front cover of Valentin Serov
Valentin Serov
Portraits of Russia's Silver Age
Elizabeth Valkenier
Northwestern University Press, 2001
Valentin Serov (1865-1911) burst onto the art scene at the age of twenty-two with his portrait Girl with Peaces. In a short time he became the preeminent portraitist of Russia's Silver Age. Elizabeth Kridl Valkenier weds art criticism to social history in her study of Serov. She casts the artist's work against the Gilden Age of turn-of-the-century Russia, an era when money and consumption abounded and revolutionary change was taking place at all levels of society. Painting prominent people of the day in business, government, the nobility, and the arts, Serov created a gallery of Russia's important figures--figures seen with a sharp eye and painted with subtle irony. "An elegant monument to one of Russia's most vibrant painters and a model of intellectual inquiry into the cultural effervescence that so characterized the twilight of Imperial Russia." --John E. Bowlt, University of Southern California "Serov emerges both as a subtle and versatile artist and a perceptive observer of Russian upper-class life and attitudes." --Richard Wortman, Columbia University "This shrewd and witty book will tell art historians as much about Russian history and society as it will tell historians and sociologists about Russian art." --Richard Taruskin, author of Stravinsky and the Russian Traditions "Valkenier ably and thoughtfully describes the artists and patrons that affected Serov's career as no one has done before in any language. She has a wonderful gift for synthesis." --Choice "Serov is rightly viewed as a figure of immense cultural importance, an assessment which this book will do much to initiate amongst the uninformed, or consolidate amongst Serov's many admirers." --Russian Review
[more]

front cover of Valleys of the Shadow
Valleys of the Shadow
The Memoir of Confederate Captain Reuben G. Clark
Willene B. Clark
University of Tennessee Press, 1994
Valleys of the Shadow is the previously unpublished account of Captain Reuben Clark’s first-hand experiences as a Confederate officer, a prisoner of war, and a post war civilian living in a conquered state.

Captain Clark was a twenty-seven-year-old Knoxville businessman when the first shots of the Civil War were fired in 1861. Like many southern gentlemen, Clark was opposed to secession but could not desert his family and friends. Enlisting as a first lieutenant in the Confederacy’s Third Tennessee Infantry  Regiment, he spent his first night as a soldier on the bloody battlefield of Manasses.  Clark’s recollections of Manasses and the battles and skirmishes that followed pinpoint his regiment’s activities in previously undocumented areas while providing valuable analyses of battles from a participant’s point of view and discussing the irony many soldiers felt when battle pitted them against men they had known before the war in business, politics, and society.

Captured after the battle of Morristown in the fall of 1864, Clark was jailed in Knoxville, then under Federal control. His account of the eight months he spent as a prisoner—his harsh treatment, a near-fatal illness, the false accusations of traitorous activities—offer a detailed description of the physical and legal battles of a Confederate prisoner of war fighting to obtain his freedom.  Clark’s post war experiences relate his struggles as a former Rebel living in a conquered state, reflecting the deeply divided loyalties of East Tennessee that continued for years after the war’s end.

This first book in the Voices of the Civil War series shares the story of a man who remained sensible of his kinship with those he was forced to call his enemies. Written a quarter-century after the war began, Clark's memories vividly bring to life the tragedy that was the Civil War.

Willene B. Clark, a granddaughter of Captain Clark, is  a professor of art history at Marlboro College, Marlboro, Vermont.
[more]

front cover of The Vanishing Messiah
The Vanishing Messiah
The Life and Resurrections of Francis Schlatter
David N. Wetzel
University of Iowa Press, 2016
In 1895, an extraordinarily enigmatic faith healer emerged in the American West. An Alsatian immigrant and former cobbler, Francis Schlatter looked like popular depictions of Jesus, and it was said that his very touch could heal everything from migraines and arthritis to blindness and cancer. First in Albuquerque, and then in Denver, thousands flocked to him, hoping to receive his healing touch. Schlatter accepted no money for his work, behaved modestly, fasted heavily, and treated everyone, from wealthy socialites to impoverished immigrants, equally. He quickly captured national attention, and both the sick hoping to be cured and reporters hoping to expose a fraud hurried to Denver to see the celebrated healer. By November of 1895, it is estimated that Schlatter was treating thousands of people every day, and the neighborhood in which he was staying was overrun with the sick and lame, their families, reporters from across the country, and hucksters hoping to make a quick buck off the local attention. Then, one night, Schlatter simply vanished. Eighteen months later, his skeleton was reportedly found on a mountainside in Mexico’s Sierra Madre range, finally bringing Schlatter’s great healing ministry to an end.

Or did it?

Within hours of the announcement of Schlatter’s found remains, a long-haired man emerged in Cleveland to say that he was Francis Schlatter, and the next twenty-five years, several others claimed to be Denver’s great healer. In The Vanishing Messiah, a modern researcher painstakingly pieces together evidence from letters, newspaper reports, hospital records, mug shots, and published reminiscences of the healer to find out what really happened to Francis Schlatter after he left Denver in the middle of the night in November 1895. In doing so, David N. Wetzel uncovers a historical puzzle of lies, deception, and betrayal, and offers a tantalizing look into a nineteenth-century messiah and his twentieth-century reincarnations—one of whom may have been the healer himself. 
[more]

front cover of A Vaquero of the Brush Country
A Vaquero of the Brush Country
The Life and Times of John D. Young
By John D. Young and J. Frank Dobie
University of Texas Press, 1998

This true story of the Texas brush range and the first cowboys, as thrilling as any tale of fiction, has become a classic in Western literature. It is the story of the land where cattle by tens of thousands were killed on the prairie and where the "Skinning War" was fought. It is the story of the Chisholm Trail up to Abilene and the Platte and of establishing a ranch on the free grass of the Texas Panhandle, of roping elk in Colorado, of trailing Billy the Kid in New Mexico, of the grim lands of the Pecos. And it is the story of John Young, old-time vaquero who was trail driver, hog chaser, sheriff, ranger, hunter of Mexican bandits, horse thief killer, prairie fire fighter, ranch manager, and other things—a man who was also something of a dreamer, a man of imagination.

[more]

front cover of Vardis Fisher
Vardis Fisher
A Mormon Novelist
Michael Austin
University of Illinois Press, 2021
Raised by devout Mormon parents, Vardis Fisher drifted from the faith after college. Yet throughout his long career, his writing consistently reflected Mormon thought. Beginning in the early 1930s, the public turned to Fisher's novels like Children of God to understand the increasingly visible Church of Jesus Christ of Latter-day Saints. His striking works vaulted him into the same literary tier as William Faulkner while his commercial success opened the New York publishing world to many of the founding figures in the Mormon literary canon. Michael Austin looks at Fisher as the first prominent American author to write sympathetically about the Church and examines his work against the backdrop of Mormon intellectual history.

Engrossing and enlightening, Vardis Fisher illuminates the acclaimed author's impact on Mormon culture, American letters, and the literary tradition of the American West.

[more]

front cover of Vasari on Theatre
Vasari on Theatre
Thomas A. Pallen
Southern Illinois University Press, 1999

In the process of creating the massive work that eventually became Lives of the Most Eminent Painters, Sculptors, and Architects, painter and scholar Giorgio Vasari (1511­–1574) spent much of the mid-sixteenth century traveling throughout Italy, meeting Renaissance artists and writing about their lives and works.

From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives—daunting because of its sheer magnitude—has remained relatively obscure to English-speaking theatre historians. To introduce the numerous scenographic references of this great work to the English-speaking audience, Pallen provides new translations of all relevant passages, as well as a table of cross-references to the principal editions of Vasari in both English and Italian. And because Vasari often omitted important information, Pallen annotates the text, providing important names, places, and historical background.

Essentially, Pallen divides Vasari's work into four categories: triumphs and pageantry, ingegni for mystery plays and festivals, theatrical scenery, and miscellanea and lacunae. Although triumphs and pageantry were not directly theatrical, they were executed by many of the same artists who worked on theatrical productions and either used or introduced many Renaissance Italian theatrical techniques. The works described here range from tableaux vivants and other forms of street decoration to fireworks displays.

