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Arrogant Beggar
Anzia Yezierska
Duke University Press, 1996
The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews.
The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization.
Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.
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Atta Boy
Cally Fiedorek
University of Iowa Press, 2024
In December 2018, we meet Rudy Coyle, a bar owner’s son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens.

Jacob “Jake” Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake’s right-hand man.

By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone—high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices.
 
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Black Theater, City Life
African American Art Institutions and Urban Cultural Ecologies
Macelle Mahala
Northwestern University Press, 2022
Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration.
 
Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.
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Gardens, City Life and Culture
A World Tour
Michel Conan
Harvard University Press, 2008

Gardens have exerted a deep influence on the culture of cities. Considering each city as a whole, this book presents the profoundly different roles of gardens in cultural development and social life.

Private and princely gardens, from Roman antiquity to approximately 1850, are considered, whether in China, India, the Ottoman Empire, Europe, or the United States. Turning to the subject of planning, the dire lack of a municipal garden policy is examined in contemporary Marrakech. In-depth evaluations of parks and garden planning reveal the successes and limitations of different policies in Stockholm, Tokyo, Kerala (India), historic Suzhou (China), and the U.S. New Towns of the 1960s. This book unveils an exciting domain of interplay between public and private action that is little known by citizen groups, city planners, and managers.

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The Luck of the Fall
Jim Ray Daniels
Michigan State University Press, 2023
In The Luck of the Fall, characters get lost; they fall, but the falls shape their lives in ways that might even be called “lucky”—if luck is defined as survival, despite the scars left behind. They take consolation in their lack of prizes, in the clarity of their failures, while approaching the future with gallows humor and faith in cynicism. Some stories read like dramatic monologues in the longer play of lives along Eight Mile Road on the edge of Detroit, a landmark location throughout Daniels’s six other fiction collections. Among the looming hulks of abandoned factories, near-nihilistic lives struggle in the absence of the comforting shadows those factories provided. Some keep score, some don’t, as they search for validation, however brief, before the curtain comes down and anonymity returns. COVID shows up with its masked consequences, along with addiction, divorce, unwanted pregnancy, and mental illness. None of these characters fit in, but all are trying to keep from being squeezed out entirely. In The Luck of the Fall, the logic of the heart wins out, even as the characters are picking up the pieces of their broken lives, looking for something shiny called hope.
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The Neorealist in Winter
Stories
Salvatore Pane
Autumn House Press, 2023
Eleven short stories following Italian characters exploring life in an era of media oversaturation.
 
Salvatore Pane’s The Neorealist in Winter is a collection of eleven short stories that explore what it means to be human in an age of media oversaturation. Utilizing methods of speculative, historical, and postmodern storytelling, Pane grapples with legacies of immigration, poverty, toxic masculinity, and moral failures, while focusing on working-class issues, family drama, and PTSD. Following eleven Italian narrators, Pane builds a cast of cinematic characters across disparate times and places—a struggling director attends a house party in the la dolce vita of 1960s Rome, gangsters chase a low-level lottery runner in coal valley Scranton, a woman contemplates experimental surgery to purge memories of her childhood trauma in Minnesota, and a pro wrestling promoter descends into self-denial through his autobiography.

The Neorealist in Winter was selected by Venita Blackburn as the winner of the 2022 Autumn House Fiction Prize.
 
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Oxford Street, Accra
City Life and the Itineraries of Transnationalism
Ato Quayson
Duke University Press, 2014
In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana's capital city through a focus on Oxford Street, part of Accra's most vibrant and globalized commercial district. He traces the city's evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra's salsa scene, gym culture, and commercial billboards. Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.
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Secure the Shadow
A Novel
Michael Henson
Ohio University Press, 2021

An interconnected web of lives in one midwestern city captures the surprising humanity of people searching for their authentic selves amid the 1990s drug crisis.

Amy Taylor finds the inner-city streets around her high school vibrant and animated compared to the bland middle-class neighborhood where she lives with her career-driven mother. In these streets, she meets the people of the city, among them a wayward boy named Jonathan, a struggling drug dealer, and Paul Lewis, a documentary photographer who becomes Amy’s mentor. Under his inspiration, she attempts to capture their world through the lens of her camera.

From the multiple perspectives of Amy and the expansive group of people she meets, award-winning novelist Michael Henson presents a heartbreaking portrait of the effects the Reagan-initiated drug war had on the young.

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Street Archives and City Life
Popular Intellectuals in Postcolonial Tanzania
Emily Callaci
Duke University Press, 2017
In Street Archives and City Life Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.
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The Taxi-Dance Hall
A Sociological Study in Commercialized Recreation and City Life
Paul Goalby Cressey
University of Chicago Press, 1932
First published in 1932, The Taxi-Dance Hall is Paul Goalby Cressey’s fascinating study of Chicago’s urban nightlife—as seen through the eyes of the patrons, owners, and dancers-for-hire who frequented the city’s notoriously seedy “taxi-dance” halls.

Taxi-dance halls, as the introduction notes, were social centers where men could come and pay to dance with “a bevy of pretty, vivacious, and often mercenary” women. Ten cents per dance was the usual fee, with half the proceeds going to the dancer and the other half to the owner of the taxi-hall. Cressey’s study includes detailed maps of the taxi-dance districts, illuminating interviews with dancers, patrons, and owners, and vivid analyses of local attempts to reform the taxi-dance hall and its attendees.

Cressey’s study reveals these halls to be the distinctive urban consequence of tensions between a young, diverse, and economically independent population at odds with the restrictive regulations of Prohibition America. Thick with sexual vice, ethnic clashes, and powerful undercurrents of class, The Taxi-Dance Hall is a landmark example of Chicago sociology, perfect for scholars and history buffs alike.

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