Colonial Strangers revolutionizes modern British literary studies by showing how our interpretations of the postcolonial must confront World War II and the Holocaust. Phyllis Lassner’s analysis reveals how writers such as Muriel Spark, Olivia Manning, Rumer Godden, Phyllis Bottome, Elspeth Huxley, and Zadie Smith insist that World War II is critical to understanding how and why the British Empire had to end.

Drawing on memoirs, fiction, reportage, and film adaptations, Colonial Strangers explores the critical perspectives of writers who correct prevailing stereotypes of British women as agents of imperialism. They also question their own participation in British claims of moral righteousness and British politics of cultural exploitation. These authors take center stage in debates about connections between the racist ideologies of the Third Reich and the British Empire.

Colonial Strangers reveals how the literary responses of key artists represent not only compelling reading, but also a necessary intervention in colonial and postcolonial debates and the canons of modern British fiction.

A highly acclaimed anti-fascist novel, The Mortal Storm was Phyllis Bottome's dramatic warning against the warmongering, antisemitism, and misogyny of the Nazis. The story pits the developing political and feminist consciousness of Freya Roth against the Nazi machine that will destroy the fabric of her family and nation. In its combination of adventure and love story, political analysis and history, The Mortal Storm remains a powerful reminder of the greatest crisis of the twentieth century, as well as a riveting personal saga.