While Vasari did not personally know the work of either Filippo Brunelleschi or Francesco d'Angelo (called Cecca), he discusses their inventions for staging mystery plays and street festivals; indeed, Pallen shows how the work of these two artists paved the way for all later Renaissance scenography.

Pallen then deals with Vasari's references to and descriptions of the theatrical scenery and lighting effects of his time and the artists who created them. In accordance with the schema developed by Elena Povoledo, Pallen leads the reader through the evolution of scenographic thought and practice from the elementary work of Girolamo Genga to the advanced settings created by Vasari himself.

[more]

front cover of Vasily Zhukovsky's Romanticism and the Emotional History of Russia
Vasily Zhukovsky's Romanticism and the Emotional History of Russia
Ilya Vinitsky
Northwestern University Press, 2015

Ilya Vinitsky's Vasily Zhukovsky's Romanticism and the Emotional History of Russia is the first major study in English of Vasily Zhukovsky (1783–1852)—a poet, transla­tor of German romantic verse, and, crucially, mentor of Pushkin. It focuses overdue attention to an important figure in Russian literary and cultural history.

Vinitsky’s "psychological biography" argues that Zhukovsky very consciously set out to create for himself an emotional life that reflected his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.

[more]

front cover of Veeck As In Wreck
Veeck As In Wreck
The Autobiography of Bill Veeck
Bill Veeck with Ed Linn
University of Chicago Press, 2001
Bill Veeck was an inspired team builder, a consummate showman, and one of the greatest baseball men ever involved in the game. His classic autobiography, written with the talented sportswriter Ed Linn, is an uproarious book packed with information about the history of baseball and tales of players and owners, including some of the most entertaining stories in all of sports literature.
[more]

front cover of Vegetables
Vegetables
A Biography
Evelyne Bloch-Dano
University of Chicago Press, 2012

From Michael Pollan to locavores, Whole Foods to farmers' markets,  today cooks and foodies alike are paying more attention than ever before to the history of the food they bring into their kitchens—and especially to vegetables. Whether it’s an heirloom tomato, curled cabbage, or succulent squash, from a farmers' market or a backyard plot, the humble vegetable offers more than just nutrition—it also represents a link with long tradition of farming and gardening, nurturing and breeding.

In this charming new book, those veggies finally get their due. In capsule biographies of eleven different vegetables—artichokes, beans, chard, cabbage, cardoons, carrots, chili peppers, Jerusalem artichokes, peas, pumpkins, and tomatoes—Evelyne Bloch-Dano explores the world of vegetables in all its facets, from science and agriculture to history, culture, and, of course, cooking. From the importance of peppers in early international trade to the most recent findings in genetics, from the cultural cachet of cabbage to Proust’s devotion to beef-and-carrot stew, to the surprising array of vegetables that preceded the pumpkin as the avatar of All Hallow’s Eve, Bloch-Dano takes readers on a dazzling tour of the fascinating stories behind our daily repasts.

Spicing her cornucopia with an eye for anecdote and a ready wit, Bloch-Dano has created a feast that’s sure to satisfy gardeners, chefs, and eaters alike.

[more]

front cover of Vendulka
Vendulka
Flight to Freedom
Ondrej Kundra
Karolinum Press, 2021
So many lives were cut short by the Holocaust, many with no trace to leave behind for future generations to remember. Vendulka tells the story of a single scrap of remembrance—a candid photograph taken in the midst of this unspeakable tragedy—and that artifact’s amazing aftermath.

Famed Czech photographer Jan Lukas snapped an offhand portrait of twelve-year-old Vendulka Vogl in March 1943. A friend of the Vogls, Lukas was saying goodbye to the family, who were soon to leave Prague for a concentration camp. The photograph almost didn’t see the light of day—Lukas knew that if the Nazis found it on him, he could wind up in the camps as well—but the image was eventually developed and came to symbolize the Holocaust and humanize its victims. Seventy years after this famous picture was taken, investigative journalist Ondřej Kundra discovered that, despite all odds, Vendulka Vogl had survived the camps of Terezín, Auschwitz, and Christianstadt, and was in fact still alive and living in the United States. Kundra persuaded her to tell the remarkable story surrounding the photograph: her survival, her later decision to flee the Communist regime for America, and how she later reconnected with Jan Lukas, maintaining a lifelong friendship.

Vogl’s thrillingly moving story, Kundra’s sharp and engaging writing, and Lukas’s striking photography all combine to make Vendulka an inspiring investigation into the horrors of totalitarianism and the redemptive beauty of friendship.
[more]

logo for University of North Texas Press
Vengeance Is Mine
The Scandalous Love Triangle That Triggered the Boyce-Sneed Feud
Bill Neal
University of North Texas Press, 2011

front cover of Venture Smith and the Business of Slavery and Freedom
Venture Smith and the Business of Slavery and Freedom
James Brewer Stewart
University of Massachusetts Press, 2010
This book originated in the summer of 2006, in the burial ground of the First Church of Christ, Congregational, of East Haddam, Connecticut, where a team of forensic scientists began excavating the graves of two emancipated slaves, Venture Smith (d. 1805) and his wife, Marget (d. 1809). Those requesting this remarkable investigation were the Smiths' direct descendants, members of the eighth, ninth, tenth, and eleventh generations, who were determined to honor the bicentennial of their founding ancestor's death by discovering everything possible about his life. Opening burial plots in the hope of recovering DNA for genealogical tracing proved a compelling first step.

But what began as a scientific inquiry into African origins rapidly evolved into an unparalleled interdisciplinary collaboration between historians, literary analysts, geographers, genealogists, anthropologists, political philosophers, genomic biologists, and, perhaps most revealingly, a poet. Their common goal has been to reconstruct the life of an extraordinary African American and to assay its implications for the sprawling, troubled eighteenth-century world of racial exploitation over which he triumphed. This volume displays the rich results of that collaboration.

A highly intelligent, deeply self-motivated and immensely energetic slave transported from Africa, Venture Smith transformed himself through unstinting labor into a respectable Connecticut citizen, a successful entrepreneur, and the liberator of other enslaved African Americans. As James O. Horton emphasizes in his foreword to this volume, "Venture Smith's saga is a gift to all who seek to understand the complex racial beginnings of America. It helps to connect the broad American story with the stories of many Americans whose lives illustrate the national struggle to live out the national ideals."

In addition to Horton and volume editor James Brewer Stewart, contributors include Cameron Blevins, Vincent Carretta, Anna Mae Duane, Robert P. Forbes, Anne L. Hiskes, Paul Lovejoy, Marilyn Nelson, David Richardson, Chandler B. Saint, Linda Strausbaugh, Kevin Tulimieri, and John Wood Sweet.
[more]

front cover of Vera Rubin
Vera Rubin
A Life
Jacqueline Mitton and Simon Mitton
Harvard University Press, 2021

A Physics Today Best Book of the Year

The first biography of a pioneering scientist who made significant contributions to our understanding of dark matter and championed the advancement of women in science.

One of the great lingering mysteries of the universe is dark matter. Scientists are not sure what it is, but most believe it’s out there, and in abundance. The astronomer who finally convinced many of them was Vera Rubin. When Rubin died in 2016, she was regarded as one of the most influential astronomers of her era. Her research on the rotation of spiral galaxies was groundbreaking, and her observations contributed significantly to the confirmation of dark matter, a most notable achievement.

In Vera Rubin: A Life, prolific science writers Jacqueline Mitton and Simon Mitton provide a detailed, accessible overview of Rubin’s work, showing how she leveraged immense curiosity, profound intelligence, and novel technologies to help transform our understanding of the cosmos. But Rubin’s impact was not limited to her contributions to scientific knowledge. She also helped to transform scientific practice by promoting the careers of women researchers. Not content to be an inspiration, Rubin was a mentor and a champion. She advocated for hiring women faculty, inviting women speakers to major conferences, and honoring women with awards that were historically the exclusive province of men.

