's story is really that of two men. One was a founder and New Deal Chairman of the Securities and Exchange Commission, a major writer and enforcer of regulatory legislation, youngest Dean of the Harvard Law School, and economic troubleshooter for Presidents Roosevelt, Truman, and Kennedy. The other was a private man unsure of his success and incapable of handling his own problems. His repeated failure to file his federal income tax returns, astonishing for a lawyer, was the most obvious—and most destructive—symptom of Landis's tumultuous inner confusion.
Ritchie's exhaustive research into Landis' papers—at Harvard University, the Library of Congress, and the Roosevelt, Truman, and Kennedy libraries—and interviews with Landis's family, associates, and psychiatrist help to unravel the mystery of this problematical man. The result is an outstanding biography of a major force behind business and government policy in the twentieth century.
James Madison: Philosopher, Founder, and Statesman presents fresh scholarship on the nation’s fourth president, who is often called both the father of the U.S. Constitution and the father of the Bill of Rights. These essays by historians and political scientists from the United States and abroad focus on six distinct aspects of Madison’s life and work: his personality and development as a statesman; his work at the Constitutional Convention of 1787 and contributions to larger constitutional design; his advocacy for the adoption of the Bill of Rights; his controversial role as a party leader; his presidency; and his life after leaving office.
James Madison continues to be regarded as one of America’s great political theorists, a man who devoted his life to, and who found fulfillment in, public service. His philosophical contributions remain vital to any understanding of the modern American polity. This book will be of great interest to political scientists and theorists, as well as to historians of early American history and politics.
Available for the first time in paperback, James Madison: The Founding Father is a lively portrait of the man who essentially fathered our constitutional guarantees of civil and religious liberty. Focusing on the role Madison played at the Continental Congress and in each stage of the formation of the American Republic, Robert Allen Rutland also covers Madison's relationship with his beloved wife, Dolley, his fifty-year friendship with Thomas Jefferson, and his years as a respected elder statesman after serving as secretary of state and fourth president of the United States.
When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.
Bryan D. Palmer's award-winning study of James P. Cannon's early years (1890-1928) details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era. This historical drama unfolds alongside the life experiences of a native son of United States radicalism, the narrative moving from Rosedale, Kansas to Chicago, New York, and Moscow. Written with panache, Palmer's richly detailed book situates American communism's formative decade of the 1920s in the dynamics of a specific political and economic context. Our understanding of the indigenous currents of the American revolutionary left is widened, just as appreciation of the complex nature of its interaction with international forces is deepened.
No other governor has become so completely identified with Texas and its citizens as Jim Hogg, the first native Texan to hold the state's highest office. His fame was not, however, easily earned. Orphaned at twelve, he worked as farmhand, typesetter, and country editor to finance his study of law, an endeavor that eventually led him into public life.
Even before his admission to the bar in 1875 he served as justice of the peace in Wood County. Later, in two terms as district attorney (1881–1885), he proved himself a fearless prosecutor. His growing reputation, with his magnetic personality, brought him the attorney generalship in 1887, and in that office he fulfilled his campaign promises to enforce all laws. During Hogg's tenure, suits brought by his department resulted in the restoration of more than a million acres of state lands held by the railroads.
In 1890 Hogg was elected governor. Early the next year he began urging his reform program, the keystone of which was establishment of the Railroad Commission. He also brought about the passage of laws preventing the watering of railroad securities, the indiscriminate issuance of municipal securities, and the establishment of landholding companies. Land ownership by aliens was likewise restricted.
Throughout Hogg's public life, from iustice of the peace to governor, he was motivated by his concern for the welfare of the people. Invariably his criterion for evaluation of an issue was the effect of a decision upon the common welfare. In this democratic progressivism he was the Texas version of Thomas Jefferson or Theodore Roosevelt. Molded by his varied experiences, Jim Hogg was a man of many professions—printer, lawyer, politician, statesman, oil magnate. In these relationships he was still a warmly human person, a loving son, brother, husband, father, friend. His ambition to provide abundantly for his family was expansive enough to include all Texans; so his love for "the people" was reiterated in his public benefactions, through which Texans are even today still sharing his wealth.
Jim Hogg's varied public life and his heart-warming personal life are dramatically presented in this absorbing biography. In it, the far-sweeping panorama of Texas development in the late nineteenth and early twentieth centuries is shown in relation to his dreams and achievements.
