With an interdisciplinary combination of philosophy, theology, and family law, The Law of Love explores the impact of secular conceptions of autonomy on sexuality and family. Drawing from the thought of Aristotle, Cicero, Augustine, Aquinas, and the modern theologian Servais Pinckaers, Stephen F. Brett argues that the divorce of freedom from virtue has caused cultural relativism, and that a potent and healthy mix of temperance, chastity, and modesty is the antidote. Styled accessibly and quite cleverly with a broader audience in mind, The Law of Love will appeal to intellectuals of all faiths who are interested in facing the ambiguities and problems of contemporary life in a secularized society.
For centuries, the Renaissance papacy has been celebrated for its generous patronage of the arts. Pope Leo X, son of the legendary Lorenzo "the Magnificent" de'Medici, is widely understood to be one of the greatest patrons of music in European history, and one of the emblematic figures of the Italian Renaissance.
The Lion's Ear is the first full-length scholarly treatment of the musical patronage of a Renaissance pope and provides an evocative picture of the musical life of the pre-Reformation papacy. The various uses of music in early modern Rome---music for public festivals, such as carnival; for the liturgical ceremonies of the Sistine Chapel; to accompany daily dining and festive banqueting; for the celebration of saints' feast days; and for theatrical performances---are vividly described and analyzed and give a detailed understanding of the place of music in the life of one of its most important early modern benefactors.
Anthony M. Cummings takes an interdisciplinary approach to his subject matter, bringing together the history of music, art, philosophy, and ecclesiastical history to locate the music in its broadest and deepest contexts. Through materials such as diplomatic correspondence, the book aims to reconstruct the atmosphere of the musical life in Leo X's court, presenting the subject matter in a way that will appeal to scholars and students of musicology and early modern history.
Art historians, ecclesiastical historians, and specialists from many other disciplines have long produced scholarly findings useful for understanding the pre-Reformation papacy, its alliance with the Italian Renaissance, and the extraordinary artistic legacy of that alliance. Anthony M. Cummings complements that scholarship with his thorough and imaginative account of music's relationship with that vibrant and fascinating culture, the first by a specialist in the musical life of early modern Europe.
Lost for Words? explores the rise and decline of progressive Catholic grassroots activism and its drive for social justice and democratic change in four low-income neighborhoods in São Paulo, Brazil. Ottmann focuses on the obstacles faced by the poor who took seriously the claim that "the people" were to transform Brazilian society "from the bottom up." He follows their travails through periods of democratization, mass unemployment, and conservative backlash within the Church.
Frank Goetz Ottmann moves beyond purely political analysis to record how residents and progressive Catholic activists were drawn into a struggle for a "juster" society, and how this movement began to unravel even before it reached its peak in the early 1980s.
Based on in-depth interviews and participant observation, and drawing on theoretical insights from recent debates on social movements and the sociology of religion, he examines how, by the early 1990s, the liberationist movement had lost its following, lost its allies, failed to achieve its core goals, and seemed to die. Ottmann then shows how in recent years activists have worked to create a new and pragmatic form of religious activism, one that draws on a range of agendas, including Catholic feminism.
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