front cover of High Tech and High Heels in the Global Economy
High Tech and High Heels in the Global Economy
Women, Work, and Pink-Collar Identities in the Caribbean
Carla Freeman
Duke University Press, 2000
High Tech and High Heels in the Global Economy is an ethnography of globalization positioned at the intersection between political economy and cultural studies. Carla Freeman’s fieldwork in Barbados grounds the processes of transnational capitalism—production, consumption, and the crafting of modern identities—in the lives of Afro-Caribbean women working in a new high-tech industry called “informatics.” It places gender at the center of transnational analysis, and local Caribbean culture and history at the center of global studies.
Freeman examines the expansion of the global assembly line into the realm of computer-based work, and focuses specifically on the incorporation of young Barbadian women into these high-tech informatics jobs. As such, Caribbean women are seen as integral not simply to the workings of globalization but as helping to shape its very form. Through the enactment of “professionalism” in both appearances and labor practices, and by insisting that motherhood and work go hand in hand, they re-define the companies’ profile of “ideal” workers and create their own “pink-collar” identities. Through new modes of dress and imagemaking, the informatics workers seek to distinguish themselves from factory workers, and to achieve these new modes of consumption, they engage in a wide array of extra income earning activities. Freeman argues that for the new Barbadian pink-collar workers, the globalization of production cannot be viewed apart from the globalization of consumption. In doing so, she shows the connections between formal and informal economies, and challenges long-standing oppositions between first world consumers and third world producers, as well as white-collar and blue-collar labor.
Written in a style that allows the voices of the pink-collar workers to demonstrate the simultaneous burdens and pleasures of their work, High Tech and High Heels in the Global Economy will appeal to scholars and students in a wide range of disciplines, including anthropology, cultural studies, sociology, women’s studies, political economy, and Caribbean studies, as well as labor and postcolonial studies.
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front cover of Historical Archaeologies of the Caribbean
Historical Archaeologies of the Caribbean
Contextualizing Sites through Colonialism, Capitalism, and Globalism
edited by Todd M. Ahlman and Gerald F. Schroedl
University of Alabama Press, 2019
New perspectives on Caribbean historical archaeology that go beyond the colonial plantation
 
Historical Archaeologies of the Caribbean: Contextualizing Sites through Colonialism, Capitalism, and Globalism addresses issues in Caribbean history and historical archaeology such as freedom, frontiers, urbanism, postemancipation life, trade, plantation life, and new heritage. This collection moves beyond plantation archaeology by expanding the knowledge of the diverse Caribbean experiences from the late seventeenth through the mid-nineteenth centuries.
 
The essays in this volume are grounded in strong research programs and data analysis that incorporate humanistic narratives in their discussions of Amerindian, freedmen, plantation, institutional, military, and urban sites. Sites include a sample of the many different types found across the Caribbean from a variety of colonial contexts that are seldom reported in archaeological research, yet constitute components essential to understanding the full range and depth of Caribbean history.
 
Contributors examine urban contexts in Nevis and St. John and explore the economic connections between Europeans and enslaved Africans in urban and plantation settings in St. Eustatius. The volume contains a pioneering study of frontier exchange with Amerindians in Dominica and a synthesis of ceramic exchange networks among enslaved Africans in the Leeward Islands. Chapters on military forts in Nevis and St. Kitts call attention to this often-neglected aspect of the Caribbean colonial landscape. Contributors also directly address culture heritage issues relating to community participation and interpretation. On St. Kitts, the legacy of forced confinement of lepers ties into debates of current public health policy. Plantation site studies from Antigua and Martinique are especially relevant because they detail comparisons of French and British patterns of African enslavement and provide insights into how each addressed the social and economic changes that occurred with emancipation.


Contributors
Todd M. Ahlman / Douglas V. Armstrong / Samantha Rebovich Bardoe / Paul Farnsworth / Jeffrey R. Ferguson / R. Grant Gilmore III / Diana González-Tennant / Edward González-Tennant / Barbara J. Heath / Carter L. Hudgins Kenneth G. Kelly / Eric Klingelhofer / Roger H. Leech / Stephan Lenik / Gerald F. Schroedl / Diane Wallman / Christian Williamson

 
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front cover of House/Garden/Nation
House/Garden/Nation
Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women
Ileana Rodriguez
Duke University Press, 1994
How ironic, the author thought on learning of the Sandinista’s electoral defeat, that at its death the Revolutionary State left Woman, Violeta Chamorro, located at the center. The election signaled the end of one transition and the beginning of another, with Woman somewhere on the border between the neo-liberal and marxist projects. It is such transitions that Ileana Rodríguez takes up here, unraveling their weave of gender, ethnicity, and nation as it is revealed in literature written by women.
In House/Garden/Nation the narratives of five Centro-Caribbean writers illustrate these times of transition: Dulce María Loynáz, from colonial rule to independence in Cuba; Jean Rhys, from colony to commonwealth in Dominica; Simone Schwarz-Bart, from slave to free labor in Guadeloupe; Gioconda Belli, from oligarchic capitalism to social democratic socialism in Nicaragua; and Teresa de la Parra, from independence to modernity in Venezuela. Focusing on the nation as garden, hacienda, or plantation, Rodríguez shows us these writers debating the predicament of women under nation formation from within the confines of marriage and home.
In reading these post-colonial literatures by women facing the crisis of transition, this study highlights urgent questions of destitution, migration, exile, and inexperience, but also networks of value allotted to women: beauty, clothing, love. As a counterpoint on issues of legality, policy, and marriage, Rodriguez includes a chapter on male writers: José Eustacio Rivera, Omar Cabezas, and Romulo Gallegos. Her work presents a sobering picture of women at a crossroads, continually circumscribed by history and culture, writing their way.
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