Listen to a short interview with Karen Ordahl KuppermanHost: Chris Gondek | Producer: Heron & Crane
Captain John Smith's 1607 voyage to Jamestown was not his first trip abroad. He had traveled throughout Europe, been sold as a war captive in Turkey, escaped, and returned to England in time to join the Virginia Company's colonizing project. In Jamestown migrants, merchants, and soldiers who had also sailed to the distant shores of the Ottoman Empire, Africa, and Ireland in search of new beginnings encountered Indians who already possessed broad understanding of Europeans. Experience of foreign environments and cultures had sharpened survival instincts on all sides and aroused challenging questions about human nature and its potential for transformation.
It is against this enlarged temporal and geographic background that Jamestown dramatically emerges in Karen Kupperman's breathtaking study. Reconfiguring the national myth of Jamestown's failure, she shows how the settlement's distinctly messy first decade actually represents a period of ferment in which individuals were learning how to make a colony work. Despite the settlers' dependence on the Chesapeake Algonquians and strained relations with their London backers, they forged a tenacious colony that survived where others had failed. Indeed, the structures and practices that evolved through trial and error in Virginia would become the model for all successful English colonies, including Plymouth.
Capturing England's intoxication with a wider world through ballads, plays, and paintings, and the stark reality of Jamestown--for Indians and Europeans alike--through the words of its inhabitants as well as archeological and environmental evidence, Kupperman re-creates these formative years with astonishing detail.
Jane Addams, a Writer's Life is an expansive, revealing, and refreshing reexamination of the renowned reformer as an imaginative writer. Jane Addams is best known for her groundbreaking social work at Hull-House, the force of her efforts toward Progressive political and social reform, and the bravery of her commitment to pacifism, for which she received the Nobel Peace Prize. Katherine Joslin moves beyond this history to present Addams as a literary figure, one whose writing employed a synthesis of fictional and analytical prose that appealed to a wide audience.
Joslin traces Addams's style from her early works, Philanthropy and Social Progress and her contributions to Hull House Maps and Papers, influenced by Florence Kelley, to her modernist and experimental last books, The Second Twenty Years at Hull-House and My Friend, Julia Lathrop, placing Addams in the context of other Chicago writers including Theodore Dreiser, Upton Sinclair, Harriet Monroe, Frank Norris and James T. Farrell. Joslin's close readings showcase Addams's distinguishing literary devices, such as using stories about people rather than sociological argument to make moral points. As Joslin pursues the argument that Addams's power as a public figure stemmed from the success of her books and essays, Addams herself emerges as a literary woman.
Using a rich array of newly available sources and contemporary methodologies from many disciplines, the ten original essays in this volume give a fresh appraisal of Addams as a theorist and practitioner of democracy. In an increasingly interdependent world, Addams's life work offers resources for activists, scholars, policy makers, and theorists alike. This volume demonstrates how scholars continue to interpret Addams as a model for transcending disciplinary boundaries, generating theory out of concrete experience, and keeping theory and practice in close and fruitful dialogue.
Contributors are Harriet Hyman Alonso, Victoria Bissell Brown, Wendy Chmielewski, Marilyn Fischer, Shannon Jackson, Louise W. Knight, Carol Nackenoff, Karen Pastorello, Wendy Sarvasay, Charlene Haddock Seigfried, and Camilla Stivers.
Today, we take for granted the wisdom of renovating old factory buildings into malls or condos, of making once decaying waterfronts into vibrant public spaces, of protecting historic buildings under landmark laws, and of building public housing on a human scale rather than as high-rises. In contemporary cities, it is now common for community groups to plant gardens in empty lots and to buy abandoned apartment buildings from the city for a dollar and fix them up.
But these and other urban planning policies and practices have not always been accepted. Before they became widespread, they were the visionary ideas of the writer and urban commentator Jane Jacobs. Best known in the United States for her path-breaking efforts to preserve the character of Greenwich Village, Jacobs is the author of the classic 1961 book, The Death and Life of Great American Cities, one of the most influential works ever published in urban studies. The architectural critic Herbert Muschamp wrote in the New York Times that its publication “was one of twentieth-century architecture’s most traumatic events. Its impact is still felt in cities across the land.”
