front cover of Bliss
Bliss
Clara Magnani
Seagull Books, 2021
An engrossing novel about love and grief that introduces an important francophone author to English-speaking readers.

Rome, 2014, late summer. While he is reading on his sun-drenched terrace, Giangiacomo’s heart stops. A quick, painless death—something he had always hoped for, his daughter, Elvira, remembers. A few days later, Elvira comes across an unfinished manuscript in her father’s flat. In it, she discovers a love story between Giangiacomo—Gigi, to his loved ones—and a Belgian journalist, Clara, which had been going on for over four years. Gigi’s manuscript tells of how their “mature love,” an expression that became code between Gigi and Clara, blossomed unexpectedly and of the happiness of their meetings, the abandon of their bodies, their laughter, the films they watched and rewatched together. As she struggles to cope with the loss of Gigi, Clara writes her own version of their story. Her “journal of absence” is first addressed to Gigi, then, gradually, to Elvira. She confides in the young woman on the threshold of adult life, with discretion and tenderness, describing the fullness of the hidden love she shared with her father.
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Images of Bliss
Ejaculation, Masculinity, Meaning
Murat Aydemir
University of Minnesota Press, 2007

Aristotle believed semen to be the purest of all bodily secretions, a vehicle for the spirit or psyche that gives form to substance. For Proust’s narrator in Swann’s Way, waking to find he has experienced a nocturnal emission, it is the product of “some misplacing of my thigh.” The heavy metal band Metallica used it to adorn an album cover. Beyond its biological function, semen has been applied with surprising frequency to metaphorical and narratological purposes.

In Images of Bliss, Murat Aydemir undertakes an original and extensive analysis of images of male orgasm and semen. In a series of detailed case studies—Aristotle’s On the Generation of Animals; Andres Serrano’s use of bodily fluids in his art; paintings by Holbein and Leonardo; Proust’s In Search of Lost Time; hard-core pornography (both straight and gay); and key texts from the poststructuralist canon, including Lacan on the phallus, Bataille on expenditure, Barthes on bliss, and Derrida on dissemination—Aydemir traces the complex and often contradictory possibilities for imagination, description, and cognition that both the idea and the reality of semen make available. In particular, he foregrounds the significance of male ejaculation for masculine subjectivity. More often than not, Aydemir argues, the event or object of ejaculation emerges as the instance through which identity, meaning, and gender are not so much affirmed as they are relentlessly and productively questioned, complicated, and displaced.

Combining close readings of diverse works with subtle theoretical elaboration and a keen eye for the cultural ideals and anxieties attached to sexuality, Images of Bliss offers a convincing and long overdue critical exploration of ejaculation in Western culture.

Murat Aydemir is assistant professor of comparative literature at the University of Amsterdam.

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front cover of The Land Of Bliss
The Land Of Bliss
Cathy Song
University of Pittsburgh Press, 2001
Cathy Song’s fourth collection of poetry unveils glimpses of the elusive but ever-present power of wisdom and compassion. Recognizing that we have the ability to create our own misery as well as our own bliss, she finds the unexpected in broken lives, despair, and even seemingly joyous occasions. Song’s poems are often, like a handful of water, "cold and impossibly / clear, unlike anything / you’ve ever held before."
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front cover of Religion at the Corner of Bliss and Nirvana
Religion at the Corner of Bliss and Nirvana
Politics, Identity, and Faith in New Migrant Communities
Lois Ann Lorentzen, Joaquin Jay Gonzalez III, Kevin M. Chun and Hien Duc Do, eds.
Duke University Press, 2009
Based on ethnographic research by an interdisciplinary team of scholars and activists, Religion at the Corner of Bliss and Nirvana illuminates the role that religion plays in the civic and political experiences of new migrants in the United States. By bringing innovative questions and theoretical frameworks to bear on the experiences of Chinese, Filipino, Mexican, Salvadoran, and Vietnamese migrants, the contributors demonstrate how groups and individuals negotiate multiple religious, cultural, and national identities, and how religious faiths are transformed through migration. Taken together, their essays show that migrants’ religious lives are much more than replications of home in a new land. They reflect a process of adaptation to new physical and cultural environments, and an ongoing synthesis of cultural elements from the migrants’ countries of origin and the United States.

As they conducted research, the contributors not only visited churches and temples but also single-room-occupancy hotels, brothels, tattoo-removal clinics, and the streets of San Francisco, El Salvador, Mexico, and Vietnam. Their essays include an exploration of how faith-based organizations can help LGBT migrants surmount legal and social complexities, an examination of transgendered sex workers’ relationship with the unofficial saint Santisima Muerte, a comparison of how a Presbyterian mission and a Buddhist temple in San Francisco help Chinese immigrants to acculturate, and an analysis of the transformation of baptismal rites performed by Mayan migrants. The voices of gang members, Chinese and Vietnamese Buddhist nuns, members of Pentecostal churches, and many others animate this collection. In the process of giving voice to these communities, the contributors interrogate theories about acculturation, class, political and social capital, gender and sexuality, the sociology of religion, transnationalism, and globalization. The collection includes twenty-one photographs by Jerry Berndt.

Contributors. Luis Enrique Bazan, Kevin M. Chun, Hien Duc Do, Patricia Fortuny Loret de Mola, Joaquin Jay Gonzalez III, Sarah Horton, Cymene Howe, Mimi Khúc, Jonathan H. X. Lee, Lois Ann Lorentzen, Andrea Maison, Dennis Marzan, Rosalina Mira, Claudine del Rosario, Susanna Zaraysky

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front cover of Stigmata of Bliss
Stigmata of Bliss
Three Novellas
Klaus Merz
Seagull Books, 2017
Klaus Merz is one of the most prominent, prolific, and versatile Swiss writers working today. Celebrated as a master of concise, condensed sentences, Merz brings depth and resonance to spare narratives with lyrical prose and striking images. Stigmata of Bliss brings together three of Merz’s critically acclaimed novellas, offering English readers the perfect introduction to his work.

Jacob Asleep introduces a family marked by illness, eccentricity, and a child’s death. In A Man’s Fate, a moment of inattention on a mountainous hike upends a teacher’s life and his understanding of mortality. And finally, The Argentine traces the fluctuations of memory and desire in a man’s journey around the world. In each novella, Merz takes readers on a profound and intimate journey. Read as a whole, the works complement, enrich, and echo each other.
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