With the goal of sketching “at least some of the bright lights and dark shadows of the war;” William Baxter authored his regional classic, Pea Ridge and Prairie Grove, in 1864, before the actual end of the Civil War.

Primarily focusing on the civilians of the region, Baxter vividly describes their precarious and vulnerable positions during the advances and retreats of armies as Confederate and Federal forces marched across their homeland. In his account, Baxter describes skirmishes and cavalry charges outside his front door, the “firing” of his town’s buildings during a Confederate retreat, clashes between secessionist and Unionist neighbors, the feeding of hungry soldiers and the forceful appropriation of his remaining food supply, and the sickening sight of the wounded emerging from the Prairie Grove battlefield.

Since its original printing, this firsthand account has only been reprinted once, in 1957, and both editions are considered collectors’ items today. Of interest to Civil War scholars and general readers alike, Baxter’s compelling social history is rendered even more comprehensive by William Shea’s introduction. Pea Ridge and Prairie Grove is a valuable personal account of the Civil War in the Trans-Mississippi West which enables us to better comprehend the conflict as a whole and its devastating effect on the general populace of the war-torn portions of the country.

From the shooting of an unarmed prisoner at Montgomery, Alabama, to a successful escape from Belle Isle, from the swelling floodwaters overtaking Cahaba Prison to the inferno that finally engulfed Andersonville, A Perfect Picture of Hell is a collection of harrowing narratives by soldiers from the 12th Iowa Infantry who survived imprisonment in the South during the Civil War.

Editors Ted Genoways and Hugh Genoways have collected the soldiers' startling accounts from diaries, letters, speeches, newspaper articles, and remembrances. Arranged chronologically, the eyewitness descriptions of the battles of Shiloh, Corinth, Jackson, and Tupelo, together with accompanying accounts of nearly every famous Confederate prison, create a shared vision

Deeply affecting and diverse in perspective, The Poetry of the American Civil War is the first comprehensive volume to focus entirely on poetry written and published during the Civil War. Of the nearly one thousand books of poetry published in the 1860s, some two hundred addressed the war in some way, and these collectively present a textured portrait of life during the conflict. The poets represented here hail from the North and the South, and at times mirror each other uncannily. Among them are housewives, doctors, preachers, bankers, journalists, and teachers. Their verse reflects the day-to-day reality of war, death, and destruction, and it contemplates questions of faith, slavery, society, patriotism, and politics. This is an essential volume for poetry lovers, historians, and Civil War enthusiasts alike.

In 1978, Lawrence Lee Hewitt became the first manager of the Port Hudson State Historic Site. There, he began collecting photographs related to the Civil War battle. Carefully analyzing a vast and remarkable photographic record of Port Hudson, Hewitt has now brought his four decades of research and collecting together in this book. The quantity, diversity, and in some cases uniqueness of these photos help widen our perspective not only on Port Hudson and the Civil War’s impact on its people and environment, but also on the history of photography.

Together the six cameramen claimed many “firsts,” including the first-ever photograph of soldiers engaged in battle, first exterior shots at night, and first “composition print.” The collection—arranged chronologically—allows readers to follow the changes in the landscape during and after the siege. The sheer range of subjects represented is impressive. A cotton gin, a grist mill, and a Methodist church—all showing signs of damage—caught the eyes of photographers. At the request of a Union soldier’s mother, there was a photograph taken of his burial site. There is even the only known photograph of a Confederate army surrendering. Biographies of the photographers and the captions in this volume also brim with fresh information about both the photographs and the campaign, attesting to the author’s meticulous scholarship and skilled analysis.

Though Port Hudson may never receive the level of attention of Gettysburg or Vicksburg, this well-conceived collection of photographs will make those with a serious interest in the conflict or photography not only reexamine Port Hudson but also the importance of the Civil War’s photographic record.

The regiment’s history unfolds around major events in the Western Theater from 1861 to September 1865, including campaigns at Helena, Vicksburg, Jackson, and Meridian, as well as numerous little-known skirmishes. Although they were led almost exclusively by Northern-born Republicans, the majority of the soldiers in the Fifth Illinois remained Democrats. As Kohl demonstrates, politics, economics, education, social values, and racism separated the line officers from the common soldiers, and the internal friction caused by these cultural disparities led to poor leadership, low morale, disciplinary problems, and rampant alcoholism.  

The narrative pulls the Fifth Illinois out of historical oblivion, elucidating the highs and lows of the soldiers’ service as well as their changing attitudes toward war goals, religion, liberty, commanding generals, Copperheads, and alcoholism.   By reconstructing the cultural context of Fifth Illinois soldiers, Prairie Boys Go to War reveals how social and economic traditions can shape the wartime experience.

In the fall of 1861, fifty-one-year-old Rev. Francis Springer enlisted in the Union army. The following spring, Springer, a friend and one-time neighbor to Abraham Lincoln, rode away with the 10th Illinois Cavalry. A witness to the Battle of Prairie Grove (December 1862), Springer was later named post chaplain at Fort Smith, where, in additon to preaching and ministering to the troops, he was placed in charge of refugees—widows, orphans, and contrabands—the displaced victims of virulent guerrilla warfare in Northwest Arkansas. Springer also wrote articles and columns in the Fort Smith New Era under the pseudonym, “Thrifton.” Springer’s honest appraisals of life in the Army of the Frontier make for fascinating reading, and his unique perspective as moralist, educator, and journalist provide new insight into the Civil War and how it was fought in the West. The book includes several never-before published photographs and appendixes which feature accounts of six military executions that Springer participated in as a Union Army chaplain, the hitherto unpublished last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy for Abraham Lincoln.

The Preacher’s Tale includes several never before published photographs, and appendixes that contain accounts of six military executions that Springer participated in as a Union Army chaplain, the last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy written for Abraham Lincoln.

Prussia, like much of nineteenth-century Germany, was governed by the belief that knowledge, and thus understanding, was best derived from direct observation and communicated through documentation. Justus Scheibert, an officer in the Royal Prussian Engineers, was therefore sent to the United States for seven months to observe the Civil War and report the effects of artillery on fortifications. His interests, however, surpassed that limited assignment, and his observations, as well as the writings translated in this work, went on to include tactics, strategy, logistics, intelligence, combined operations, and the medical service.

Scheibert, an expert on warfare, had access to the Confederate high command, including such luminaries as Robert E. Lee, J. E. B. Stuart, and Stonewall Jackson. He brought to the war not only the fresh perspective of a foreigner, but also the insightful eye of a career military officer and a skillful author and correspondent. Although he was personally sympathetic to the South, Scheibert researched both sides of the conflict in order to write unbiased, informed commentary for his fellow Prussian officers. His firsthand account of many aspects of the Civil War included a theoretical discussion of every branch of service and the Confederate high command, illustrated with his personal observations.

Sheibert's narrative portrays soldiers, weaponry, and battles, including the first, and one of the few, studies of combined operations in the Civil War. Trautmann combines two of Scheibert's publications, The Civil War in the North American States: A Military Study for the German Officer (1874) and Combined Operations by Army and Navy: A Study Illustrated by the War on the Mississippi, 1861-1863 (ca. 1887), which for decades influenced German military writing. Trautmann's translations evince the grace and achieve the readability of Scheibert's intricate and complex works.

A Prussian Observes the American Civil War makes an important addition to Civil War studies and will appeal greatly to professional historians and those interested in, and dedicated to, Civil War and military studies.