In this analysis of Jane Jacobs’s ideas and work, Alice Sparberg Alexiou tells the remarkable story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. She resisted urban renewal in the West Village in the 1960s, helped defeat the Lower Manhattan Expressway, advocated the pleasures of street life that she called “sidewalk ballet,” and opposed the original Twin Towers plans. She was also active in the anti–Vietnam War movement, which eventually led her to move to Canada. There she continued her grass-roots activism, including helping to prevent the construction of an expressway that would have cut through several neighborhoods in Toronto.
Based on a rich array of interviews and primary source material, this book brings long-overdue attention to Jacobs’s far-reaching influence as an original thinker and effective activist.
Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon’s complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon’s poetry and separate the artist’s life story from that of her husband, the award-winning poet Donald Hall.
Impacted by relatives’ depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women’s lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an “advocate of the inner life.” Her breakthrough in the 1980s brought acclaim as “a born poet” and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy.
Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art.
It is the merit of Bernstein's portrait of Kawakami Hajime that he emerges as a recognizable human being, a truly modern figure reflecting in his own life a personal and hard-won balance between traditional Japanese values and the demands of modernization. The heir of a samurai family, an acknowledged authority on economics, a professor at one of Japan's leading universities, an early popularizer of Marxism in Japan, a Japanese Communist on his own unique terms, and, finally, the author of an autobiography that is a classic of modern Japanese literature, Kawakami Hajime is an important figure in the history of modern Japan.
At each stage of Kawakami's winding path to Marxism—from patriotic nationalist to academic Marxist to revolutionary Communist—his concern for the ethical and economic problems that emerged in the course of Japan's astonishingly rapid industrialization dominated his consciousness. Bernstein provides a portrait of Kawakami's complex personality as well as an elegantly shaped narrative of the context and content of Japanese left-wing politics in the 1920s, and she makes plain the kinds of cultural conflict that modernization, in its several varieties, bequeathed to Japanese intellectuals.
Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds. Diversity is a constant theme, as evidenced by a poor pedicab driver who can barely scrape along, by a rich businesswoman who explains how she balances her professional and domestic roles, by an educated and respected homosexual school principal, and by an illiterate mother of fourteen children. All of them present in their lives a unique Javanese approach to living.
These oral histories were derived from elderly people, who have a larger perspective on the changes they have seen in their lifetimes. The focus of the first section of the book is the way people have adapted in their daily lives to massive social and economic changes. In the middle section, we hear from the Javanese who represent traditional values in the midst of change. Finally, we hear from educators and parents who tell us of their concerns for Indonesian youth and the future of Indonesia.
Jean Paton (1908–2002) fought tirelessly to reform American adoption and to overcome prejudice against adult adoptees and women who give birth out of wedlock. Paton wrote widely and passionately about the adoption experience, corresponded with policymakers as well as individual adoptees, promoted the psychological well-being of adoptees, and facilitated reunions between adoptees and their birth parents. E. Wayne Carp's masterful biography brings to light the accomplishments of this neglected civil-rights pioneer, who paved the way for the explosive emergence of the adoption reform movement in the 1970s. Her unflagging efforts over five decades helped reverse harmful policies, practices, and laws concerning adoption and closed records, struggles that continue to this day.
Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.
Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.
This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.
One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance.
Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression—and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles.
Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White.
This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.
Preeminent Civil War historian Frank Vandiver always longed to see an interpretive biography of Jefferson Davis. Finally, more than twenty years after Vandiver expressed that wish, publication of Jefferson Davis, Unconquerable Heart makes such an interpretive biography available.
Felicity Allen begins this monumental work with Davis's political imprisonment at the end of the Civil War and masterfully flashes back to his earlier life, interweaving Davis's private life as a schoolboy, a Mississippi planter, a husband, a father, and a political leader. She follows him from West Point through army service on the frontier, his election to the U.S. House of Representatives, his regimental command in the Mexican War, his service as U.S. secretary of war and senator, and his term as president of the Confederate States of America.
Although Davis's family is the nexus of this biography, friends and enemies also play major roles. Among his friends intimately met in this book are such stellar figures as Andrew Jackson, John C. Calhoun, Zachary Taylor, Franklin Pierce, Albert Sidney Johnston, and Robert E. Lee.
