front cover of Blues for the Buffalo
Blues for the Buffalo
Manuel Ramos
Northwestern University Press, 2004
Winner, 2013 3rd Annual Latino Books Into Movies Award for Suspensee/Mystery
 
The sun, the sand, a young beauty named Rachel in a white bikini—there's no better way to recover from the aches and pains of your latest case. At least that's what attorney and part-time detective Luis Montez thinks until the woman gives him the manuscript of her novel and vanishes.

Montez just wants to rebuild his Denåver practice, but an aggressive young P.I. with an emotional attachment to Rachel draws him in. With the woman's powerful adopted family on one side and unexplained death of a writer friend on the other, Montez digs up a series of long-told lies and long-hidden ugly truths. He also finds himself confronting one of the great unsolved mysteries of recent Chicano history. What happened to Oscar "Zeta" Acosta, the iconic activist-writer presumed dead since 1974? More to the point, what made Rachel insist the legendary Brown Buffalo was alive-and that he was her real father?
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front cover of Bring Back the Buffalo!
Bring Back the Buffalo!
A Sustainable Future For America's Great Plains
Ernest Callenbach
Island Press, 1996

In Bring Back the Buffalo!, Ernest Callenbach argues that the return of the bison is the key to a sustainable future for the Great Plains. Vast stretches of the region have seen a steady decline in population and are ill-suited for traditional agriculture or cattle ranching. Yet those same areas provide ideal habitat for bison.

Callenbach explores the past history, present situation, and future potential of bison in North America as he examines what can and should be done to re-establish bison as a significant presence in the American landscape. He looks forward with high hopes to a time when vast herds of buffalo provide permanent sustenance to the rural inhabitants of the Great Plains and again play a central role in the balance of nature.

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front cover of The Buffalo, Ben, and Me
The Buffalo, Ben, and Me
Todd Parnell & Foreword by Jim Baker
University of Missouri Press, 2007

The Buffalo River in northwest Arkansas is one of the longest free-flowing, undammed rivers west of the Mississippi—and one of the most beautiful waterways on earth. Almost lost to development, it proved to be the perfect testing ground for a young boy almost lost to mediocrity.

Middle-schooler Ben is struggling with learning challenges that have left him resentful and underachieving. His father, middle-ager Todd, wants to help his son gain self-confidence but is searching for his own identity. For twelve adventure-filled days on the river—all 125 miles of her navigable course, from Ponca to the White River—father and son discover the formative, curative, and redemptive powers of nature.

Leaving video games and cell phones behind isn’t easy for kids these days, but in the great outdoors parents and youngsters can connect in unimaginable ways. The Buffalo, Ben, and Me shares such a connection in an adventure story set on a wild river. It is a captivating tale featuring a host of colorful characters and enlivened by photos that reflect the essence of the wilderness.

But deeper than that, it is the story of crossing a threshold from dream to possibility—of one man’s search for meaning in his life and his efforts to motivate his son, blending love of family with love of nature in a tale of transformation. It tells how a rebellious teen and a bored banker conspired to buck a system keyed to predictability, and how a wild river inspired both to a better use of their lives. “This trip hit me as hard as it did Ben,” writes Parnell, “as a wake-up call to life, to what is important, to what is not.”

The trip down the Buffalo was one that even Ben admits changed his life in more ways than one, as he later went on to earn a master of science degree specializing in stream ecology. For any reader who loves the outdoors—and especially those seeking to connect with their children—The Buffalo, Ben, and Me is essential reading that reminds us of possibilities to be had in facing life head-on as it raises awareness of the need to protect the Ozarks’ water resources and heritage.

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front cover of City Forward
City Forward
How Innovation Districts Can Embrace Risk and Strengthen Community
Matt Enstice with Mike Gluck
Island Press, 2022
Innovation districts and anchor institutions—like hospitals, universities, and technology hubs—are celebrated for their ability to drive economic growth and employment opportunities. But the benefits often fail to reach the very neighborhoods they are built in. As CEO of the Buffalo Niagara Medical Campus, Matt Enstice took a different approach. Under Matt’s leadership, BNMC has supported entrepreneurship training programs and mentorship for community members, creation of a community garden, bringing together diverse groups to explore transportation solutions, and more. Fostering participation and collaboration among neighborhood leaders, foundations, and other organizations ensures that the interests of Buffalo residents are represented. Together, these groups are creating a new model for re-energizing Buffalo—a model that has applications across the United States and around the world.

City Forward explains how BNMC works to promote a shared goal of equity among companies and institutions with often opposing motivations and intentions. When money or time is scarce, how can equitable community building remain a common priority? When interests conflict, and an institution’s expansion depends upon parking or development that would infringe upon public space, how can the decision-making process maintain trust and collaboration? Offering a candid look at BNMC’s setbacks and successes, along with efforts from other institutions nationwide, Enstice shares twelve strategies that innovation districts can harness to weave equity into their core work. From actively creating opportunities to listen to the community, to navigating compromise, to recruiting new partners, the book reveals unique opportunities available to create decisive, large-scale change. Critically, Enstice also offers insight about how innovation districts can speak about equity in an inclusive manner and keep underrepresented and historically excluded voices at the decision-making table.

