front cover of Neapolitan Brothers, The
Neapolitan Brothers, The
A Newly Discovered Short Story
Ada Lovelace
Bodleian Library Publishing, 2020

front cover of The Nightwatches of Bonaventura
The Nightwatches of Bonaventura
Bonaventura
University of Chicago Press, 2014
First published in German in 1804, under the nom de plume “Bonaventura,” The Nightwatches of Bonaventura is a dark, twisted, and comic novel, one part Poe and one part Beckett. The narrator and antihero is not Bonaventura but a night watchman named Kreuzgang, a failed poet, actor, and puppeteer who claims to be the spawn of the devil himself. As a night watchman, Kreuzgang takes voyeuristic pleasure in spying on the follies of his fellow citizens, and every night he makes his rounds and stops to peer into a window or door, where he observes framed scenes of murder, despair, theft, romance, and other private activities. In his reactions, Kreuzgang is cynical and pessimistic, yet not without humor. For him, life is a grotesque, macabre, and base joke played by a mechanical and heartless force.

Since its publication, fans have speculated on the novel’s authorship, and it is now believed to be by theater director August Klingemann, who first staged Goethe’s Faust. Organized into sixteen separate nightwatches, the sordid scenes glimpsed through parted curtains, framed by door chinks, and lit by candles and shadows anticipate the cinematic. A cross between the gothic and the romantic, The Nightwatches of Bonaventura is brilliant in its perverse intensity, presenting an inventory of human despair and disgust through the eyes of a bitter, sardonic watcher who draws laughter from tragedy.

Translated by Gerald Gillespie, who supplies a fresh introduction, The Nightwatches of Bonaventura will be welcomed by a new generation of English-language fans eager to sample the night’s dark offerings.
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front cover of Northanger Abbey
Northanger Abbey
An Annotated Edition
Jane Austen
Harvard University Press, 2014

“Jane Austen lovers worldwide will cherish these books...Prepare yourself for a major treat.”
Christian Science Monitor

If adventures will not befall a young lady in her own village, she must seek them abroad (or in a good book).
Despite being the first novel she completed in full, Jane Austen’s Northanger Abbey was published posthumously in 1817—a fitting fate for a story about late discoveries. Catherine Morland is Austen’s youngest, most impressionable heroine, a connoisseur of Gothic novels with a tendency to confuse fact with fiction. This extraordinary, annotated edition will appeal to casual readers, “Friends of Jane,” and everyone eager to fall under a great book’s spell.

For beginners and experts alike—immerse yourself in Jane Austen’s world: For the modern reader, our annotations provide clear explanations and illuminating context for period language and references. For the enthusiast, they offer fresh, exciting analysis—a passionate friend in the margins.

A work of art—the ideal gift: Perfect for gifting, collecting, and cherishing, this grand hardcover (9” x 9.5”) brims with hundreds of full-color illustrations that vividly recreate Austen’s Bath—its fashions, carriages, libraries, and estates.

The story: Seventeen-year-old Catherine Morland is dreamy, naïve, and fond of Gothic novels. Though a tomboy in her youth, she is “in training for a heroine” when we meet her. When she’s invited to stay with the wealthy Allen family in Bath, her overactive imagination leads her to badly misinterpret events and places. As she learns to live outside the pages of her favorite books, Catherine matures and realizes her place in the world—finding true love in the process.

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front cover of Not All Dead White Men
Not All Dead White Men
Classics and Misogyny in the Digital Age
Donna Zuckerberg
Harvard University Press, 2018

A Times Higher Education Book of the Week

A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

“A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right… Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.”
—Emily Wilson, translator of The Odyssey

“Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.”
Time

“Zuckerberg presciently analyzes these communities’…embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid…is founded in a limited and distorted interpretation of ancient philosophy…lending heft and authority to sexism and abuse.”
The Nation

“Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.”
Bitch Media

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