"East Berlin, 1973: an 18-year-old Jew discovers that his father's friends are holding prisoner a former Nazi concentration camp guard in the family cottage. The three older men have handcuffed the ex-Nazi to the bed and are interrogating and torturing him in an attempt to get him to admit to his war crimes. . . . Becker keenly shows the tension between members of the Holocaust generation and their children, who are unable to understand the complexity of that nightmarish era of human history."—Booklist

"[A] chilly, disquieting novel about historical slippage; about the seemingly inevitable decline of horror into a vague and generic recollection. The East German writer has devised something between story and allegory to evoke the cold generational millennium that separates a father, with his concentration-camp memories, from a son, adrift in a society with no memories whatsoever."—Richard Eder, Los Angeles Times Book Review

"Mr. Becker, writing simply and clearly in an unstrained narrative, speaks with the voice of knowledge, and we do well to listen to him."—Eva Figes, New York Times Book Review

Jurek Becker (1937-1998) is the author of Jacob the Liar, Sleepless Days, The Boxer, and Amanda Herzlos.

Nine-year-old Eva Hoffman is the daughter of Austrian Jewish refugees who have found a precarious safety among a small community of European exiles attached to a psychoanalytic hospital in Topeka, Kansas. It is 1951, and the landmark school desegregation case, Brown v. Topeka Board of Education, is being tried in the local court. As the rising river inundates the town, the Hoffmans open their home to refugees from the flood, and Eva learns the complexities of prejudice—and courage—both within and outside her family.

In Inheriting the Holocaust, Paula S. Fass explores her own past as the daughter of Holocaust survivors to reflect on the nature of history and memory. Through her parents' experiences and the stories they recounted, Fass defined her engagement as a historian and used these skills to better understand her parents' lives.

Fass begins her journey through time and relationships when she travels to Poland and locates birth certificates of the murdered siblings she never knew. That journey to recover her family's story provides her with ever more evidence for the perplexing reliability of memory and its winding path toward historical reconstruction. In the end, Fass recovers parts of her family's history only to discover that Poland is rapidly re-imagining the role Jews played in the nation's past.

Immediately after the Holocaust, it seemed inconceivable that a Jewish community would rebuild in Germany. What was once unimaginable has now come to pass: Germany is home to one of Europe’s most vibrant Jewish communities, and it has the fastest growing Jewish immigrant population of any country in the world outside Israel. By sharing the life stories of members of one Jewish family—the Kalmans—Y. Michal Bodemann provides an intimate look at what it is like to live as a Jew in Germany today. Having survived concentration camps in Poland, four Kalman siblings—three brothers and a sister—were left stranded in Germany after the war. They built new lives and a major enterprise; they each married and had children. Over the past fifteen years Bodemann conducted extensive interviews with the Kalmans, mostly with the survivors’ ten children, who were born between 1948 and 1964. In these oral histories, he shares their thoughts on Judaism, work, family, and community. Staying in Germany is not a given; four of the ten cousins live in Israel and the United States.

Among the Kalman cousins are an art gallery owner, a body builder, a radio personality, a former chief financial officer of a prominent U.S. bank, and a sculptor. They discuss Zionism, anti-Semitism, what it means to root for the German soccer team, Schindler’s List, money, success, marriage and intermarriage, and family history. They reveal their different levels of engagement with Judaism and involvement with local Jewish communities. Kalman is a pseudonym, and their anonymity allows the family members to talk with passion and candor about their relationships and their lives as Jews.

With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer—the son of a survivor—has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen—the failed or rejected vision—alter the seer, as the limit of one thing becomes the verge of something else. Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold. While these moments may also conjure loss, the losses are made good, as when, in "Legion," someone forgets why he has walked into a room but salvages from the lapse not the purpose of the errand but a sense of the ultimate worth of a life. These finely crafted narrative poems tell the story of these unanticipated perceptions, when the ordinary opens to the very human story of failed understanding and quiet epiphany.

Haunted by his parents’ horrific suffering and traumatic losses under Nazi rule, Lev Raphael grew up loathing everything German. Those feelings shaped his Jewish identity, his life, and his career. While researching his mother’s war years after her death, he discovers a distant relative living in the very city where she had worked in a slave labor camp, found freedom, and met his father. Soon after, Raphael is launched on book tours in Germany and, in the process, redefines himself as someone unafraid to face the past and let it go.

Bookmarks, “Top Ten Nonfiction Titles of 2009”

One woman learned on the eve of her Roman Catholic wedding. One man as he was studying for the priesthood. Madeleine Albright famously learned from the Washington Post when she was named Secretary of State. "What is it like to find out you are not who you thought you were?" asks Barbara Kessel in this compelling volume, based on interviews with over 160 people who were raised as non-Jews only to learn at some point in their lives that they are of Jewish descent. With humor, candor, and deep emotion, Kessel's subjects discuss the emotional upheaval of refashioning their self-image and, for many, coming to terms with deliberate deception on the part of parents and family. Responses to the discovery of a Jewish heritage ranged from outright rejection to wholehearted embrace. For many, Kessel reports, the discovery of Jewish roots confirmed long-held suspicions or even, more mysteriously, conformed to a long-felt attraction toward Judaism. For some crypto-Jews in the southwest United States (descendants of Jews who fled the Spanish Inquisition), the only clues to their heritage are certain practices and traditions handed down through the generations, whose significance may be long since lost. In Poland and other parts of eastern Europe, many Jews who were adopted as infants to save them from the Holocaust are now learning of their heritage through the deathbed confessions of their adoptive parents. The varied responses of these disparate people to a similar experience, presented in their own words, offer compelling insights into the nature of self-knowledge. Whether they had always suspected or were taken by surprise, Kessel's respondents report that confirmation of their Jewish heritage affected their sense of self and of their place in the world in profound ways. Fascinating, poignant, and often very funny, Suddenly Jewish speaks to crucial issues of identity, selfhood, and spiritual community.