front cover of Undoing Empire
Undoing Empire
Race And Nation In The Mulatto Caribbean
Jose F. Buscaglia-Salgado
University of Minnesota Press, 2003
A revelatory account that places mulatto experience at the center of Caribbean history. This ambitious book brings to light the story of what José F. Buscaglia-Salgado terms mulataje-the ways Caribbean aesthetics offer the possibility of the ultimate erasure of racial difference. Undoing Empire gives a broad panorama stretching from the complex politics of medieval Iberian societies to the beginning of direct U.S. hegemony in the Caribbean at the end of the nineteenth century. Buscaglia-Salgado begins with an examination of Washington Irving's "American Columbiad" as an act of historical and territorial plundering. He then traces the roots of mulatto society to the pre-1492 Iberian world, not only finding a connection between the Moors of "Old Spain" and the morenos-the blacks and mulattos of the New World-but also offering a profound critique of creole and imperial discourses. Buscaglia-Salgado reads the pursuit and contestation of what he terms the European Ideal in colonial texts, architecture, and paintings; then identifies the mulatto movement of "undoing" the Ideal in the wars that shook the nineteenth-century Caribbean from Haiti to Cuba, arguing that certain projects of national liberation have moved contrary to the historical claims to freedom in the mulatto world. José F. Buscaglia-Salgado is assistant professor of modern languages and comparative literature and director of Cuban and Caribbean Programs at the University at Buffalo.
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front cover of A Universal Theory of Pottery Production
A Universal Theory of Pottery Production
Irving Rouse, Attributes, Modes, and Ethnography
Richard A. Krause
University of Alabama Press, 2016
In A Universal Theory of Pottery Production, award-winning archaeologist Richard A. Krause presents an ethnographic account of pottery production based on archaeological evidence.
 
Krause posits that the careful study of an archaeological site’s ceramics can be used to formulate a step-and-stage theory of pottery production for the area. Krause’s work suggests that by comparing the results of inquiries conducted at different sites and for different times, archaeologists may be able to create a general ethnographic theory of pottery production.
 
Krause demonstrates this process through a comprehensive analysis of potsherds from the highly stratified Puerto Rican site of Paso del Indio. He first provides a comprehensive explanation of the archaeological concepts of attribute, mode, feature, association, site, analysis, and classification. Using these seven concepts, he categorizes the production and decorative techniques in the Paso del Indio site. Krause then applies the concept of “focal form vessels” to the site’s largest fragments to test his step-and-stage theory of production against the evidence they provide. Finally, he assigns the ceramics at Paso del Indio to previously discussed potting traditions.
 
Unlike other books on the subject that use statistical methods to frame basic archaeological concepts, Krause approaches these topics from the perspective of epistemology and the explicatory practices of empirical science. In A Universal Theory of Pottery Production Krause offers much of interest to North American, Caribbean, and South American archaeologists interested in the manufacture, decoration, and classification of prehistoric pottery, as well as for archaeologists interested in archaeological theory.
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