With the use of contemporary accounts and Davis's own correspondence, Jefferson Davis, Unconquerable Heart casts new light upon this remarkable man, thawing the icy image of Davis in many previous accounts. Felicity Allen shows a strong, yet gentle man; a stern soldier who loved horses, guns, poetry, and children; a master of the English language, with a dry wit; a man of powerful feelings who held them in such tight control that he was considered cold; and a home-loving Mississippian who was drawn into a vortex of national events and eventual catastrophe. At all times, "duty, honor, country" ruled his mind. Davis's Christian view of life runs like a thread throughout the book, binding together his devotion to God, his family, and the land.
Jefferson Davis, Unconquerable Heart brings Davis to life in a way that has never been done before. The variety of his experience, the breadth of his learning, and the consistency of his beliefs make this historical figure eminently worth knowing.
Winner, James Beard Foundation Book Award, 2016
Art of Eating Prize, 2015
BCALA Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association, 2016
Women of African descent have contributed to America’s food culture for centuries, but their rich and varied involvement is still overshadowed by the demeaning stereotype of an illiterate “Aunt Jemima” who cooked mostly by natural instinct. To discover the true role of black women in the creation of American, and especially southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind.
The Jemima Code presents more than 150 black cookbooks that range from a rare 1827 house servant’s manual, the first book published by an African American in the trade, to modern classics by authors such as Edna Lewis and Vertamae Grosvenor. The books are arranged chronologically and illustrated with photos of their covers; many also display selected interior pages, including recipes. Tipton-Martin provides notes on the authors and their contributions and the significance of each book, while her chapter introductions summarize the cultural history reflected in the books that follow. These cookbooks offer firsthand evidence that African Americans cooked creative masterpieces from meager provisions, educated young chefs, operated food businesses, and nourished the African American community through the long struggle for human rights. The Jemima Code transforms America’s most maligned kitchen servant into an inspirational and powerful model of culinary wisdom and cultural authority.
A Junior Library Guild selection
Society of Children’s Book Writers and Illustrators Official 2016 Summer Reading List
In this biography for middle-grade readers, Nancy Roe Pimm tells the story of Geraldine “Jerrie” Mock, the first woman to fly solo around the world. In her trusty Cessna, The Spirit of Columbus—also known as Charlie—she traveled from Columbus, Ohio, on an eastward route that totaled nearly twenty-three thousand miles and took almost a month. Overcoming wind, ice, mechanical problems, and maybe even sabotage, Mock persevered.
Mock caught the aviation bug at seven years old, when she rode in a Ford Trimotor plane with her parents. In high school, she displayed a talent for math and science, and she was the only woman in her aeronautical engineering classes at Ohio State University. Although she then settled into domestic life, she never lost her interest in flying. What began as a joking suggestion from her husband to fly around the world prompted her to pursue her childhood dream. But the dream became a race, as another woman, Joan Merriam Smith, also sought to be the first to circle the globe.
Even though Mock beat Smith and accomplished what her heroine Amelia Earhart had died trying to do, her feat was overshadowed by the Vietnam War and other world events. Now, Pimm introduces Mock to a new generation of adventurers.
As an artist, art critic, museum director, and art educator, Jerry Bywaters reshaped the Texas art world and attracted national recognition for Texas artists. This first full-scale biography explores his life and work in the context of twentieth-century American art, revealing Bywaters' important role in the development of regionalist painting.
Francine Carraro delves into all aspects of Bywaters' career. As an artist, Bywaters became a central figure and spokesman for a group of young, energetic painters known as the Dallas Nine (Alexandre Hogue, Everett Spruce, Otis Dozier, William Lester, and others) who broke out of the limitations of provincialism and attained national recognition beginning in the 1930s.
As director of the Dallas Museum of Fine Arts, art critic for the Dallas Morning News, and professor of art and art history at Southern Methodist University, Bywaters became a champion of the arts in Texas. Carraro traces his strong supporting role in professionalizing art institutions in Texas and defendlng the right to display art considered "subversive" in the McCarthy era.
From these discussions emerges a finely drawn portrait of an artist who used a vocabulary of regional images to explore universal themes. It will be of interest to all students of American studies, national and regional art history, and twentieth-century biography.
Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a camera’s viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents.
Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book.
The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthal’s words recapture the emotions and feel of those times as vividly as his lens recorded their passing.
This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the book’s most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthal’s tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.
The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.
Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.
