A cultivated patrician, a prolific playwright, and a passionate student of local antiquity, Francesco Ignazio Lazzari (1634–1717) was a mainstay of the artistic and intellectual life of Città di Castello, an Umbrian city that maintained a remarkable degree of cultural autonomy during the early modern period. He was also the first author to identify the correct location of the lost villa “in Tuscis” owned by the Roman writer and statesman Pliny the Younger and known through his celebrated description. Lazzari’s reconstruction of this ancient estate, in the form of a large-scale drawing and a textual commentary, adds a unique document to the history of Italian gardens while offering a fascinating perspective on the role of landscape in shaping his native region’s identity.

Published with an English translation for the first time since its creation, this manuscript is framed by the scholarly contributions of Anatole Tchikine and Pierre de la Ruffinière du Prey. At the core of their discussion is the interplay of two distinct ideas of antiquity—one embedded in the regional landscape and garden culture of Umbria and the other conveyed by the international tradition of Plinian architectural reconstructions—that provide the essential context for understanding Lazzari’s work.

While the grandiosity of Fallingwater and elegance of Taliesin are recognized universally, Frank Lloyd Wright’s first foray into affordable housing is frequently overlooked. Although Wright began work on his American System-Built Homes (ASBH, 1911–17) with great energy, the project fell apart following wartime shortages and disputes between the architect and his developer. While continuing to advocate for the design of affordable small homes, Wright never spoke publicly of ASBH. As a result, the heritage of many Wright-designed homes was forgotten.
 
When Nicholas and Angela Hayes became stewards of the unassuming Elizabeth Murphy House near Milwaukee, they began to unearth evidence that ultimately revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions of America. The couple’s forensic pursuit of the truth untangled the ways Wright’s ASBH experiment led to the architect’s most productive, creative period. Frank Lloyd Wright’s Forgotten House includes a wealth of drawings and photographs, many of which have never been previously published. Historians, architecture buffs, and Wrightophiles alike will be fascinated by this untold history that fills a crucial gap in the architect’s oeuvre.

This book examines the life and legacy of Franklin D. Israel, an influential member of the Los Angeles school of architects.

Acclaimed Los Angeles architect Franklin D. Israel (1945–1996) created innovative residential projects and office interiors that made him one of the most talked-about designers of his generation. In this vivid account, architectural historian Todd Gannon draws on archival resources, analyses of Israel’s buildings, and recent interviews with the architect’s colleagues, clients, and contemporaries, including Frank Gehry, Thom Mayne, and Robert A. M. Stern. Gannon traces Israel’s development from his early years and career on the East Coast to his formative world travels and residence at the American Academy in Rome. The author guides readers through the Los Angeles architectural context, Israel’s influential teaching at UCLA, his dalliance with Hollywood, and the personal motivations behind his architecture and design work—all aspects of an influential career that was cut short by his death from AIDS-related complications at the age of fifty.

Franklin D. Israel is a compelling work of architectural history and biography, chronicling one gay man’s engagement with the largely heteronormative world of American architectural culture. It explores the achievement of this central figure in the still largely unstudied history of late twentieth-century avant-garde Los Angeles architecture.