Senegalese poet, philosopher, and politician Leopold Sédar Senghor, together with Aimé Césaire and others, developed the influential and perennially relevant negritude movement—a Black artistic, philosophical, and political expression of Black presence in the modern colonial world. The Essential Senghor provides a new opportunity for English-language readers to engage with Senghor’s critical and philosophical writings spanning from 1937 to 1985. This collection includes Senghor’s key philosophical interventions in discourses on freedom, Blackness and being, humanism, history, and more. It portrays Senghor as a pivotal intellectual in the fields of African and Black studies whose work engages a wide range of disciplines, including literature, linguistics, anthropology, religion, and art history. The Essential Senghor invites readers not only to reflect on negritude and its importance for our political present, but also to reconsider intellectual genealogies of decolonial thought, Black liberation, and African philosophy.

 Beginning with a deceptively simple question—What do we mean when we designate behaviors, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalized young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.