Among the Kalman cousins are an art gallery owner, a body builder, a radio personality, a former chief financial officer of a prominent U.S. bank, and a sculptor. They discuss Zionism, anti-Semitism, what it means to root for the German soccer team, Schindler’s List, money, success, marriage and intermarriage, and family history. They reveal their different levels of engagement with Judaism and involvement with local Jewish communities. Kalman is a pseudonym, and their anonymity allows the family members to talk with passion and candor about their relationships and their lives as Jews.
Senate majority leader Joseph Taylor Robinson was undoubtedly one of the most powerful U.S. senators of the early twentieth century. An important political figure in Arkansas from the time he was elected to the state legislature in 1895, Joe T., as he was popularly called became nationally prominent when he ascended to the Democratic leadership of the U.S. Senate in 1923.
Robinson’s career spanned momentous legislative debates in the chambers of the Senate, such as the League of Nations charter, the Teapot Dome Scandal, and FDR’s plan to “pack” the Supreme Court. His run for the vice-presidency in 1928, the first Southerner on a major ticket after the Civil War, and his three terms as chairman of the Democratic National Convention, in 1920, 1928, and 1936, are all covered in this perceptive study.
Drawing on extensive research and previously untapped archival materials, Lynn Edwards Butler explores Scheibe's professional relationships and the full range of his projects. These assignments included the three-manual organ for St. Paul’s Church, renovations of the organs in the important churches of St. Thomas and St. Nicholas, and the lone surviving example of Scheibe's craft, a small organ in the nearby village of Zschortau. Viewing Scheibe within the context of the era, Butler illuminates the music scene of Bach's time as she follows the life of a gifted craftsman and his essential work on an instrument that anchored religious musical practice and community.
John Aubrey (1626–97) was one of the best-connected scholars and antiquaries in the great decades of the British scientific revolution. He is remembered as a pioneer historian and the father of English life-writing, whose Brief Lives remains a lasting portrait of a generation of eminent thinkers and nobles. But Aubrey’s intellectual interests were much broader. He was one of the first Fellows of the Royal Society, and he was acquainted with leading scientists of the generation of Robert Hooke and Isaac Newton. Aubrey championed Hooke’s geological theories, radical for the time, that proposed the organic origin of fossils. In addition, Aubrey was a keen mathematician and an early donor to the Ashmolean Museum of Art and Archaeology and the Bodleian Library. Extensively illustrated, John Aubrey and the Advancement of Learning presents all of Aubrey’s varied interests and pursuits in their intellectual milieu. Published to celebrate the 350th anniversary of the Royal Society, this is the first accessible and illustrated guide to Aubrey’s many diverse achievements as a biographer, natural philosopher and scientist, and antiquary.
The Life of the First Captain of the United States Navy
Finalist for the Rear Admiral Samuel Eliot Morison Award for Excellence in Naval Literature
“Ashore as well as at sea, Tim McGrath paints an informative, engaging and highly entertaining portrait of this worthy but neglected hero of American independence. The author shows us a man who was a magnificent embodiment of common sense—and uncommon courage and dedication. That such a work is long overdue makes its achievement all the more pleasurable.”—Wall Street Journal
“Combining sophisticated use of sources with a pleasing writing style, McGrath masterfully rescues a father of the U.S. Navy from unmerited eclipse.”—Publishers Weekly
“A nearly indispensable addition to U.S. Navy collections.”—Booklist“McGrath employs exemplary narrative style in this work. . . . In John Barry, the author adroitly juxtaposes maritime history, narratives of naval combat, and early U.S. social history.”—New England Quarterly
“McGrath is a compelling and lucid writer. He brings Barry to life, makes battles understandable, and provides the clearest description of Barry's 1778 capture of the British transport ships Mermaid and Kitty that this reviewer has seen.”—Pennsylvania Magazine of History and Biography
“A great read and an absorbing account of a drama-filled life.”—Naval History
“Well researched, well written, and a pleasure to read, this book restores John Barry to the important place he once held as one of our nation’s great heroes. It is a tale of high adventure and personal courage and you will not want to put it down.” —JAMES L. NELSON, author of George Washington’s Secret Navy
“Readers of this vivid biography will imagine they smell the ocean’s salt air and the sulfurous fumes of gunpowder as they navigate these action-packed pages. Fans of Horatio Hornblower and Lucky Jack Aubrey will rejoice in discovering their real-life American counterpart.”—GREGORY J. URWIN, author of Facing Fearful Odds: The Siege of Wake Island
The man regarded as “the Father of the American Navy” returns to the quarterdeck in John Barry: An American Hero in the Age of Sail, the first comprehensive biography of this legendary officer in generations. Son of a hardscrabble Irish farmer from County Wexford, Barry was sent to sea as a child, arriving in Philadelphia during the restless decade before the American Revolution. Brave and ambitious, he ascended the ratlines to become a successful merchant captain at a young age, commanding the most prestigious ship in the colonies and recording the fastest known day of sail in the century.
