front cover of The Eater's Guide to Chinese Characters
The Eater's Guide to Chinese Characters
James D. McCawley
University of Chicago Press, 1984
Lauded by Calvin Trillin as a man who "does not have to make to with translations like 'Shredded Three Kinds' in Chinese restaurants," in The Eater's Guide to Chinese Characters, James D. McCawley offers everyone a guide to deciphering the mysteries of Chinese menus and the opportunity to enjoy new eating experiences. An accessible primer as well as a handy reference, this book shows how Chinese characters are written and referred to, both in script and in type. McCawley provides a guide to pronunciation and includes helpful exercises so users can practice ordering. His novel system of arranging the extensive glossary-which ranges from basics such as "rice" and "fish" to exotica like "Buddha Jumps Wall"-enables even the beginner to find characters quickly and surely. He also includes the nonstandard forms of characters that often turn up on menus.

With this guide in hand, English speakers hold the key to a world of tantalizing-and otherwise unavailable-Chinese dishes.
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The Efficacious Landscape
On the Authorities of Painting at the Northern Song Court
Foong Ping
Harvard University Press, 2015

Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.

Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period’s paintings, highlighting instead the interconnectedness of painting practice’s elite modalities.

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Elusive Refuge
Chinese Migrants in the Cold War
Laura Madokoro
Harvard University Press, 2016

The 1949 Chinese Communist Revolution is a subject of inexhaustible historical interest, but the plight of millions of Chinese who fled China during this tumultuous period has been largely forgotten. Elusive Refuge recovers the history of China’s twentieth-century refugees. Focusing on humanitarian efforts to find new homes for Chinese displaced by civil strife, Laura Madokoro points out a constellation of factors—entrenched bigotry in countries originally settled by white Europeans, the spread of human rights ideals, and the geopolitical pressures of the Cold War—which coalesced to shape domestic and international refugee policies that still hold sway today.

Although the United States, Canada, Australia, New Zealand, and South Africa were home to sizeable Asian communities, Chinese migrants were a perpetual target of legislation designed to exclude them. In the wake of the 1949 Revolution, government officials and the broader public of these countries questioned whether Chinese refugees were true victims of persecution or opportunistic economic migrants undeserving of entry. It fell to NGOs such as the Lutheran World Federation and the World Council of Churches to publicize the quandary of the vast community of Chinese who had become stranded in Hong Kong.

These humanitarian organizations achieved some key victories in convincing Western governments to admit Chinese refugees. Anticommunist sentiment also played a role in easing restrictions. But only the plight of Southeast Asians fleeing the Vietnam War finally convinced the United States and other countries to adopt a policy of granting permanent residence to significant numbers of refugees from Asia.

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Empire of Texts in Motion
Chinese, Korean, and Taiwanese Transculturations of Japanese Literature
Karen Laura Thornber
Harvard University Press, 2009

By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output.

Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.

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The Encyclopedia of the Chinese Overseas
Lynn Pan
Harvard University Press, 1999

The first of its kind, this book offers a panoramic view of past and present overseas Chinese communities worldwide. From their arrival as laborers in the British colonies to their emergence as a force in Indonesia, Chinese emigrants have carried the experiences of China to other continents and civilizations, in the process modifying and enriching them. The Encyclopedia of the Chinese Overseas reflects the diverse histories and traditions that produced this diaspora, as well as the rich and various transmutations it has produced in turn.

Arranged geographically and thematically, with country-by-country profiles of individual Chinese communities, the book includes sections on the regional and cultural origins of emigrant communities; the history and patterns of migration; social, familial, and business institutions; and interethnic relations. An invaluable reference, it is as accessible as it is authoritative, highly readable from beginning to end. The engaging design employs boxed features, maps, graphs, tables, and a vast array of pictures to make complex material remarkably clear and vivid. A glossary identifies Chinese proper names and terms with their characters, while the bibliography gives full references to Chinese, English, French, and Spanish works.

Comprising signed articles by 50 noted scholars in Asia, North America, Europe (including Russia), Australia, and Africa, with a large advisory panel of eminent experts, the Encyclopedia is an unparalleled resource, providing an unprecedented view of one of the world's largest, oldest, and most varied cultures abroad.

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(En)gendering
Chinese Women's Art in the Making
Shuqin Cui, special issue editor
Duke University Press
While contemporary Chinese art has arrived as a critical subject in art history and found market success, current art criticism has yet to fully engage with art made by Chinese women, especially from the perspective of gender politics. In “(En)gendering: Chinese Women's Art in the Making,” contributors—including artists, art historians, critics, and curators—consider how the work of contemporary women artists has generated new approaches to and perspectives on the Chinese art canon. The issue begins by laying a historical framework for the potentials and problems regarding the interpretation of Chinese women's art, tracing its evolution throughout a century of Chinese history. Next, the issue considers the spatial notion of boundary crossing, addressing how travel across national and theoretical boundaries affects the perception of artworks, and explores the misgivings of Chinese women artists about participating in a global exhibition system in which their artwork stands for “China” and “Women.” The issue concludes by looking at the idea of (en)gendering as a revision of women’s art prompting artists and the viewers of women’s artworks to challenge the conventional gaze that has dominated our ways of seeing. The issue considers the work of Chinese artists such as Lin Tianmiao, Lei Yan, Yin Xiuzhen, Cui Xiuwen, Yu Hong, and Liu Manwen.

Contributors. Julia F. Andrews, Lara C. W. Blanchard, Meiling Cheng, Shuqin Cui, Elise David, Linda Chui-han Lai, Tao Yongbai, Peggy Wang, Sasha Su-Ling Welland 
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Enlightened Individualism
Buddhism and Hinduism in American Literature from the Beats to the Present
Kyle Garton-Gundling
The Ohio State University Press, 2019
Buddhism and Hinduism have spread in the US largely through texts and are now recognizable facets of American literature and culture. But the US has defined itself through goal-oriented individualism, whereas Buddhism and Hinduism teach that individuality is a delusion and thus worldly desires are misguided. Given this apparent contradiction, what can Buddhist and Hindu influences offer American identities? Enlightened Individualism explores how post-1945 American writers, including Jack Kerouac, Alice Walker, and Maxine Hong Kingston, have tried to answer this question. Playing on enlightenment as both Anglo-American liberalism and Asian mysticism, this book argues that recent American literature seeks to reconcile seemingly incompatible liberal models of individual autonomy with Buddhist and Hindu ideals of transcending selfhood.
 
This “enlightened individualism” uses Buddhist and Hindu philosophy to reframe American freedom in terms of spiritual liberation, and it also reinterprets Asian teachings through Western traditions of political activism and countercultural provocation. Garton-Gundling argues that even though works by Kerouac, Walker, Kingston, and others wrestle with issues of exoticism and appropriation, their characters are also meaningfully challenged and changed by Asian faiths. These literary adaptations, then, can help Americans reenvision individualism in a more transcendent and cosmopolitan context.
 
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