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The Breakdown of the State in Lebanon, 1967–1976
Farid el Khazen
Harvard University Press, 2000

Straddling the boundaries of politics and history, this discerning book allows the reader to dig through the rubble of Lebanon's wars and learn exactly what has befallen it. With its remarkable open society, its plural political system, its well-educated and sophisticated peoples, and its tolerant confessional outlook, Lebanon is only now recovering the independence it once had, albeit in the face of Syria. In view of recent Lebanese history, can an open and democratic state be recaptured by a people entangled in a largely authoritarian Arab state system?

Farid el Khazen's arresting book shows how Lebanon was led toward its fate by its neighbors, yet ultimately undid itself. The Palestine Liberation Organization's presence was of central importance to the breakdown of the state, while the porousness of the democratic system could not contain the problems and violence. The breakdown was less a civil war in the conventional sense than a series of little wars with outside interference.

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front cover of The Kingdom of Strangers
The Kingdom of Strangers
Elias Khoury
University of Arkansas Press, 1996

front cover of Passage to Dusk
Passage to Dusk
By Rashid al-Daif
University of Texas Press, 2001

Passage to Dusk deals with the Lebanese civil war of the 1970s in a postmodern, poetic style. The narrative focuses on the deranged, destabilized, confused, and hyper-perceptive state of mind created by living on the scene through a lengthy war. The story is filled with details that transcend the willed narcissism of the main character, while giving clues to the culture of the time. It is excellent fiction, written in a surrealistic mode, but faithful to the characters of the people of Lebanon, their behavior during the war, and their contradictions. Issues of gender and identity are acutely portrayed against Lebanon's shifting national landscape.

The English-language reader has not been much exposed to Lebanese literature in translation, and Rashid al-Daif is one of Lebanon's leading writers. He has been translated into eight languages, including French, German, Italian, Polish, and Spanish. Translator Nirvana Tanoukhi manages to preserve Daif's unusual, moving, and at times humorous style in her English rendition.

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Posthumous Images
Contemporary Art and Memory Politics in Post–Civil War Lebanon
Chad Elias
Duke University Press, 2018
For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In Posthumous Images, Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war.
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