front cover of A Poetic for Sociology
A Poetic for Sociology
Toward a Logic of Discovery for the Human Sciences
Richard Harvey Brown
University of Chicago Press, 1989
For too long, argues Richard Harvey Brown, social scientists have felt forced to choose between imitating science's empirical methodology and impersonating a romantic notion of art, the methods of which are seen as primarily a matter of intuition, interpretation, and opinion. Developing the idea of a "cognitive aesthetic," Brown shows how both science and art—as well as the human studies that stand between them—depend on metaphoric thinking as their "logic of discovery" and may be assessed in terms of such aesthetic criteria of adequacy as economy, elegance, originality, scope, congruence, and form.

By recognizing this "aesthetic" common ground between science and art, Brown demonstrates that a fusion can be achieved within the human sciences of these two principal ideals of knowledge—the scientific or positivist one and the artistic or intuitive one. A path, then, is opened for creating a knowledge of ourselves and society which is at once objective and subjective, at once valid scientifically and significantly humane.
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Politics Of Selfhood
Bodies And Identities In Global Capitalism
Richard Harvey Brown
University of Minnesota Press, 2003
Looks at the ways social change is expressed through debates over identities and bodies. In bodies and selves, we can see politics, economics, and culture play out, and the tensions and crises of society made visible. The women's movement, lobbies for the elderly, pro-choice and pro-life movements, AIDS research and education, pedophilia and repressed memory, global sports spectacles, organ donor networks, campaigns for safe sex, chastity, or preventive medicine--all are aspects of the contemporary politics of bodies and identities touched on in this book. Three broad themes run through the collection: how the body is constructed in various ways for different purposes, how the electronic media and its uses shape selves and sensualities and contribute to civic discourse, and how global capitalism acts as a direct force in these processes. By taking a distinctly cross-cultural and comparative approach, this volume explores more fully than ever the political, economic, institutional, and cultural settings of corporeality, identity, and representation. Contributors: Antonella Fabri, Eva Illouz, Philip W. Jenks, Lauren Langman, Timothy W. Luke, Timothy McGettigan, Margaret J. Tally.
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Social Science as Civic Discourse
Essays on the Invention, Legitimation, and Uses of Social Theory
Richard Harvey Brown
University of Chicago Press, 1989
Richard Harvey Brown's pioneering explorations in the philosophy of social science and the theory of rhetoric reach a culmination in Social Science as Civic Discourse. In his earlier works, he argued for a logic of discovery and explanation in social science by showing that science and art both depend on metaphoric thinking, and he has applied that logic to society as a narrative text in which significant action by moral agents is possible. This new work is at once a philosophical critique of social theory and a social-theoretical critique of politics. Brown proposes to redirect the language and the mission of the social sciences toward a new discourse for a humane civic practice.
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Society as Text
Essays on Rhetoric, Reason, and Reality
Richard Harvey Brown
University of Chicago Press, 1987
Brown makes elegant use of sociological theory and of insights from language philosophy, literary criticism, and rhetoric to articulate a new theory of the human sciences, using the powerful metaphor of society as text.
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