front cover of Modernity, Islam, and Secularism in Turkey
Modernity, Islam, and Secularism in Turkey
Bodies, Places, and Time
Alev Cinar
University of Minnesota Press, 2005
What would an Islamic modernism look like? The question is a pressing one, as cultures rebel against modernity in its almost exclusively European forms. Alev Cinar's groundbreaking examination of contemporary Turkey, which stands at the threshold of East and West, of religious and secular nationalism, explores modernity through daily practices and the social construction of identity and political agency in relation to nationalism, secularism, and Islam. Focusing on developments of the 1990s, Modernity, Islam, and Secularism in Turkey argues that Islamist ideology generated an alternative modernization project, which applied the same strategies and techniques as that of the modernizing state to produce and institutionalize its own version of an equally thorough nationalist program. Using local details and debates - including a fascinating discussion of veiling as symbolic of both the "liberation" of Western appearance and the Islamists' struggle to rescue their nation's culture - Cinar reveals modernity as a transformative intervention in bodies, places, and times.Bringing a much-needed critical theory approach to bear on the politics of an Islamic nation, Cinar's work introduces a new way of conceptualizing modernity based on the analysis of a non-Western context.
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front cover of Urban Imaginaries
Urban Imaginaries
Locating the Modern City
Alev Cinar
University of Minnesota Press, 2007

For millennia, the city stood out against the landscape, walled and compact. This concept of the city was long accepted as adequate for characterizing the urban experience. However, the nature of the city, both real and imagined, has always been more permeable than this model reveals.

The essays in Urban Imaginaries respond to this condition by focusing on how social and physical space is conceived as both indefinite and singular. They emphasize the ways this space is shared and thus made into urban culture. Urban Imaginaries offers case studies on cities in Brazil, Israel, Turkey, Lebanon, and India, as well as in the United States and France, and in doing so blends social, cultural, and political approaches to better understand the contemporary urban experience.

Contributors: Margaret Cohen, Stanford U; Camilla Fojas, De Paul U; Beatriz Jaguaribe, Federal U of Rio de Janeiro; Anthony D. King, SUNY Binghamton; Mark LeVine, U of California, Irvine; Srirupa Roy, U of Massachusetts, Amherst; Seteney Shami, Social Science Research Council; AbdouMaliq Simone, New School U; Maha Yahya; Deniz Yükseker, Koç U, Istanbul.

Alev Çinar is associate professor of political science and public administration at Bilkent University, Turkey. Thomas Bender is university professor of the humanities and history at New York University.

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front cover of Visualizing Secularism and Religion
Visualizing Secularism and Religion
Egypt, Lebanon, Turkey, India
Alev Cinar, Srirupa Roy and Maha Yahya, Editors
University of Michigan Press, 2012

Over the past two decades secular polities across the globe have witnessed an increasing turn to religion-based political movements, such as the rise of political Islam and Hindu nationalism, which have been fueling new and alternative notions of nationhood and national ideologies. The rise of such movements has initiated widespread debates over the meaning, efficacy, and normative worth of secularism. Visualizing Secularism and Religion examines the constitutive role of religion in the formation of secular-national public spheres in the Middle East and South Asia, arguing that in order to establish secularism as the dominant national ideology of countries such as Turkey, Lebanon, and India, the discourses, practices, and institutions of secular nation-building include rather than exclude religion as a presence within the public sphere. The contributors examine three fields---urban space and architecture, media, and public rituals such as parades, processions, and commemorative festivals---with a view to exploring how the relation between secularism, religion, and nationalism is displayed and performed. This approach demands a reconceptualization of secularism as an array of contextually specific practices, ideologies, subjectivities, and "performances" rather than as simply an abstract legal bundle of rights and policies.

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