Volunteering to fight for the Continental cause, Barry saw his star rise during the War for Independence. As captain of the Lexington, Raleigh, and Alliance, Barry faced down broadsides, mutinies, and even a fleet of icebergs. He captured the first enemy warship taken by a Continental vessel and fought the last battle of the American Revolution. His hard-won victory over two British warships simultaneously garnered him international notoriety, while his skill as a seafarer and cool temper established Barry as a worthy foe among British captains. Without a ship during the winter of 1776-77, the ever resourceful Barry lead a battery of naval artillery at the battle of Princeton. With peace came a historic voyage to China, where Barry helped open trade with that reclusive empire. In 1794, President Washington named Barry as the first commissioned officer in the new United States Navy. Given the title of commodore, Barry ended his career during America’s naval war with France, teaching the ropes to a new generation of officers, most notably Stephen Decatur.
Drawn from primary source documents from around the world, John Barry: An American Hero in the Age of Sail by Tim McGrath brings the story of this self-made American back to life in a major new biography.
“Previous biographers have poorly understood Hood within the culture of his times, but Miller’s study is a refreshing look at this important theme. Relying on the perspective of memory studies and the experience of amputees, he adds new dimensions to our understanding of Hood and the Civil War.”
—Earl J. Hess, author of In the Trenches at Petersburg: Field Fortifications and Confederate Defeat
“Miller is particularly strong on the cultivation of Hood’s legend as part of the Lost Cause narrative. . . . He has done nice work in areas previously neglected, offering the first new research on Hood to emerge in years.”
—David Coffey, author of John Bell Hood and the Struggle for Atlanta
Some Southern generals, like Lee and Jackson, have stood the test of time, celebrated in their place in history. And then there are generals like John Bell Hood, reviled and ridiculed by generations of Civil War historians as one of the inglorious architects of the Confederate disgrace in the Western Theater. The time has come to rethink this long-held notion, argues Brian Miller, in his comprehensive new biography, John Bell Hood and the Fight for Civil War Memory, and to reassess John Bell Hood as a man, a myth, and a memory.
In this first biography of the general in more than twenty years, Miller offers a new, original perspective, directly challenging those historians who have pointed to Hood’s perceived personality flaws, his alleged abuse of painkillers, and other unsubstantiated claims as proof of his incompetence as a military leader. This book takes into account Hood’s entire life—as a student at West Point, his meteoric rise and fall as a soldier and Civil War commander, and his career as a successful postwar businessman. In many ways, Hood represents a typical southern man, consumed by personal and societal definitions of manhood that were threatened by amputation and preserved and reconstructed by Civil War memory. Miller consults an extensive variety of sources, explaining not only what Hood did but also the environment in which he lived and how it affected him.
What emerges is a more nuanced, balanced portrait, unfettered by the one-sided perceptions of previous historical narratives. It gives Hood the fair treatment he has been denied for far too long. By looking at Hood’s formative years, his wartime experiences, and his postwar struggles to preserve his good name, this book opens up a provocative new perspective on the life of this controversial figure.
Brian Craig Miller is an assistant professor of history at Emporia State University. He is the author of The American Memory: Americans and Their History in 1877.
Mixing idealism with violence, abolitionist John Brown cut a wide swath across the United States before winding up in Virginia, where he led an attack on the U.S. armory and arsenal at Harpers Ferry. Supported by a “provisional army” of 21 men, Brown hoped to rouse the slaves in Virginia to rebellion. But he was quickly captured and, after a short but stormy trial, hanged on December 2, 1859.
Brian McGinty provides the first comprehensive account of the trial, which raised important questions about jurisdiction, judicial fairness, and the nature of treason under the American constitutional system. After the jury returned its guilty verdict, an appeal was quickly disposed of, and the governor of Virginia refused to grant clemency. Brown met his death not as an enemy of the American people but as an enemy of Southern slaveholders.