Rubin’s papers and correspondence yield vivid insights into her life and work, as she faced down gender discrimination and met the demands of family and research throughout a long and influential career. Deftly written, with both scientific experts and general readers in mind, Vera Rubin is a portrait of a woman with insatiable curiosity about the universe who never stopped asking questions and encouraging other women to do the same.

[more]

front cover of Verner Suomi
Verner Suomi
The Life and Work of the Founder of Satellite Meteorology
John M. Lewis et al.
American Meteorological Society, 2018
As the space age got underway in the wake of Sputnik, one of the earliest areas of science to take advantage of the new observational opportunities it afforded was the study of climate and weather. This book tells the story of Finnish-American educator, inventor, and scientist Verner Suomi, who, in those early days of space science, brought his pragmatic engineering skills to bear on finding ways to use our new access to space to put observational instruments into orbit. In 1959, Suomi’s work resulted in the launching of Explorer VII, a satellite that measured the earth’s radiation budget, a major step in our ability to understand and forecast weather. Drawing on personal letters and oral histories, the book presents a rounded picture of the man who launched the field of satellite meteorology—in the process changing forever the way we understand and interact with the weather around us.
 
[more]

front cover of A Very Dangerous Woman
A Very Dangerous Woman
Martha Wright and Women's Rights
Sharon H. Penney
University of Massachusetts Press, 2004
A very dangerous woman is what Martha Coffin Wright's conservative neighbors considered her, because of her work in the women's rights and abolition movements. In 1848, Wright and her older sister Lucretia Mott were among the five brave women who organized the historic Seneca Falls Women's Rights Convention. Wright remained a prominent figure in the women's movement until her death in 1875 at age sixty-eight, when she was president of the National Woman Suffrage Association. At age twenty-six, she attended the 1833 founding of the American Anti-Slavery Society and later presided over numerous antislavery meetings, including two in 1861 that were disrupted by angry antiabolitionist mobs. Active in the Underground Railroad, she sheltered fugitive slaves and was a close friend and supporter of Harriet Tubman.

In telling Wright's story, the authors make good use of her lively letters to her family, friends, and colleagues, including Susan B. Anthony and Elizabeth Cady Stanton. These letters reveal Wright's engaging wit and offer an insider's view of nineteenth-century reform and family life. Her correspondence with slaveholding relatives in the South grew increasingly contentious with the approach of the Civil War. One nephew became a hero of the Confederacy with his exploits at the Battle of Fredericksburg, and her son in the Union artillery was seriously wounded at Gettysburg while repelling Pickett's Charge.

Wright's life never lacked for drama. She survived a shipwreck, spent time at a frontier fort, experienced the trauma of the deaths of a fiancé, her first husband, and three of her seven children, and navigated intense conflicts within the women's rights and abolition movements. Throughout her tumultuous career, she drew on a reservoir of humor to promote her ideas and overcome the many challenges she faced. This accessible biography, written with the general reader in mind, does justice to her remarkable life.
[more]

front cover of A Very Private Public Citizen
A Very Private Public Citizen
The Life of Grenville Clark
Nancy Peterson Hill
University of Missouri Press, 2016
Grenville Clark was born to wealth and privilege in Manhattan, where his maternal grandfather, LeGrand Bouton Cannon, was an industry titan, retired Civil War colonel, and personal friend of Abraham Lincoln. Clark grew up on a first-name basis with both Presidents Roosevelt, and his close friends included Supreme Court justices. He was well known and respected in the inner circles of business, government, and education. In A Very Private Public Citizen: The Life of Grenville Clark, Nancy Peterson Hill gives life to the unsung account of this great and largely anonymous American hero and reveals how the scope of Clark’s life and career reflected his selfless passion for progress, equality, and peace.



As a member of the “Corporation,” Harvard’s elite governing board, Clark wrote a still-relevant treatise on academic freedom. He fought a successful public battle with his good friend President Franklin Roosevelt over FDR’s attempt to “pack” the Supreme Court in 1937. He refused pay while serving as a private advisor for the Secretary of War of the United States during the Second World War, and he worked closely with the NAACP to uphold civil rights for African Americans during the tumultuous 1950s and ‘60s. Clark devoted his last decades to a quest for world peace through limited but enforceable world law, rewriting the charter of the United Nations and traveling the globe to lobby the world’s leaders.



An enthusiastic husband, father, and friend, Clark was a lawyer, civil rights activist, traveler, advisor, and world citizen at large. Memories from Clark’s family and friends weave through the book, as do Clark’s own inimitable observations on his life and the world in which he lived. A Very Private Public Citizen brings Clark out of the shadows, offering readers an inspiring example of a true patriot and humanitarian, more concerned with the well-being of his country and his fellow man than with his own fame.
[more]

front cover of A Very Queer Family Indeed
A Very Queer Family Indeed
Sex, Religion, and the Bensons in Victorian Britain
Simon Goldhill
University of Chicago Press, 2016
“We can begin with a kiss, though this will not turn out to be a love story, at least not a love story of anything like the usual kind.”

So begins A Very Queer Family Indeed, which introduces us to the extraordinary Benson family. Edward White Benson became Archbishop of Canterbury at the height of Queen Victoria’s reign, while his wife, Mary, was renowned for her wit and charm—the prime minister once wondered whether she was “the cleverest woman in England or in Europe.” The couple’s six precocious children included E. F. Benson, celebrated creator of the Mapp and Lucia novels, and Margaret Benson, the first published female Egyptologist.

What interests Simon Goldhill most, however, is what went on behind the scenes, which was even more unusual than anyone could imagine. Inveterate writers, the Benson family spun out novels, essays, and thousands of letters that open stunning new perspectives—including what it might mean for an adult to kiss and propose marriage to a twelve-year-old girl, how religion in a family could support or destroy relationships, or how the death of a child could be celebrated. No other family has left such detailed records about their most intimate moments, and in these remarkable accounts, we see how family life and a family’s understanding of itself took shape during a time when psychoanalysis, scientific and historical challenges to religion, and new ways of thinking about society were developing. This is the story of the Bensons, but it is also more than that—it is the story of how society transitioned from the high Victorian period into modernity.
 
[more]

front cover of The Very Thought of Herbert Blau
The Very Thought of Herbert Blau
Clark Lunberry and Joseph Roach, Editors
University of Michigan Press, 2018

Herbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious SpectacleThe Audience, and Take Up the Bodies: Theater at the Vanishing Point.

In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought."
 

[more]

front cover of Vessel of Clay
Vessel of Clay
The Inspirational Journey of Sister Carla
Jacqueline Hansen Maggiore
University of Scranton Press, 2010

Jacqueline Hansen Maggiore presents in this volume the biography of her lifelong friend Carol Piette, known throughout Chile and El Salvador as Sister Carla. Drawing from the memories of those who knew her and excerpts from her letters and diaries, Vessel of Clay chronicles Sister Carla’s extraordinary life, highlighting her dedication to the poor of Latin America but also revealing her struggles with self-doubt and emotional frailty. Vessel of Clay will appeal to both lay and religious readers interested in peace and social justice, spiritual formation and development, women’s issues, liberation theology, and mission service.

[more]

front cover of Veteran Narratives and the Collective Memory of the Vietnam War
Veteran Narratives and the Collective Memory of the Vietnam War
John A. Wood
Ohio University Press, 2016

In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators.

Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.

[more]

front cover of Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric
Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric
Michelle Hall Kells, with a foreword by Juan C. Guerra
Southern Illinois University Press, 2018
Beginning as a grassroots organizer in the 1950s, Vicente Ximenes was at the forefront of the movement for Mexican American civil rights through three presidential administrations, joining Lyndon B. Johnson’s Great Society and later emerging as one of the highest-ranking appointees in Johnson’s administration. Ximenes succeeded largely because he could adapt his rhetoric for different audiences in his speeches and writings. Michelle Hall Kells elucidates Ximenes’s achievements through a rhetorical history of his career as an activist.
 
