front cover of Old Orchard Farm
Old Orchard Farm
The Story of an Iowa Boyhood
Hugh Orchard
University of Iowa Press, 2010
“I have often wondered what city boys find to do for fun. All cluttered up with houses and laid out in streets with no horses or mules or dogs . . . it must be pretty dull.” That sums up Hugh Orchard’s philosophy—and makes Old Orchard Farm a delightful reading experience.
Return to an Iowa farm of the 1880s, seen through the impressionable eyes of a lively young boy. There in Des Moines County, not far from Burlington, Hugh Orchard grew up when the farm was the center of life in rural America. A broken binder was a major crisis. A violent prairie storm was a terrifying experience. A trip to the county seat town was a thrilling adventure.
There were peculiar neighbors, traveling peddlers, an excursion to the mill to grind wheat for bread, hunting expeditions for the prairie chicken and wild geese. Progressive farming in those bygone days meant that Hugh’s father had the first windmill, the first top buggy, and the first barbed wire fence. There was also the pricey purebred cow who refused to allow anyone to milk her. From these homely, everyday events, Orchard crafts engaging tales of long-ago days—when both America and agriculture were simple, innocent, and untroubled by the complexities of modern life.
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On Colfax Avenue
A Victorian Childhood
Elizabeth Young
University Press of Colorado, 2004
"Everyone was moving to Denver, which was mushrooming all over the prairie and giving every evidence of becoming a metropolis of real proportion" - so recalls Elizabeth Young of her childhood on Colfax Avenue. Her youth ran parallel to that of her hometown: she grew up in the 1890s in the midst of Denver's rapid metamorphosis from frontier town to modern city. Young's memoir provides vivid glimpses of the people and events of this heady era, along with the adventuresome spirit that animated them. On Colfax Avenue captures the sense of joyful self-discovery that comes with childhood - both the author's and Denver's.
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One Writer’s Beginnings
Eudora Welty
Harvard University Press, 1984

Now available as an audio CD, in Eudora Welty's own voice, or as a book.

Eudora Welty was born in 1909 in Jackson, Mississippi. In a "continuous thread of revelation" she sketches her autobiography and tells us how her family and her surroundings contributed to the shaping not only of her personality but of her writing. Homely and commonplace sights, sounds, and objects resonate with the emotions of recollection: the striking clocks, the Victrola, her orphaned father's coverless little book saved since boyhood, the tall mountains of the West Virginia back country that become a metaphor for her mother's sturdy independence, Eudora's earliest box camera that suspended a moment forever and taught her that every feeling awaits a gesture. She has recreated this vanished world with the same subtlety and insight that mark her fiction.

Even if Eudora Welty were not a major writer, her description of growing up in the South--of the interplay between black and white, between town and countryside, between dedicated schoolteachers and the public they taught--would he notable. That she is a splendid writer of fiction gives her own experience a family likeness to others in the generation of young Southerners that produced a literary renaissance. Until publication of this book, she had discouraged biographical investigations. It undoubtedly was not easy for this shy and reticent lady to undertake her own literary biography, to relive her own memories (painful as well as pleasant), to go through letters and photographs of her parents and grandparents. But we are in her debt, for the distillation of experience she offers us is a rare pleasure for her admirers, a treat to everyone who loves good writing and anyone who is interested in the seeds of creativity.

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Oppenheimer Is Watching Me
A Memoir
Jeff Porter
University of Iowa Press, 2007
When he discovers that his father worked on missiles for a defense contractor, Jeff Porter is inspired to revisit America’s atomic past and our fallen heroes, in particular J. Robert Oppenheimer, the father of the atomic bomb. The result, Oppenheimer Is Watching Me, takes readers back to the cold war, when men in lab coats toyed with the properties of matter and fears of national security troubled our sleep. With an eye for strange symmetries, Porter traces how one panicky moment shaped the lives of a generation.
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Others Had It Worse
Sour Dock, Moonshine, and Hard Times in Davis County, Iowa
Vetra Melrose Padget Covert and Chris D. Baker
University of Iowa Press, 2013
In 1977, while studying journalism at the University of Iowa, Chris Baker gave his grandmother a notebook and asked her to write about her childhood. Years later, long after her death in 1990, he found the tattered yellow notebook. In twenty-nine handwritten pages, the woman he knew as Grandma Covert had recorded her younger life in rural Iowa between 1920 and 1929. Writing about herself from the ages of four to thirteen, Vetra Covert sent a simple message back to her grandson: “That’s just the way it was. Others had it worse. We got by.”
 
Captivated by this glimpse of a woman very different from the more formidable grandmother of his memory, Chris Baker reframed Vetra’s journal to create a narrative of her childhood and a window into rural Iowa life in the 1920s. Transcribing her words into nine chapters that illuminate home, family, neighbors, school, and social life, he has composed a collection of candid, whimsical, sometimes ornery stories that will resonate with anyone who has ever tried to decipher the lives found in old letters and photos.
 
Vetra’s was not a romantic little-house-on-the-prairie childhood. She grew up with seven brothers and sisters (every new baby was “a supprise”) in a dilapidated log cabin near a small town now vanished from the Iowa map. Two rooms up, two rooms down, no plumbing, no electricity, holes in the roof and floor so big “you could of throwed a cat through them.” Her father was a bootlegger-farmer who measured his corn yield in gallons, not bushels, a moonshiner occasionally harassed by federal agents. Although family stories now present him as a quaint old-timer, the reality of living with him was much starker.
 
In his introduction to Vetra’s recollections, Chris Baker reveals the harsh truths underlying her authentic, uncomplaining account. By honoring her legacy, he discovered a newfound respect for her and for her family’s ability to survive despite the devastating forces of poverty, isolation, and the looming Great Depression. Together he and his grandmother have created an enduring chapter in family history.

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Outside Passage
A Memoir of an Alaskan Childhood
Julia Scully
University of Alaska Press, 2010
When Julia Scully was seven years old, her father committed suicide, and she and her sister were sent to an orphanage.  Two years later, emotionally damaged by the isolation and brutality of the orphanage, the girls followed their mother to the near-wilderness of the gold-mining territory north of Nome, Alaska, where she had leased a roadhouse in the tiny settlement of Taylor.  Julia had no idea what to expect when she arrived, but to her surprise, she found a healing power in the stark beauty of the vast tundra.  Later, she reveled in the boisterous, chaotic boomtown atmosphere that prevailed when thousands of American troops descended on Nome at the outbreak of World War II.  

Outside Passage is a lyrical and affecting memoir of those years, simultaneously an emotional account of a young girl’s first steps into adulthood and a unique portrait of a vanished frontier life.
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