Historians have long credited the Harpers Ferry raid with rousing the country to a fever pitch of sectionalism and accelerating the onset of the Civil War. McGinty sees Brown’s trial, rather than his raid, as the real turning point in the struggle between North and South. If Brown had been killed in Harpers Ferry (as he nearly was), or condemned to death in a summary court-martial, his raid would have had little effect. Because he survived to stand trial before a Virginia judge and jury, and argue the case against slavery with an eloquence that reverberated around the world, he became a symbol of the struggle to abolish slavery and a martyr to the cause of freedom.
John Calvin Brown was a Confederate general, Tennessee politician, railroad executive, and lawyer, and yet he is little known to today’s Americans. He left behind few personal papers and died relatively young despite his remarkably productive life, leaving his voice silent while historical debate raged over events in which he was a significant player.
John C. Brown of Tennessee is the first full-scale biography of this understudied figure. Author Sam Davis Elliott’s comprehensive research reveals how Brown rose to the rank of general in the Confederate Army of Tennessee. A five-time wounded veteran of nearly every one of the army’s battles from Fort Donelson to Franklin, Brown played a unique utility role as a division commander in the 1864 Atlanta Campaign. There is a substantial likelihood he was an early leader of the Ku Klux Klan after the war, but more well-established is his role as leader in the anti-Brownlow movement that sought to end Radical Reconstruction in Tennessee. He was selected president of the 1870 constitutional convention, which helped lead to his election as governor later that year. After his tumultuous time as governor seeking to resolve economic conflicts that began before the Civil War, he became a railroad executive and industrialist. He had a significant role in the struggle between rival financiers for control of the southern route to the Pacific, and was in the front lines of management on behalf of the Texas and Pacific Railroad during the Great Southwest Railroad Strike of 1886. His wide-ranging and successful career reflects not only the attributes of Brown’s character, but provides insight into many key events of nineteenth-century America.
John C. Brown of Tennessee fills not only a biographical but a historiographical gap in the literature on the Civil War and Reconstruction in Tennessee and the post-Confederate South.
American writer, composer, artist, and philosopher John Cage (1912–92) is best known for his experimental composition 4’33,” a musical score in which the performer does not play an instrument during the duration of the piece. The purpose, Cage said, was for the audience to listen to the sounds of the environment around them while the piece was performed. Groundbreaking pieces such as 4’33”, as well as Sonatas and Interludes not only established Cage as a leading figure in the postwar avant-garde movement, but also cemented the enduring controversy surrounding his work.
Some men make so indelible a mark on the lives of others that a place in time is reserved for them. In this memorial volume, some whose lives have been touched by such a man share their thoughts and memories of the poet, translator, editor , teacher, student, father, son, and husband they knew as John Ciardi.
X.J. Kennedy and Lewis Turco discuss Lives of X, a neglected American classic, which chronicles the years Ciardi spent growing up in Medford, Massachusetts, studying at Tufts, and serving as a gunner in World War II.
Richard Eberhart remembers Ciardi’s unforgettable presence, while John Holmes and Roy W. Cowden remember him as a brilliant student and poet at Tufts and at Michigan, where he won the Avery Hopwood Award. Others remember him as a teacher at Harvard and Rutgers. Dan Jaffe writes, “If John Ciardi held to any cause, it was the notion of precision, to an uncompromising excellence, to the notion that to strive was in itself not enough that one needed to judge honestly, to assess courageously, and to respond without flinching.”
William Heyden and Norbert Krapf tell how the books I Marry You and How Does a Poem Mean? influenced them as young men. In “john Ciardi: the Many Lives of Poetry,” John Nims claims Ciardi as our Chaucer. John Williams, Maxine Kumin, Diane Wakoski, and John Stone write about the Ciardi they knew at the Bread Loaf Writers’ Conference.
Gay Wilson Allen describes the list of contributors to Measure of the Man as a “Who’s Who” in American literature. Certainly it is an impressive gathering of poets, critics, and friends who have been touched by John Ciardi. “We are all in his debt,” Norman Cousins writes in his essay “Ciardi at The Saturday Review,” “and it is important that we say so.”
Among the finer soldier-diarists of the Civil War, John Edward Dooley first came to the attention of readers when an edition of his wartime journal, edited by Joseph Durkin, was published in 1945. That book, John Dooley, Confederate Soldier, became a widely used resource for historians, who frequently tapped Dooley’s vivid accounts of Second Bull Run, Antietam, and Gettysburg, where he was wounded during Pickett’s Charge and subsequently captured.