Kells draws on Ximenes’s extensive archive of speeches, reports, articles, and oral interviews to present the activist’s rhetorical history. After a discussion of Ximenes’s early life, the author focuses on his career as an activist, examining Ximenes’s leadership in several key civil rights events, including the historic 1967 White House Cabinet Committee Hearings on Mexican American Affairs. Also highlighted is his role in advancing Mexican Americans and Latinos from social marginalization to greater representation in national politics.
 
This book shows us a remarkable man who dedicated the majority of his life to public service, using rhetoric to mobilize activists for change to secure civil rights advances for his fellow Mexican Americans.
[more]

front cover of Victim of History
Victim of History
Cardinal Mindszenty, a biography
Margit Balogh
Catholic University of America Press, 2022
“Victim of history,” “a martyr from behind the Iron Curtain,” “the Hungarian Gandhi” – these are just some of the epithets which people used to describe Cardinal Mindszenty, archbishop of Esztergom, who was the last Hungarian prelate to use the title of prince primate. Today, Mindszenty has been forgotten in most countries except for Hungary, but when he died in 1975, he was known all over the world as a symbol of the struggle of the Catholic Church against communism. Cardinal Mindszenty held the post of archbishop of Esztergom from 1945 until 1974, but during this period of almost three decades he served barely four years in office. The political police arrested him on December 26, 1948, and the Budapest People’s Court subsequently sentenced him to life imprisonment. Based on the Stalinist practice of show trials, one of the accusations against Mindszenty, referring to his legitimist leanings, was his alleged attempt to re-establish Habsburg rule in Hungary. He regained freedom during the 1956 revolution but only for a few days. He was granted refuge by the US Embassy in Budapest between November 4, 1956 –September 28, 1971. In the fifteen years he spent at the American embassy enormous changes took place in the world while his personality remained frozen into the past. When in 1971 Pope Paul VI received the Hungarian foreign minister, he called Mindszenty “the victim of history”. His last years were spent free at last, but far away from his homeland. In Hungary, the Catholic believers eagerly await his beatification.
[more]

logo for Harvard University Press
Victim of the Muses
Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History
Todd Merlin Compton
Harvard University Press, 2006

This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos—the wretched human scapegoat who is expelled from the city or killed in response to a crisis—after satirizing the Delphians.

In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.

[more]

front cover of Victor Arnautoff and the Politics of Art
Victor Arnautoff and the Politics of Art
Robert W. Cherny
University of Illinois Press, 2017
Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.
[more]

front cover of Victor Hugo
Victor Hugo
Bradley Stephens
Reaktion Books, 2019
Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Misérables, and its myriad theatrical and cinematic incarnations.

This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo’s monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon’s Empire to the rise of France’s Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo’s was a mind as revolutionary as the time in which he lived.
[more]

front cover of Victoria Ocampo
Victoria Ocampo
Against the Wind and the Tide
By Doris Meyer
University of Texas Press, 1989

The "first lady of Argentine letters," Victoria Ocampo is best known as the architect of cultural bridges between the American and European continents and as the founder and director of Sur, an influential South American literary review and publishing house.

In this first biographical study in English of "la superbe Argentine," originally published in 1979, Doris Meyer considers Victoria Ocampo's role in introducing European and North American writers and artists to the South American public—through the pages of her review, through translations of their work, and through lecture tours and recitations. She examines Ocampo's personal relationships with some of the most illustrious writers and thinkers of this century—including José Ortega y Gasset, Rabindranath Tagore, Count Hermann Keyserling, Virginia Woolf, Adrienne Monnier, Vita Sackville-West, Gabriela Mistral, and many others. And she portrays an extraordinary woman who rebelled against the strictures of family and social class to become a leading personality in the fight for women's rights in Argentina and, later, a steadfast opponent of the Perón regime, for which she was sent to jail in 1953.

Fifteen of Victoria Ocampo's essays, selected from her more than ten volumes of prose and translated by Doris Meyer, complement the biographical study.

[more]

front cover of Victorian Bestseller
Victorian Bestseller
The Life of Dinah Craik
Karen Bourrier
University of Michigan Press, 2019
When novelist Dinah Craik (1826–87) died, expressions of grief came from Lord Alfred Tennyson, Matthew Arnold, Robert Browning, T.H. Huxley, and James Russell Lowell, among others, and even Queen Victoria picked up her pen to offer her consolation to the widower. Despite Craik’s enormous popularity throughout a literary career that spanned forty years, she is now all but forgotten. Yet, in an otherwise respectable life bookended by scandal, this was precisely the way that she wanted it.

Victorian Bestseller is the first book to relate the story of Dinah Craik’s remarkable life. Combining extensive archival work with theoretical work in disability studies and the professionalization of women’s authorship, Karen Bourrier engagingly traces the contours of this author’s life. Craik, who wrote extensively about disability in her work, was no stranger to it in her personal and professional life, marked by experiences of mental and physical disability, and the ebb and flow of health. Following scholarship in the ethics of care and disability studies, the book posits Craik as an interdependent subject, placing her within a network of writers, publishers, editors and artists, friends, and family members. Victorian Bestseller also traces the conditions in the material history of the book that allowed Victorian women writers’ careers to flourish. In doing so, the biography connects corporeality, gender, and the material history of the book to the professionalization of Victorian women’s authorship.
[more]

front cover of Victorian Domesticity
Victorian Domesticity
Families in the Life and Art of Louisa May Alcott
Charles Strickland
University of Alabama Press, 1985

The subject of Victorian Domesticity is family life in America. The life and works of Louisa May Alcott served as the vehicle for exploring and analyzing this subject. Although Alcott was deeply influenced by popular currents of sentimentality, her own experience exposed her to the confusions and contradictions generated when sentiment confronted the reality of life in 19th-century America.

In the first chapter Strickland outlines the ways in which sentimentality colored the perception of 19th-century Americans about such issues as courtship, marriage, the relationship between the sexes, generational relationships, and the relationship between the nuclear family and the community outside the family. Chapters two and three trace Alcott’s childhood and adolescent experiences, exploring the tensions that developed between Louisa and her father, and detailing the ways in which she carried the double burden of being both poor and female as she sought her identity as a writer.

The following six chapters treat the varieties of family life that appear in Alcott’s stories, the impact of feminism on her life, and her emphasis on the importance of child nurture. In the final two chapters the author treats the relationships that Alcott perceived between the family and the world around it and assesses the legacy of the Victorian family idea.


[more]

front cover of Victorian People
Victorian People
A Reassessment of Persons and Themes, 1851-67
Asa Briggs
University of Chicago Press, 1975
This text looks at the people, ideas and events between the Great Exhibition of 1851 and the Second Reform Act of 1867. From "John Arthur Roebuck and the Crimean War", and "Samuel Smiles and the Gospel of Work" to "Thomas Hughes and the Public Schools" and "Benjanmin Disraeli and the Leap in the Dark", Asa Briggs provides an assessment of Victorian achievements; and in doing so conjures up an enviable picture of the progress and independence of the last century.

"For expounding this theme, this interaction of event and personality, Mr. Briggs is abundantly and happily endowed. He is always readable, often amusing, never facetious. He is widely read and widely interested. He has a sound historic judgment, and an unfailing sense for what is significant in the historic sequence and what is merely topical. . . . Above all, he is in sympathy with the age of which he is writing."—Times Literary Supplement
[more]

front cover of Victorine du Pont
Victorine du Pont
The Force behind the Family
Leonard C. Spitale
University of Delaware Press, 2023
Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations. This biography makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.
               
 
[more]

front cover of Vienna in the Age of Uncertainty
Vienna in the Age of Uncertainty
Science, Liberalism, and Private Life
Deborah R. Coen
University of Chicago Press, 2007

Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries. 

[more]

front cover of The Viet Nam War/The American War
The Viet Nam War/The American War
Images and Representations in Euro-American and Vietnamese Exile Narratives
Renny Christopher
University of Massachusetts Press, 1996
This book seeks to reformulate the canon of writings on what is called "the Viet Nam War" in America and "the American War" in Viet Nam. Until recently, the accepted canon has consisted almost exclusively of American white male combat narratives, which often reflect and perpetuate Asian stereotypes. Renny Christopher introduces material that displays a bicultural perspective, including works by Vietnamese exile writers and by lesser-known Euro-Americans who attempt to bridge the cultural gap.

