One of the more nonconformist figures in the animal kingdom, the parrot is linked to humans by its ability to speak—a trait many have found unsettling, though this discomfort is offset by its gorgeous plumage, which makes it one of the most popular members of the avian family. Unlike previous studies that have treated parrots as simply a curious oddity, Paul Carter offers here in Parrot a thoughtful yet spirited consideration of the natural and cultural history of parrots, discussing parrot portraiture, the role and significance of parrots' mimicry in human culture, and parrot conservation, as well the parrot's role in literature, folklore and mythology, film, and television worldwide.

Parrot takes three different approaches to the squawker: the first section, "Parrotics," examines the historical, cultural, and scientific classification of parrots; "Parroternalia," the second part, looks at the association of parrots with the different languages, ages, tastes, and dreams of society; and, finally, "Parrotology" investigates what the mimicry of parrots reveals about our own systems of communication. Humorously written and wide-ranging in scope, this volume takes readers beyond pirates and "Polly wants a cracker" to a new kind of animal history, one conscious of the critical and ironic mirror parrots hold up to human society.

With its distinctive, comical walk, large bill, and association with the conservation movement, the pelican has attained iconic status. But as Barbara Allen reveals, this graceful skimmer of ocean waves has a checkered history. Originally classed as “unclean” in the King James Bible, the legend of the compassionate pelican was later appropriated by Christianity to symbolize Christ’s sacrifice. This majestic bird, gifted to British royalty in 1664, has been celebrated in art and literature, from Shakespeare’s King Lear to the writing of Edward Lear, and is the holder of three Guinness World Records. The pelican’s anatomy has been copied for paper plane construction, aircraft design, and in 3D imaging, and its resilience is as remarkable as its make-up: the pelican has rallied against threats of extinction, habitat destruction, and environmental disasters such as the Deepwater Horizon oil spill. A must-read book for all bird enthusiasts, Barbara Allen’s Pelican weaves together wildlife trivia, historical tales, and the latest research to provide an engaging, many-feathered account of this emblematic bird.

Most of us wouldn’t think to look for penguins in a hot desert, but every year along a windswept edge of coastal Patagonia, hundreds of thousands of Magellanic penguins gather to rear their young at Punta Tombo, Argentina. It is the largest penguin colony in the world outside of Antarctica, and for the past three decades, biologist Dee Boersma has followed them there.

Eric Wagner joined her team for six months in 2008, and in Penguins in the Desert, he chronicles that season in the remarkable lives of both the Magellanic penguins of Punta Tombo and the scientists who track their every move. For Boersma, the penguins are ecosystem sentinels. At the colony’s peak, more than a million birds bred there, but now less than half as many do. In confronting this fact, Boersma tackles some of the most urgent issues facing penguins and people today. What is the best way to manage our growing appetite for fish? How do we stop catastrophic oil spills from coating birds? How will we address the looming effects of climate change?

As Wagner spends more and more time with the penguins and the scientists in the field, other equally pressing questions come to mind. What is it like to be beaten by a penguin? Or bitten by one? How can a person be so dirty for so many months on end? In a tale that is as much about life in the field as it is about one of the most charismatic creatures on earth, Wagner brings humor, warmth, and hard-won insight as he tries to find the answer to what turns out to be the most pressing question of all: What does it mean to know an animal and to grapple with the consequences of that knowing?

Peregrine falcons have their share of claims to fame. With a diving speed of over two hundred miles per hour, these birds of prey are the fastest animals on earth or in the sky, and they are now well known for adapting from life on rocky cliffs to a different kind of mountain: modern skyscrapers. But adaptability only helps so much. In 1951, there were no peregrines left in Illinois, for instance, and it looked as if the species would be wiped out entirely in North America. Today, however, peregrines are flourishing.

In The Peregrine Returns, Mary Hennen gives wings to this extraordinary conservation success story. Drawing on the beautiful watercolors of Field Museum artist-in-residence Peggy Macnamara and photos by Field Museum research assistant Stephanie Ware, as well as her own decades of work with peregrines, Hennen uses a program in Chicago as a case study for the peregrines’ journey from their devastating decline to the discovery of its cause (a thinning of eggshells caused by a by-product of DDT), through to recovery, revealing how the urban landscape has played an essential role in enabling falcons to return to the wild—and how people are now learning to live in close proximity to these captivating raptors.

Both a model for conservation programs across the country and an eye-opening look at the many creatures with which we share our homes, this richly illustrated story is an inspiring example of how urban architecture can serve not only our cities’ human inhabitants, but also their wild ones.