Often overlooked by most tourists and locals alike, the Bronx—one of five boroughs that comprise the city of New York—is rich in cultural and historical attractions. From the Bronx Zoo (the largest urban zoo in the United States) to the New York Botanical Garden (one of the most visited botanical gardens in the world), this borough has something for everyone. Visitors can explore historical locations (including where George Washington slept and where Edgar Allan Poe lived and worked), watch a game in one of the most famous baseball stadiums in the United States—Yankee Stadium—and sample delicious Italian food in New York’s real “Little Italy” on Arthur Avenue and New England style seafood at City Island along the edge of Long Island Sound. Author and foremost historian of the Bronx Lloyd Ultan and educator Shelley Olson have teamed up to create a handy guidebook with detailed maps that will provide all the information prospective visitors need for planning their adventures to famous and little-known sites, including the hours, admission fees, and directions to featured attractions.

 

The Bronx—which includes thirty-six color photographs—provides visitors with informative chapters on more than twelve of the borough’s extraordinary destinations as well as self-guided walking tours of some of the most ethnically, architecturally, and historically diverse neighborhoods. History buffs will find beautifully preserved eighteenth- and nineteenth-century homes, the Hall of Fame for Great Americans (which pays homage to many familiar faces in American history), and Woodlawn Cemetery (the final resting place for prominent Americans including Duke Ellington, Joseph Pulitzer, Gloria Vanderbilt Whitney, and Thomas Nast). In addition to the botanical garden, nature lovers can enjoy the beautiful Pelham Bay Park and Van Cortlandt Park. The Bronx also highlights the surprising number of art galleries, museums, and performance venues that visitors are sure to enjoy, further demonstrating the borough’s cultural prominence. .

 

 

Everyone faces crossroads. While not everyone meets at the same crossroads, we all juggle multiple identities. It is these roles--sometimes conflicting and other times fitting together seamlessly--that Linda Watkins-Goffman explores in A Life Teaching Languages: A Memoir from Mississippi to the Bronx.   
 
In this memoir of an educator, Watkins-Goffman offers insights she has gained from her years of traveling, teaching, and writing and shares how her experiences have shaped her teaching philosophy. According to Watkins-Goffman, teachers must communicate authentically to teach effectively and, to accomplish this, they must connect their own experiences in some way with those of their students. The stories she tells are sure to resonate with pre-service and practicing teachers alike. Her reflections about her own experiences will be useful to readers who plan to become ESL educators, or those who simply seek inspiration about teaching.
 

"Orpheus in the Bronx not only extols the freedom language affords us; it embodies that freedom, enacting poetry's greatest gift---the power to recognize ourselves as something other than what we are. These bracing arguments were written by a poet who sings."
---James Longenbach

A highly acute writer, scholar, editor, and critic, Reginald Shepherd brings to his work the sensibilities of a classicist and a contemporary theorist, an inheritor of the American high modernist canon, and a poet drawing and playing on popular culture, while simultaneously venturing into formal experimentation.

In the essays collected here, Shepherd offers probing meditations unified by a "resolute defense of poetry's autonomy, and a celebration of the liberatory and utopian possibilities such autonomy offers." Among the pieces included are an eloquent autobiographical essay setting out in the frankest terms the vicissitudes of a Bronx ghetto childhood; the escape offered by books and "gifted" status preserved by maternal determination; early loss and the equivalent of exile; and the formation of the writer's vocation. With the same frankness that he brings to autobiography, Shepherd also sets out his reasons for rejecting "identity politics" in poetry as an unnecessary trammeling of literary imagination. His study of the "urban pastoral," from Baudelaire through Eliot, Crane, and Gwendolyn Brooks, to Shepherd's own work, provides a fresh view of the place of urban landscape in American poetry.

Throughout his essays---as in his poetry---Shepherd juxtaposes unabashed lyricism, historical awareness, and in-your-face contemporaneity, bristling with intelligence.