Christopher traces the history of American stereotyping of Asians and shows how Euro-American ethnocentricity has limited most American authors' ability to represent fairly the Vietnamese in their stories. By giving us access to Vietnamese representations of the war, she creates a context for understanding the way the war was experienced from the "other" side, and she offers perceptive, well-documented analyses of how and why Americans have so emphatically excised the Vietnamese from narratives about a war fought in their own country.
[more]

front cover of The Vietnamese American 1.5 Generation
The Vietnamese American 1.5 Generation
Stories of War, Revolution, Flight and New Beginnings
edited by Sucheng Chan
Temple University Press, 2006
The conflict that Americans call the "Vietnam War" was only one of many incursions into Vietnam by foreign powers. However, it has had a profound effect on the Vietnamese people who left their homeland in the years following the fall of Saigon in 1975. Collected here are fifteen first-person narratives written by refugees who left Vietnam as children and later enrolled as students at the University of California, where they studied with the well-known scholar and teacher Sucheng Chan. She has provided a comprehensive introduction to their autobiographical accounts, which succinctly encompasses more than a thousand years of Vietnamese history. The volume concludes with a thorough bibliography and videography compiled by the editor.While the volume is designed specifically for today's college students, its compelling stories and useful history will appeal to all readers who want to know more about Vietnam and especially about the fates of children who emigrated to the U.S.
[more]

front cover of Vietnam-Perkasie
Vietnam-Perkasie
W. Ehrhart
University of Massachusetts Press, 1995
In 1982, John Newman, curator of the Vietnam War Literature Collection at Colorado State University, said of W.D. Ehrhart: "As a poet and editor, Bill Ehrhart is clearly one of the major figures in Vietnam War literature." This autobiographical account of the war, the author's first extended prose work, demonstrates Ehrhart's abilities as a writer of prose as well. Vietnam–Perkasie is grim, comical, disturbing, and accurate. The presentation is novelistic—truly, a "page-turner"—but the events are all real, the atmosphere intensely evocative.
[more]

front cover of Vietnam's Southern Revolution
Vietnam's Southern Revolution
From Peasant Insurrection to Total War
David Hunt
University of Massachusetts Press, 2009
In Vietnam, the American government vowed to win the "hearts and minds" of the people. On the other side, among those who led and sympathized with the insurgents, the term "people's war" gained a wide currency. Yet while much has been written about those who professed to speak for the Vietnamese population, we know surprisingly little about the everyday life of the peasants who made up the bulk of the country's inhabitants. This book illuminates that subject. Drawing on a wide range of sources, including interviews conducted by the Rand Corporation with informants from My Tho Province in the Mekong Delta, David Hunt brings to light the daily experience of villagers in the midst of war and revolution.The peasants of southern Vietnam were neither onlookers nor mere victims as fighting raged throughout their country. From the "concerted uprising" in 1959–1960 to the Tet Offensive of 1968, the revolutionary movement they created was in fact the driving force within the war. Known as the "Viet Cong" to their adversaries, the rebels called themselves the "Liberation Front." They demanded an end to landlordism and an egalitarian distribution of the means of subsistence as well as a democratization of relations between town and countryside, parents and children, men and women. They hoped the Vietnamese people would achieve a fuller sense of their place in the world and of the power they possessed to fashion their own destinies, without reliance on supernatural forces.In the first half of the book, Hunt analyzes this cultural revolution. As fighting spread and became more destructive, especially after the U.S. escalation in 1965, villagers were driven from their homes, the rural infrastructure collapsed, and customary notions of space and time lost purchase on an increasingly chaotic world. In the second half of the book, Hunt shows how peasants, who earlier had aspired to a kind of revolutionary modernism, now found themselves struggling to survive and to cope with the American intruders who poured into My Tho, and how they managed to regroup and spearhead the Tet Offensive that irrevocably altered the course of the war.
[more]

front cover of The View from the Back of the Band
The View from the Back of the Band
Chris Smith
University of North Texas Press, 2014

front cover of Vigil
Vigil
Alan Shapiro
University of Chicago Press, 1997
The New York Times Book Review praised Alan Shapiro's The Last Happy Occasion as a "touching and intelligent, emotionally satisfying and elegant testimony to the power of poetry to instruct, heal and inspire." Vigi emerges from the final chapter of that book, "Sittin' in a Funeral Place," a powerful essay about Shapiro's sister Beth, her struggle with breast cancer, and the limitations of poetry in confronting the untransformable pain of loss.

In Vigil, Shapiro chronicles with heart-wrenching lyricism the final four weeks of Beth's life in a hospice, attended by her parents, brothers, husband, daughter and friends. One by one, as loved ones arrive to visit Beth, Shapiro reveals fragments of their personal history, bringing to life a troubled and poignant past. A visit from their brother David triggers the memory of a searing betrayal—the parents disowned Beth after learning from David that she was secretly dating a black man; a visit from the parents recalls their bitter quarrels over Beth's radical politics; a visit from Beth's black husband brings the painful memory of their wedding and her parents' refusal to attend. These recollections and feelings that surface with each visit evoke the unresolved, deeply disturbing issues that kept the Shapiro family estranged for so long, making the reconciliation that Beth's death brings to her family all the more extraordinary.

Shapiro gives an unconventionally honest account of our responses—horror, relief, impatience, exhaustion, exhilaration, projection, fear, self-criticism, and a sense of fulfillment—in the presence of the dying. Concluding with a selection of moving poems, Shapiro affirms the astonishing link between creativity and healing, and provides a coda to the whole experience. The price of human connection may be great, but human connection, in the end, has the power to redeem even the most painful of human experiences.
[more]

front cover of The Village of Cannibals
The Village of Cannibals
Rage and Murder in France, 1870
Alain Corbin
Harvard University Press, 1992

In August 1870, during a fair in the isolated French village of Hautefaye, a gruesome murder was committed in broad daylight that aroused the indignation of the entire country. A young nobleman, falsely accused of shouting republican slogans, was savagely tortured for hours by a mob of peasants who later burned him alive. Rumors of cannibalism stirred public fascination, and the details of the case were dramatically recounted in the popular press. While the crime was rife with political significance, the official inquiry focused on its brutality. Justice was swift: the mob’s alleged ringleaders were guillotined at the scene of the crime the following winter.

The Village of Cannibals is a fascinating inquiry by historian Alain Corbin into the social and political ingredients of an alchemy that transformed ordinary people into executioners in nineteenth-century France. Corbin’s chronicle of the killing is significant for the new light it sheds on the final eruption of peasant rage in France to end in murder. No other author has investigated this harrowing event in such depth or brought to its study such a wealth of perspectives.

Corbin explores incidents of public violence during and after the French Revolution and illustrates how earlier episodes in France’s history provide insight into the mob’s methods and choice of victim. He describes in detail the peasants’ perception of the political landscape and the climate of fear that fueled their anxiety and ignited long-smoldering hatreds. Drawing on the minutes of court proceedings, accounts of contemporary journalists, and testimony of eyewitnesses, the author offers a precise chronology of the chain of events that unfolded on the fairground that summer afternoon. His detailed investigation into the murder at Hautefaye reveals the political motivations of the murderers and the gulf between their actions and the sensibilities of the majority of French citizens, who no longer tolerated violence as a viable form of political expression. The book will be welcomed by scholars, students, and general readers for its compelling insights into the nature of collective violence.

[more]

front cover of Village of Immigrants
Village of Immigrants
Latinos in an Emerging America
Gordon, Diana R
Rutgers University Press, 2015
Greenport, New York, a village on the North Fork of Long Island, has become an exemplar of a little-noted national trend—immigrants spreading beyond the big coastal cities, driving much of rural population growth nationally. In Village of Immigrants, Diana R. Gordon illustrates how small-town America has been revitalized by the arrival of these immigrants in Greenport, where she lives.
 