As it happens, the 1945 edition is actually a much-truncated version of Dooley’s original journal that fails to capture the full scope of his wartime experience—the oscillating rhythm of life on the campaign trail, in camp, in Union prisons, and on parole. Nor does it recognize how Dooley, the son of a successful Irish-born Richmond businessman, used his reminiscences as a testament to the Lost Cause. John Dooley’s Civil War gives us, for the first time, a comprehensive version of Dooley’s “war notes,” which editor Robert Emmett Curran has reassembled from seven different manuscripts and meticulously annotated. The notes were created as diaries that recorded Dooley’s service as an officer in the famed First Virginia Regiment along with his twenty months as a prisoner of war. After the war, they were expanded and recast years later as Dooley, then studying for the Catholic priesthood, reflected on the war and its aftermath. As Curran points out, Dooley’s reworking of his writings was shaped in large part by his ethnic heritage and the connections he drew between the aspirations of the Irish and those of the white South.
In addition to the war notes, the book includes a prewar essay that Dooley wrote in defense of secession and an extended poem he penned in 1870 on what he perceived as the evils of Reconstruction. The result is a remarkable picture not only of how one articulate southerner endured the hardships of war and imprisonment, but also of how he positioned his own experience within the tragic myth of valor, sacrifice, and crushed dreams of independence that former Confederates fashioned in the postwar era.
This classic biography is now in its fourth USU Press printing. It is unparalleled in providing a thorough and accurate account of John D. Lee's involvement in the tragic 1857 Mountain Meadows Massacre.
No previous work on John Eliot's mission to the Indians has told such a comprehensive and engaging story. Richard Cogley takes a dual approach: he delves deeply into Eliot's theological writings and describes the historical development of Eliot's missionary work. By relating the two, he presents fresh perspectives that challenge widely accepted assessments of the Puritan mission.
Cogley incorporates Eliot's eschatology into the history of the mission, takes into account the biographies of the proselytes (the "praying Indians") and the individual histories of the Christian Indian settlements (the "praying towns"), and corrects misperceptions about the mission's role in English expansion. He also addresses other interpretive problems in Eliot's mission, such as why the Puritans postponed their evangelizing mission until 1646, why Indians accepted or rejected the mission, and whether the mission played a role in causing King Philip's War.
This book makes signal contributions to New England history, Native American history, and religious studies.
Runner-up, Violet Crown Award, Writer's League of Texas, 2008
Renowned for Goodbye to a River, his now-classic meditation on the natural and human history of Texas, as well as for his masterful ability as a prose stylist, John Graves has become the dean of Texas letters for a legion of admiring readers and fellow writers. Yet apart from his own largely autobiographical works, including Hard Scrabble, From a Limestone Ledge, and Myself and Strangers, surprisingly little has been written about Graves's life or his work. John Graves, Writer seeks to fill that gap with interviews, appreciations, and critical essays that offer many new insights into the man himself, as well as the themes and concerns that animate his writing.
The volume opens with the transcript of a revealing, often humorous symposium session in which Graves responds to comments and stories from his old friend Sam Hynes, his former student and contemporary art critic Dave Hickey, and co-editor Mark Busby. Following this is a more formal interview of Graves by Dave Hamrick, who draws the author out on issues relating to each of his major works. John Graves's friends Bill Wittliff, Rick Bass, Bill Broyles, John R. Erickson, Bill Harvey, and James Ward Lee speak to the powerful influence that Graves has had on fellow writers.
In addition to these personal observations, nine scholars analyze essential aspects of Graves's work. These include the place of Goodbye to a River within environmental literature and how its writing was a rite of passage for its author; Graves as a prose stylist and a literary, rather than polemical, writer; the ways in which Graves's major works present different aspects of a single narrative about our relationship to the land; the question of gender in Graves's work; and Graves's sometimes contentious relationship with Texas Monthly magazine. Mark Busby introduces the volume with a critical overview of Graves's life and work, and Don Graham concludes it with a discussion of Graves's reception and literary reputation. A bibliography of works by and about Graves rounds out the book.
John Graves, Writer confirms Graves's stature not only within Texas letters, but also within American environmental writing, where Graves deserves to be more widely known.
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