BiblioVault - Books about Burn

Beyond Slash, Burn, and Poison: Transforming Breast Cancer Stories into Action
Marcy Jane Knopf-Newman
Rutgers University Press, 2004
Library of Congress RC280.B8K58 2004 | Dewey Decimal 362.196994490092

Depending on one’s vantage point, breast cancer can be a very different experience, and indeed, a very different concern. It is, for some, a personal struggle; for others, it is a disease posing scientific and environmental challenges; and for others it is a highly charged and politicized issue around which policy wars rage. Beyond Slash, Burn, and Poison brings a unique perspective to breast cancer by recognizing the overlapping relationship of all these realities.

Drawing on the writings of Rachel Carson, Betty Ford, Rose Kushner, and Audre Lorde, this book explores the various ways in which patient-centered texts continue to leave their mark on the political realm of breast cancer and, ultimately, the disease itself. Ordered chronologically, the selections trace the progression of discussions about breast cancer from a time when the subject was kept private and silent to when it became part of public discourse. The texts included are personal accounts, written by women struggling to play an active role in their healing process and, at the same time, hoping to help others do the same.

Knopf-Newman also shows us how these writings eventually changed public opinion and the underlying tendency to blame women for their illness. She argues that changes in medical practice and public policy are linked to textual interventions, and makes a case for the politicization of cultural studies of disease through personal and literary expression.

Passionately written and well-researched, Beyond Slash, Burn, and Poison transforms how we think about breast cancer. Rather than facilitating forums for separate discussions, this book brings conversations into dialog with each other. It is essential reading for anyone concerned with breast cancer and its history, as well as for those interested in the effect of the environment on public health and the role that literature plays in public policy and medicine.

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Burn and Dodge
Sharon Dolin
University of Pittsburgh Press, 2008
Library of Congress PS3554.O438B87 2008 | Dewey Decimal 811.54

WINNER OF THE 2007 DONALD HALL PRIZE IN POETRY
Selected by Bob Hicok

Burn and Dodge is part serious/part serious play and opens with a frank and occasionally antic exploration of contemporary vices, such as Guilt, Envy, and Regret. Some poems “dodge” such preoccupations by playing with a nonce form called sonnet/ghazal. The collection contains a sequence of poems called “Current Events,” based on newspaper stories. that is also a playful meditation on the nature of the interrogative pronouns (Who, What, Where, When . . . ) as well as another series of homophonic sonnets called “Clare-Hewn,” which are aural “translations” of John Clare.

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Burn, Baby! BURN!: The Autobiography of Magnificent Montague
Magnificent Montague with Bob Baker
University of Illinois Press, 2009
Library of Congress ML429.M68A3 2003 | Dewey Decimal 791.443

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical.

Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns.

Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan.

Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up.

A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

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Rush to Burn: Solving America'S Garbage Crisis?
; Newsday Inc.
Island Press, 1989
Library of Congress TD796.R86 1989 | Dewey Decimal 363.7280973

One day in March 1987, a barge from Islip, Long Island was evicted from Morehead City, North Carolina, after trying to unload the mountains of trash on its decks. More than five months from the time it began its trip, the unwelcome barge, and it's 3,186 tons of commercial garbage, became the cornerstone of an astonishing news investigation that revealed a country unable to cope with its mounting garbage crisis.

Newsday reporters were the first to locate the barge, the Mobro 4000 as it drifted aimlessly off the shore of Long Island. They were also first to explore and explain the problems and issues that barge had come to symbolize. The results of their investigation are presented in this book. Winner of the Worth Bingham Award, the Page One Award for Crusading Journalism, and the New York State Associated Press Award for In-Depth Reporting, Rush to Burn explains the reasons why we, as a throw-away society, are suffocating in our own trash. It also explains why communities, in desperation, are turning to incineration, the riskiest form of garbage disposal yet developed.

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Veil and Burn
Laurie Clements Lambeth
University of Illinois Press, 2007
Library of Congress PS3612.A54673V45 2008 | Dewey Decimal 811.6

Concerned with physical experience, pain, and disability, Veil and Burn illuminates an intense desire to feel through the Other, embrace it, become it, and in the transformation, to understand the suffering body. In poems about animals, artifacts, and monsters, Lambeth displays a fascination for all bodies while exploring their pain, common fate, alienation, and abilities. Hovering between poem and prose fragment, between the self and fellow creatures, Laurie Clements Lambeth celebrates physical sensation, imbuing it with lyric shape, however broken, however imprisoned the shape may be.

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