Greenport today boasts a population that is one-third Hispanic. Gordon contends that these immigrants have effectively saved the town’s economy by taking low-skill jobs, increasing the tax base, filling local schools, and patronizing local businesses. Greenport’s seaside beauty still attracts summer tourists, but it is only with the support of the local Latino workforce that elegant restaurants and bed-and-breakfasts are able to serve these visitors. For Gordon the picture is complex, because the wave of immigrants also presents the town with challenges to its services and institutions. Gordon’s portraits of local immigrants capture the positive and the negative, with a cast of characters ranging from a Guatemalan mother of three, including one child who is profoundly disabled, to a Colombian house painter with a successful business who cannot become licensed because he remains undocumented. Village of Immigrants weaves together these people’s stories, fears, and dreams to reveal an environment plagued by threats of deportation, debts owed to coyotes, low wages, and the other bleak realities that shape the immigrant experience—even in the charming seaport town of Greenport.
 
A timely contribution to the national dialogue on immigration, Gordon’s book shows the pivotal role the American small town plays in the ongoing American immigrant story—as well as how this booming population is shaping and reviving rural communities. 
[more]

front cover of Virginia Broughton
Virginia Broughton
The Life and Writings of a Missionary
Tomeiko Ashford Carter
University of Tennessee Press, 2010

For more than half a century, Virginia E. Walker Broughton (1856–1934) worked tirelessly to uplift black communities, and especially black women, throughout Tennessee. Born into an elite African American family in Nashville, she began her professional career as a teacher and later became one of the most prominent domestic missionaries in the National Baptist Convention, U.S.A., as well as an accomplished speaker and writer. This annotated collection is the first scholarly work devoted entirely to Broughton’s life and writings.

The book for which Broughton is best known, Twenty Year’s [sic] Experience of a Missionary, was an autobiography first published in 1907 and reprinted in 1988 as part of a scholarly edition of spiritual narratives by black women. Recently, in the archives of Fisk University, Broughton’s alma mater, Tomeiko Ashford Carter discovered an earlier autobiographical work, A Brief Sketch of the Life and Labors of Mrs. V. W. Broughton, Bible Band Missionary, for Middle and West Tennessee, which was distributed at the famous Atlanta Cotton States and International Exposition of 1895. While both autobiographies portray Broughton as an important religious figure for whom missionary work became a saving grace, Life and Labors is more revealing of key facts about Broughton and her family, and it situates them more clearly among the nation’s black elite. This volume not only brings Life and Labors back into print but also collects various other pieces Broughton produced during her long career.

Among those other writings is a 1904 booklet titled Woman’s Work: As Gleaned from the Women of the Bible, and the Bible Women of Modern Times, which recognizes the prominence of the female in Christian theology and shows how Broughton anticipated the work of present-day feminist and womanist theologians. Several “training course” articles that Broughton wrote for a National Baptist newspaper, covering such topics as the Christian deportment of women and the need for black spiritual literature, are also gathered here, as are a program she devised for systematic Bible study and a brief article, published just a few years before her death, in which she describes some of her missionary field work. Complementing these primary materials are an extensive critical introduction and notes by Carter, a Walker-Broughton family tree, and a chronology of Broughton’s life.

As this collection makes clear, Virginia Broughton was strongly committed to making the work of black religious women an ongoing intellectual enterprise. In these pages, she emerges as both a dedicated missionary and a formidable religious scholar.

[more]

front cover of Virginia Hamilton
Virginia Hamilton
America’s Storyteller
Julie K. Rubini
Ohio University Press, 2017

A Bank Street College of Education Best Children’s Book of 2018 (Outstanding Merit selection) • Finalist, 2018 Ohioana Book Award

Long before she wrote The House of Dies Drear, M. C. Higgins, the Great, and many other children’s classics, Virginia Hamilton grew up among her extended family near Yellow Springs, Ohio, where her grandfather had been brought as a baby through the Underground Railroad. The family stories she heard as a child fueled her imagination, and the freedom to roam the farms and woods nearby trained her to be a great observer. In all, Hamilton wrote forty-one books, each driven by a focus on “the known, the remembered, and the imagined”—particularly within the lives of African Americans.

Over her thirty-five-year career, Hamilton received every major award for children’s literature. This new biography gives us the whole story of Virginia’s creative genius, her passion for nurturing young readers, and her clever way of crafting stories they’d love.

[more]

front cover of The Visions of Sor María de Agreda
The Visions of Sor María de Agreda
Writing Knowledge and Power
Clark Colahan
University of Arizona Press, 1994
Sor María de Agreda (1602-65) was a Spanish nun and visionary who is best known as the author of the widely read biography of the Virgin Mary, The Mystical City of God, and as the missionary who "bilocated" to the American Southwest, reportedly appearing to Indians there without ever leaving Spain. Her role as advisor to King Philip IV contributed further to her legend.

Clark Colahan now offers the first major study of Sor María's writings, including translations of two previously unpublished works: Face of the Earth and Map of the Spheres and the first half of her Report to Father Manero, in which she reflects on her bilocation.
[more]

front cover of The Visitor
The Visitor
André Palmeiro and the Jesuits in Asia
Liam Matthew Brockey
Harvard University Press, 2014

In an age when few people ventured beyond their place of birth, André Palmeiro left Portugal on a journey to the far side of the world. Bearing the title “Father Visitor,” he was entrusted with the daunting task of inspecting Jesuit missions spanning from Mozambique to Japan. A global history in the guise of a biography, The Visitor tells the story of a theologian whose extraordinary travels bore witness to the fruitful contact—and violent collision—of East and West in the early modern era.

In India, Palmeiro was thrust into a controversy over the missionary tactics of Roberto Nobili, who insisted on dressing the part of an indigenous ascetic. Palmeiro walked across Southern India to inspect Nobili’s mission, recording fascinating observations along the way. As the highest-ranking Jesuit in India, he also coordinated missions to the Mughal Emperors and the Ethiopian Christians, as well as the first European explorations of the East African interior and the highlands of Tibet.

Orders from Rome sent Palmeiro farther afield in 1626, to Macau, where he oversaw Jesuit affairs in East Asia. He played a crucial role in creating missions in Vietnam and seized the opportunity to visit the Chinese mission, trekking thousands of miles to Beijing as one of China’s first Western tourists. When the Tokugawa Shogunate brutally cracked down on Christians in Japan—where neither he nor any Westerner had power to intervene—Palmeiro died from anxiety over the possibility that the last Jesuits still alive would apostatize under torture.

[more]

front cover of Visualities
Visualities
Perspectives on Contemporary American Indian Film and Art
Denise K. Cummings
Michigan State University Press, 2011
In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities: Perspectives on Contemporary American Indian Film and Art draws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women’s Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.
[more]

front cover of Vita Nuova
Vita Nuova
A Novel
Bohumil Hrabal
Northwestern University Press, 2010

Vita Nuova is the second in a trilogy of memoirs written from the perspective of Bohumil Hrabal’s wife, Elis.ka, about their life in Prague from the 1950s to the 1970s, when Communist repression of artists was at its peak.

Hrabal’s inimitable humor, which in Elis.ka’s ruminations ranges from bawdy slapstick to cutting irony, is all the more penetrating for being directed at himself. Vita Nuova showcases Hrabal’s legendary bohemian intellectual life, particularly his relationship with Vladimír Boudník. Hrabal creates a shrewd, lively portrait of Eastern European intellectual life in the mid-twentieth century.

[more]

front cover of Viva Baseball!
Viva Baseball!
Latin Major Leaguers and Their Special Hunger
Samuel O. Regalado
University of Illinois Press, 2007

Lively and filled with vivid anecdotes, Viva Baseball! chronicles the struggles of Latin American professional baseball players in the United States from the late 1800s to the present. 

