front cover of Ventures into Childland
Ventures into Childland
Victorians, Fairy Tales, and Femininity
U. C. Knoepflmacher
University of Chicago Press, 1998
Behind the innocent face of Victorian fairy tales such as Through the Looking Glass or Mopsa the Fairy lurks the specter of an intense gender debate about the very nature of childhood. Offering brilliant rereadings of classics from the "Golden Age of Children's Literature" as well as literature commonly considered "grown-up," U. C. Knoepflmacher illuminates this debate, probing deeply into the relations between adults and children, adults and their own childhood selves, and the lives of beloved Victorian authors and their "children's tales." Ventures into Childland will delight and instruct all readers of children's classics, and will be essential reading for students of Victorian culture and gender studies.

"Ventures into Childland is acute, well written and stimulating. It also has a political purpose, to insist on the importance of protecting and nurturing children, imaginatively and physically."—Jan Marsh, Times Literary Supplement

"A provocative and interesting book about Victorian culture."—Library Journal
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front cover of Vincent's Books
Vincent's Books
Van Gogh and the Writers Who Inspired Him
Mariella Guzzoni
University of Chicago Press, 2020
“Books and reality and art are the same kind of thing for me.”
 
One of the most famous artists in history, Vincent van Gogh (1853–1890) was also a man with another powerful passion—for books. An insatiable reader, Van Gogh spent his life hungrily consuming as many books as he could. He read, reread, and copied out books in Dutch, English, and French. He knew many passages by heart from works by Dickens, Zola, Shakespeare, and Maupassant, among many others. As he wrote to his brother, Theo, in one of their hundreds of letters: “I have a more or less irresistible passion for books.”
 
In Vincent’s Books, Mariella Guzzoni explores Van Gogh’s life as a voracious bookworm, noting what he read, what he wrote about, and how his love of reading influenced his art. She walks us through his life, chapter by chapter: from the religious aspirations of his early adulthood, to his decision to be a painter, to the end of his tragically short life. He moved from Holland to Paris to Provence; at each moment, ideas he encountered in books defined and guided his thoughts and his worldview. Van Gogh wrote with eloquence and insight about what he was reading in his letters to Theo, referring to at least two hundred authors. Books and readers are frequent subjects of his paintings, and Guzzoni highlights over one hundred of these works, such as Still Life with Bible in the Van Gogh Museum and his vivid paintings of l’Arlesienne.
 
A gorgeously illustrated biography that will appeal to any booklover, Vincent’s Books takes us on a fresh, fascinating journey through the pages of a beloved artist’s life. 

Explore Van Gogh’s musings on his favorite writers, including
Thomas à Kempis, Charles Blanc, Honoré de Balzac, Edmond and Jules de Goncourt, Guy de Maupassant, Charles Dickens, Erckmann-Chatrian, Homer, Victor Hugo, Pierre Loti, Jules Michelet, William Shakespeare, Harriet Beecher Stowe, Émile Zola
 
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front cover of Virtuous Necessity
Virtuous Necessity
Conduct Literature and the Making of the Virtuous Woman in Early Modern England
Jessica C. Murphy
University of Michigan Press, 2015
While many scholars find the early modern triad of virtues for women—silence, chastity, and obedience—to be straightforward and nonnegotiable, Jessica C. Murphy demonstrates that these virtues were by no means as direct and inflexible as they might seem. Drawing on the literature of the period—from the plays of Shakespeare to a conduct manual written for a princess to letters from a wife to her husband—as well as contemporary gender theory and philosophy, she uncovers the multiple meanings of behavioral expectations for sixteenth- and seventeenth-century women. Through her renegotiation of cultural ideals as presented in both literary and nonliterary texts of early modern England, Murphy presents models for “acceptable” women’s conduct that lie outside of the rigid prescriptions of the time.

Virtuous Necessity will appeal to readers interested in early modern English literature, including canonical authors such as Shakespeare, Spenser, and Milton, as well as their female contemporaries such as Amelia Lanyer and Elizabeth Cary. It will also appeal to scholars of conduct literature; of early modern drama, popular literature, poetry, and prose; of women’s history; and of gender theory.
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