In this work, the first critical monograph on Suite française, Nathan Bracher shows how, first amid the chaos and panic of the May-June 1940 debacle, and then within the unsettling new order of the German occupation, Némirovsky's novel casts a particularly revealing light on the behavior and attitudes of the French as well as on the highly problematic interaction of France's social classes

Nathan Bracher's François Mauriac on Race, War, Politics, and Religion: The Great War Through the 1960s consists of a selection of some ninety editorials penned by the Catholic novelist and intellectual François Mauriac, who received the Nobel Prize for literature and who was admitted to the Académie Française in 1933. As is often the case for prominent writers and intellectuals in France, Mauriac became active in political punditry early in his career, at the time of the First World War. Intensifying notably in the tumultuous years of the 1930s on, this activity continues to expand over the next five decades. After 1952, Mauriac's editorials came to represent the most important dimension of his intellectual activity. He was, to cite the prominent journalist and intellectual Jean Daniel of Le Nouvel Observateur, France’s most distinguished and formidable editorialist of the twentieth century.

This book, the first English-language study of Mauriac's Bloc-notes, presents these poignant, incisive editorials on social justice, war, and human rights in postwar France as both symptomatic of a culture imbued with the past and emblematic of a Christian humanist's ethical approach to history and memory.