As Latino players, managers, and owners continue to blossom into baseball's biggest stars, they have benefited from a growing Spanish-language media, a group identity, an increase in financial leverage and attention, and a burgeoning Latino culture in the United States. Although there have been several positive developments in the treatment of Latin American players, many, such as Albert Pujols, Pedro Martinez, Alex Rodriguez, and Ozzie Guillen, still face shocking racism. Samuel O. Regalado draws upon archives and rich interviews with Latin baseball stars like Felipe Alou, Orlando Cepeda, and Minnie Minoso to show the changing tenor of discrimination in the twenty-first-century game.

[more]

front cover of Vivaldi
Vivaldi
Voice of the Baroque
H. C. Robbins Landon
University of Chicago Press, 1996
Vivaldi boasted that he could compose a concerto faster than a scribe could copy one. Despite his prolificacy, The Four Seasons, and the majority of his already published work had fallen into obscurity by the time of his death in poverty in 1741. Most of his music-concertos, sonatas, operas, and sacral music-has been published only recently.

Very little has been written on Vivaldi for the nonspecialist, especially in English. Landon rediscovers the composer in this accessible and musically informed biography while presenting documentation of the musician's life discovered after the Baroque revival in the 1930s. This book includes illustrations of eighteenth-century Venice and several newly translated letters, thoroughly evoking the style of the time and revealing some of the more personal aspects of Vivaldi's life.

"Belongs on the shelf of every serious music student."—Kirkus

"Gives a good feel for Vivaldi's life and times . . . and describes particularly well how Vivaldi has been revived."—Booklist

"Robbins Landon is marvelously entertaining, extravagantly learned."—The Independent




[more]

front cover of Vivian Maier
Vivian Maier
A Photographer’s Life and Afterlife
Pamela Bannos
University of Chicago Press, 2017
Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight.
 
But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier’s true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer’s Life and Afterlife, Bannos contrasts Maier’s life with the mythology that strangers—mostly the men who have profited from her work—have created around her absence. Bannos shows that Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it. She places Maier’s fierce passion for privacy alongside the recent spread of her work around the world, and she explains Maier’s careful adjustments of photographic technique, while explaining how the photographs have been misconstrued or misidentified. As well, Bannos uncovers new information about Maier’s immediate family, including her difficult brother, Karl—relatives that once had been thought not to exist.
 
This authoritative and engrossing biography shows that the real story of Vivian Maier, a true visionary artist, is even more compelling than the myth.
 
[more]

front cover of Voice Lessons
Voice Lessons
By Alice Embree
University of Texas Press, 2021

Voice Lessons explores the rich personal and political terrain of Alice Embree, a 1960s activist and convert to the women’s liberation movement of the 1970s, bringing a woman’s perspective to a transformational time in US history. This riveting memoir traces the author’s roots in segregated Austin and her participation in efforts to integrate the University of Texas. It follows her antiwar activism from a vigil in front of President Lyndon Johnson’s ranch in 1965 to a massive protest after the shootings at Kent State in 1970. Embree’s activism brought her and the Students for a Democratic Society into conflict with Frank Erwin, the powerful chairman of the UT Board of Regents, and inspired a campus free speech movement. She recounts her experiences living in New York during the tumultuous years of 1968 and 1969, including the Columbia University strike and the Woodstock music festival. She also tells about protesting at the Chicago Democratic Convention, her interactions with Yippies and poets, and her travels to Chile, Cuba, and Mexico. Embree highlights the radical roots of the women’s liberation movement in Austin and the audacious women’s community that challenged gender roles, fought for reproductive justice, and inspired a lifetime of activism.

[more]

front cover of
"The Voice of Egypt"
Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century
Virginia Danielson
University of Chicago Press, 1997
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career.

Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her.

This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time.

"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
[more]

logo for University of Tennessee Press
Voice of Glory
The Life and Work of Davis Grubb
Thomas E. Douglass
University of Tennessee Press, 2017

Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.

Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.

In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.

THOMAS E. DOUGLASS, an associate professor of English at East Carolina University, is the author of A Room Forever: The Life, Work, and Letters of Breece D’J PancakeHe is also the fiction editor for the University of Tennessee Press’s Appalachian Echoes series.

[more]

front cover of The Voice of Science
The Voice of Science
British Scientists on the Lecture Circuit in Gilded Age America
Diarmid A. Finnegan
University of Pittsburgh Press, 2021

For many in the nineteenth century, the spoken word had a vivacity and power that exceeded other modes of communication. This conviction helped to sustain a diverse and dynamic lecture culture that provided a crucial vehicle for shaping and contesting cultural norms and beliefs. As science increasingly became part of public culture and debate, its spokespersons recognized the need to harness the presumed power of public speech to recommend the moral relevance of scientific ideas and attitudes. With this wider context in mind, The Voice of Science explores the efforts of five celebrity British scientists—John Tyndall, Thomas Henry Huxley, Richard Proctor, Alfred Russel Wallace, and Henry Drummond—to articulate and embody a moral vision of the scientific life on American lecture platforms. These evangelists for science negotiated the fraught but intimate relationship between platform and newsprint culture and faced the demands of audiences searching for meaningful and memorable lecture performances. As Diarmid Finnegan reveals, all five attracted unrivaled attention, provoking responses in the press, from church pulpits, and on other platforms. Their lectures became potent cultural catalysts, provoking far-reaching debate on the consequences and relevance of scientific thought for reconstructing cultural meaning and moral purpose.

[more]

logo for University of Illinois Press
A Voice of Thunder
A BLACK SOLDIER'S CIVIL WAR
Edited by Donald Yacovone
University of Illinois Press, 1997
      George E. Stephens, the most
        important African-American war correspondent of his era, served in the
        famed black Fifty-fourth Massachusetts Regiment, subject of the film Glory.
        His letters from the front, published in the New York Weekly Anglo-African,
        brilliantly detail two wars: one against the Confederacy and one against
        the brutal, debilitating racism within his own Union Army. Together with
        Donald Yacovone's biographical introduction detailing Stephens's life
        and times, they provide a singular perspective on the greatest crisis
        in the history of the United States.
      Stephens chronicled the African-American
        quest for freedom in reports from southern Maryland and eastern Virginia
        in 1861 and 1862 that detailed, among other issues of the day, the Army
        of the Potomac's initial encounter with slavery, the heroism of fugitive
        slaves, and the brutality both Southerners and Union troops inflicted
        on them.
      From the inception of the
        Fifty-fourth early in 1863 Stephens was the unit's voice, telling of its
        struggle against slavery and its quest to win the pay it had been promised.
        His description of the July 18, 1863, assault on Battery Wagner near Charleston,
        South Carolina, and his writings on the unit's eighteen-month campaign
        to be paid as much as white troops are gripping accounts of continued
        heroism in the face of persistent insult.
      The Weekly Anglo-African
        was the preeminent African-American newspaper of its time. Stephens's
        correspondence, intimate and authoritative, takes in an expansive array
        of issues and anticipates nearly all modern assessments of the black role
        in the Civil War. His commentary on the Lincoln administration's wartime
        policy and his conviction that the issues of race and slavery were central
        to nineteenth-century American life mark him as a major American social
        critic.
 
[more]

logo for Northwestern University Press
Voices from the Gulag
Aleksandr Solzhenitsyn
Northwestern University Press, 2010

After the publication in 1962 of One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn began receiving, and would continue to receive throughout his life, testimonies from fellow survivors of the gulag. Originally selected by Solzhenitsyn, the memoirs in this volume are an important addition to the literature of the Soviet gulag. Written by men from a wide variety of occupations and social classes, the writing in Voices from the Gulag lends a voice to the many ordinary people—including a circus performer, a teenage boy, and a Red Army soldier—whom a brutal system attempted to erase from memory.

[more]

front cover of The Voices of Gemma Galgani
The Voices of Gemma Galgani
The Life and Afterlife of a Modern Saint
Rudolph M. Bell and Cristina Mazzoni
University of Chicago Press, 2002
My sister Angelina knows all about my things. This morning she was talking about my things like they were no big deal; and my brother was making fun of them together with her. I'm not afraid of their jokes, you know? . . . My sister even brought her classmates to the house, and she tells them this, just to make fun of me: "Come, let's go see Gemma go in ecstasy."