Accessible, engaging, and packed with fresh ideas applicable to any city, this book is an invaluable resource. Institutional leadership, business owners, and professionals hoping to make equitable change within their companies and organizations will find experienced direction here. City Forward is a refreshing look at the brighter, more equitable futures that we can create through thoughtful and strategic collaboration—moving forward, together.
 
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front cover of Coming Of Age In Buffalo
Coming Of Age In Buffalo
Youth and Authority in the Postwar Era
William Graebner
Temple University Press, 1993

Pegged pants poodle skirts, record hops, rock ‘n’ roll, soda shops: in the interval between the bombing of Hiroshima and the assassination of John F. Kennedy, these were distinguishing marks of the "typical" postwar teenager-if there was a "typical" teenager. In this richly illustrated account of Youth in postwar Buffalo, William Graebner argues that the so-called Youth culture was really a variety of "disparate subcultures, united by age but in conflict over class, race, ethnicity, and gender." Using scrap books, oral histories, school Yearbooks, and material culture, he shows how Buffalo teenagers were products of diverse and often antagonistic subcultures. The innocuous strains of "Rock Around the Clock" muffled the seething gang loyalties and countercultural influence of James Dean, Marlon Brando, and Buffalo’s own "Hound Dog" Lorenz. Racial antipathies once held in check spilled out on Memorial Day, 1956, when white and black Youth clashed on board a take Erie pleasure boat in a "riot" that recast the city’s race relations for decades to come.

While exploring the diversity within Youth subcultures, Graebner examines the ways in which adults—educators, clergy, representatives of the media, and other authorities—sought to contain this generation. The Hi-Teen Club, Buffalo Plan dress code, record hops, graduation ceremonies, film censorship, and restrictions on secret societies and on corner lounging were all forms of social engineering that reinforced social and economic boundaries that were at the heart of the dominant culture. The prevailing adult influence on activities, attitudes, and style served to redirect the "misguided Youth" of the fifties and to obliterate their image from public memory. Although the media still portrays this decade as the golden age of cultural homogeneity, the diversity in musical preferences, hair and clothing styles, and allegiances to disc jockeys suggest the wide diversity of Youth experiences and challenges to adult authority that were part of coming of age in postwar America.

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front cover of Dreamworlds of Alabama
Dreamworlds of Alabama
Allen Shelton
University of Minnesota Press, 2007

“I speak in what others often hear as a strange accent. My past can’t be located. I live in Buffalo, New York, an exile from the South. But these aren’t Yankee dreams, even though my past seems like a fabrication, a dreamworld in which I’m a paper character and not a historical participant, with scars from barbed wire ripping under the pressure and flying through the air like a swarm of bees, or a horse rearing up and banging its head into mine from within, exploding my forehead.” —from the Preface

Wisteria draped on a soldier’s coffin, sent home to Alabama from a Virginia battlefield. The oldest standing house in the county, painted gray and flanked by a pecan orchard. A black steel fence tool, now perched atop a pile of books like a prehistoric bird of prey. In Dreamworlds of Alabama, Allen Shelton explores physical, historical, and social landscapes of northeastern Alabama. His homeplace near the Appalachian foothills provides the setting for a rich examination of cultural practices, a place where the language of place and things resonates with as much vitality and emotional urgency as the language of humans.

Throughout the book, Shelton demonstrates how deeply culture is inscribed in the land and in the most intimate spaces of the person—places of belonging and loss, insight and memory.

Born and raised in Jacksonville, Alabama, Allen Shelton is associate professor of sociology at Buffalo State College.

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front cover of Frank Lloyd Wright's Larkin Building
Frank Lloyd Wright's Larkin Building
Myth and Fact
Jack Quinan
University of Chicago Press, 2006
Frank Lloyd Wright’s Larkin Building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building—which housed a Buffalo, New York, soap company—all the more valuable. 

Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin Building as a structure at the center of economic and personal relationships. 

Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
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front cover of The Last Fine Time
The Last Fine Time
Verlyn Klinkenborg
University of Chicago Press, 2004
By turns, an elegy, a celebration, and a social history, The Last Fine Time is a tour de force of lyrical style. Verlyn Klinkenborg chronicles the life of a family-owned restaurant in Buffalo, New York, from its days as a prewar Polish tavern to its reincarnation as George & Eddie's, a swank nightspot serving highballs and French-fried shrimp to a generation of optimistic and prosperous Americans. In the inevitable dimming of the neon sign outside the restaurant, we see both the passing of an old world way of life and the end to the postwar exuberance that was Eddie Wenzek's "last fine time."
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