From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson’s unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker’s evolving aesthetic and its historical context to argue that Anderson’s films create new, often ambivalent, narratives of American identity in a media-saturated world.

Blossoms and Blood explores Anderson’s films in relation to the aesthetic and economic shifts within the film industry and to America’s changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson’s work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson’s work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture.

Mitsuko “Mitzi” Asai was not yet ten years old in the spring of 1942 when President Roosevelt’s Executive Order 9066 sent 120,000 people of Japanese ancestry—about two-thirds of them US citizens—from their homes on the West Coast to inland prison camps. They included Mitzi and most of her family, who owned a fruit orchard in Hood River, Oregon. The Asais spent much of World War II in the camps while two of the older sons served in the Pacific in the US Army. Three years later, when the camps began to close, the family returned to Hood River to find an altered community. Shop owners refused to serve neighbors they had known for decades; racism and hostility were open and largely unchecked. Humiliation and shame drove teenaged Mitzi to reject her Japanese heritage, including her birth name. More than a decade later, her life took another turn when a Fulbright grant sent her to teach in Japan, where she reconnected with her roots.

In From Thorns to Blossoms, Mitzi recounts her rich and varied life, from a childhood surrounded by barbed wire and hatred to a successful career as a high school English teacher and college instructor in English as a Second Language. Today, Asai descendants continue to tend the Hood River farm while the town confronts its shameful history. Originally published in 1990 as Made in Japan and Settled in Oregon, this revised and expanded edition describes the positive influence Mitzi’s immigrant parents had on their children, provides additional context for her story, and illuminates the personal side of a dark chapter in US history. It’s the remarkable story of a transformation from thorns into blossoms, pain into healing.