Gemma Galgani was the first person who lived in the twentieth century to become a saint. Born in Lucca to a pharmacist and his wife, Gemma died of tuberculosis at the young age of twenty-five after a life of intense personal spirituality. Jesus caressed her as lovers do; the Virgin Mary was her affectionate Mom; Brother Gabriel playfully teased her about whether she preferred his visits to those of Jesus; and she even received all of Christ's wounds in her hands, feet, and side. At the same time, she was mocked by her family and labeled a hysteric by doctors and the local bishop. Her trials and the intimate details of her supernatural encounters—the voices of Gemma Galgani—are revealed here in this marvelous book by Rudolph M. Bell and Cristina Mazzoni.

Bell and Mazzoni have chosen and translated the most important of Gemma's words: her autobiographical account of her childhood, her diary, and key selections from her "ecstasies" and letters. Gemma emerges as a very modern saint indeed: confident, grandiose, manipulative, childish, admired, and with this book, no longer forgotten. Following Gemma's own voice, Bell carefully contextualizes her life and passion and explores her afterlife, specifically the complicated process of her canonization. Mazzoni closes the book with a "Saint's Alphabet" that finds, through Gemma's voice, spiritual meaning for women in the twenty-first century.

Far more than the reinvigoration of a neglected historical figure, The Voices of Gemma Galgani is a portrait of a complex girl-woman caught between the medieval and the modern and a potent reminder of spirituality in a supposedly secular age.
[more]

front cover of Voices of the Diaspora
Voices of the Diaspora
Jewish Women Writing in Contemporary Europe
Thomas Nolden
Northwestern University Press, 2005
Voices of the Diaspora offers, for the first time, representative works by major Jewish women writers from Austria, England, France, Germany, Italy, the Netherlands, Spain, and Russia. These stories and essays, written over the last twenty-five years, speak to the challenges confronting the post-Shoah generations of Jews living in Europe: a need to commemorate the lives extinguished in the camps; a desire to repair a ruptured culture; and a determination to reclaim a Jewish identity resistant to assimilation and the threats of anti-Semitism.

At the same time, these writers address themes specific to their national contexts. Berlin-born Barbara Honigmann questions the possibility of Jewish life in the country responsible for the "final solution." Maghreb-born Marlène Amar and Reina Roffé address the experiences of displacement and emancipation as Sephardic women in Western, post-colonial societies. Clara Sereni describes how Jews in post-Fascist Italy reemerged with a self-assertiveness that troubled a society that had found comfort in amnesia. Ludmila Ulitskaya portrays a Jewish girlhood on the eve of Stalin's death empowered by the religious traditions of Jewish resistance.

From the unique perspective of women's literary voices, this volume reveals to English-speaking readers the extraordinary vivacity and diversity of European Jewry, and introduces them to a new generation of women writers.
[more]

front cover of Voices of the Jazz Age
Voices of the Jazz Age
Profiles of Eight Vintage Jazzmen
Chip Deffaa
University of Illinois Press, 1990
In Voices of the Jazz Age, Chip Deffaa interviews eight musicians who rose to popularity during the 1920s. Sam Wooding, Benny Waters, Bix Beiderbecke, Joe Tarto, Bud Freeman, Jimmy McPartland, Freddie Moore, Jabbo Smith bring the Jazz Age back to life with vivid memories, amazing stories, and their own larger-than-life personalities. Deffaa draws out their glory days in the Twenties but also invites them to share the stories of their long lives in music, often in obscurity, but in many cases still working and gigging well into their eighties.
[more]

logo for University of Tennessee Press
Voices Worth the Listening
Three Women of Appalachia
Thomas G Burton
University of Tennessee Press, 2020
While Appalachian stereotypes and often misplaced debates about essentialism in Appalachian character still cloud our understanding of the people of the region—especially in the wake of J. D. Vance’s bestselling Hillbilly Elegy—the words of people who live in the region tell a far more complex story of diversity, hard times, perseverance, and unique experiences. Based on recorded interviews with three different women in different areas of Appalachia, Voices Worth the Listening is a carefully crafted oral history work that faithfully represents these women’s lives using their own words. 

A powerful counter-narrative to the current conversation, Voices Worth the Listening presents three real stories of Appalachian people that are unvarnished and more than simply anecdotal. Race, class, drug culture, education, and socioeconomic mobility are all addressed in some way by these narratives. While the themes that emerge in these stories are by no means unique to Appalachia—indeed, they resonate in some ways with the experiences of disadvantaged and marginalized people in other regions of the country—these three women have lived much of their lives outside of the mainstream and their narrated experiences become a meaningful signpost for the people of Appalachia.
[more]

front cover of Voodoo Priests, Noble Savages, and Ozark Gypsies
Voodoo Priests, Noble Savages, and Ozark Gypsies
The Life of Folklorist Mary Alicia Owen
Greg Olson
University of Missouri Press, 2012

Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore.

Olson begins with an in-depth look at St. Joseph, Missouri, the place where Owen lived most of her life. He explores the role that her grandparents and parents had in transforming the small trading village into one of the American West’s most exciting boomtowns. He also examines the family’s position of affluence and the effect that the devastation of the Civil War had on their family life and their standing within the community. He describes the interaction of Owen with her two younger sisters, both of whom had interesting and, for women of the time, unconventional careers.

Olson analyzes many of the nineteenth-century theories, stereotypes, and popular beliefs that influenced the work of Owen and many of her peers. By taking a cross-disciplinary look at her works of fiction, poetry, folklore, history, and anthropology, this volume sheds new light on elements of Owen’s career that have not previously been discussed in print. Examples of the romance stories that Owen wrote for popular magazines in the 1880’s are identified and examined in the context of the time in which Owen wrote them.

This groundbreaking biography shows that Owen was more than just a folklorist—she was a nineteenth-century woman of many contradictions. She was an independent woman of many interests who possessed a keen intellect and a genuine interest in people and their stories. Specialists in folklore, anthropology, women’s studies, local and regional history, and Missouriana will find much to like in this thoroughly researched study.
[more]

front cover of Voyage to the Island
Voyage to the Island
Raija Nieminen
Gallaudet University Press, 2014
Raija Nieminen, a deaf woman from Finland, had been leading a very full life as both a librarian and mother of two children. Then her husband Jukka won an exciting new job designing the harbor in the Caribbean island of St. Lucia. Raija suddenly needed to start her life over again in a small, hot, developing country where both the hearing and deaf populations used languages foreign to her.
 
     Voyage to the Island recounts the remarkable story of how she adjusted to a strange, exotic island, first by seeking out other deaf persons and learning their sign language. Later, she met Alfonso, a deaf child and an orphan, and realized that he was only one of many deaf children who needed her help. Soon, Raija was teaching at the island’s school for the deaf.
 
     Her vivid stories of daily frustration mixed with moments of exhilaration at the school make Voyage to the Island an unforgettably moving book. It becomes even more poignant against the backdrop of her own accomplishments as a deaf person advocating complete communication among all people in all communities.
[more]

logo for Harvard University Press
Vygotsky’s Psychology
A Biography of Ideas
Alex Kozulin
Harvard University Press, 1990

Alex Kozulin, translator of Vygotsky's work and distinguished Russian-American psychologist, has written the first major intellectual biography about Vygotsky's theories and their relationship to twentieth-century Russian and Western intellectual culture. He traces Vygotsky's ideas to their origins in his early essays on literary criticism, Jewish culture, and the psychology of art, and he explicates brilliantly his psychological theory of language, thought, and development.

Kozulin's biography of Vygotsky also reflects many of the conflicts of twentieth-century psychology--from the early battles between introspectionists and reflexologists to the current argument concerning the cultural and social, rather than natural, construction of the human mind.

Vygotsky was a contemporary of Freud and Piaget, and his tragically early death and the Stalinist suppression of his work ensured that his ideas did not have an immediate effect on Western psychology. But the last two decades have seen his psychology become highly influential while that of other theoretical giants has faded.

[more]


Send via email Share on Facebook Share on Twitter