In 1831, James Fenimore Cooper told his publisher that he wanted to write a story set on Lake Ontario. The book was accepted, but with no hint that it would feature Natty Bumppo from the well-established Leather-Stocking Tales. The Pathfinder (1840) revisits Natty’s military service, extending a story begun in The Last of the Mohicans, and introduces the complications of love against the backdrop of the French and Indian War. Wayne Franklin’s introduction describes the personal and financial circumstances that led to Cooper’s resurrection of his most popular character, underscoring the author’s aim to offer Natty as a “Pathfinder” for a nation he feared had lost its moral bearings.

The John Harvard Library edition reproduces the text of The Pathfinder from The Writings of James Fenimore Cooper (State University of New York Press).

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

“Jane Austen lovers worldwide will cherish these books...Prepare yourself for a major treat.”
—Christian Science Monitor

Let us never underestimate the power of a well-written book.
Persuasion, Jane Austen’s final novel, was published posthumously in 1817. The story of Anne Elliot and Captain Wentworth’s once-abandoned, never-forgotten romance has enchanted readers ever since. How long can two people in love withstand their feelings? Experience their enduring love anew with this extraordinary, annotated edition.

For beginners and experts alike—immerse yourself in Jane Austen’s world: For the modern reader, our insightful and illuminating annotations provide clear explanations and context for period language and references. For the enthusiast, they offer fresh, exciting analysis—a passionate friend in the margins.

A work of art—the ideal gift: Perfect for gifting, collecting, and cherishing, this grand hardcover (9” x 9.5”) brims with hundreds of full-color illustrations that vividly recreate Austen’s world—its fashions, carriages, libraries, and estates.

The story: “You pierce my soul. I am half agony, half hope...I have loved none but you.” When Anne Elliot was nineteen, she fell in love with the ambitious naval officer Frederick Wentworth; the pair were quickly engaged. As the daughter of a baronet, however, Anne was persuaded by her family to end the imprudent relationship. Now, seven years later, Sir Walter Elliot’s lavish spending has jeopardized the family fortune, while Wentworth has risen through the ranks to become a wealthy and distinguished captain. When fate brings them together again, their feelings are unchanged—but will they reconcile?

The Picture of Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature had—in the words of biographer Richard Ellmann—“a different look.” Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott & Company, Wilde’s uncensored typescript is published for the first time, in an annotated, extensively illustrated edition.

The novel’s first editor, J. M. Stoddart, excised material—especially homosexual content—he thought would offend his readers’ sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its “immoral” elements. The differences between the text Wilde submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.

Wilde famously said that Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own, which saw Wilde sentenced to two years’ hard labor for gross indecency. The appearance of Wilde’s uncensored text is cause for celebration.

With The Pioneers (1823), Cooper initiated his series of elegiac romances of frontier life and introduced the world to Natty Bumppo (or Leather-stocking). Set in 1793 in New York State, the novel depicts an aging Leather-stocking negotiating his way in a restlessly expanding society. In his introduction, Robert Daly argues for the novel’s increasing relevance: we live in a similarly complex society as Cooper’s frontier world, faced with the same questions about the limits of individualism, the need for voluntary cooperation, and stewardship of the environment.

The John Harvard Library edition reproduces the authoritative text of The Pioneers in the The Writings of James Fenimore Cooper, published by the State University of New York Press.

This is a collection of Jan Neruda's intimate, wry, bittersweet stories of life among the inhabitants of the Little Quarter of nineteenth-century Prague. These finely tuned and varied vignettes established Neruda as the quintessential Czech nineteenth-century realist, the Charles Dickens of a Prague becoming ever more aware of itself as a Czech rather than an Austrian city.

Prague Tales is a classic by a writer whose influence has been acknowledged by generations of Czech writers, including Ivan Klíma, who contributes an introduction to this new translation.

The action of James Fenimore Cooper's The Prairie (1827) unfolds against the backdrop of the grasslands beyond the Mississippi, just after the Louisiana Purchase, in the early days of western expansion. It features Cooper's most celebrated literary creation, Natty Bumppo, now aged and reduced to making a living by trapping. As the frontiersman's epic journey from the Atlantic to the Pacific nears its end in a vast and still uninhabited region that Cooper consistently imagines as an ocean of the interior, nothing less than the future identity of America is at stake, Domhnall Mitchell suggests in his Introduction.

The John Harvard Library edition reproduces the authoritative text of the novel from The Writings of James Fenimore Cooper, published by the State University of New York Press.

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

“Jane Austen lovers worldwide will cherish these books...Prepare yourself for a major treat.”
—Christian Science Monitor

Handsome enough to tempt.
Pride and Prejudice is Jane Austen’s most beloved novel—a witty, insightful portrait of love, family, and society that has captivated readers for over two centuries. The most successful book of Austen’s career, Pride and Prejudice, has inspired countless adaptations for stage and screen. Experience the romance of the original text as never before with this extraordinary, annotated edition.

For beginners and experts alike—immerse yourself in Jane Austen’s world: For the modern reader, our annotations provide clear explanations and illuminating context for period language and references (from archaic phrases to the mysteries of Georgian dinner parties). For the enthusiast, they offer fresh, exciting analysis—a passionate friend in the margins.

A work of art—the ideal gift: Perfect for gifting, collecting, and cherishing, this grand hardcover (9” x 9.5”) brims with hundreds of full-color illustrations that vividly recreate Austen’s world—its fashions, carriages, libraries, and estates.

The story: “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.” Unable to inherit their family’s estate, the five Bennet sisters must secure their future through marriage. Their mother, the anxious Mrs. Bennet, is determined to see at least one daughter marry well to support the others. As Jane, the eldest daughter, falls for Mr. Bingley—a rich bachelor who owns a neighboring estate—her savvy sister Elizabeth bristles at his less amiable (though considerably wealthier) friend, Mr. Darcy. Through a series of scandals, misunderstandings, and rejected proposals, Elizabeth discovers the truth of Darcy’s character (and earnest love for her).

The Prose of the Mountains contains three tales of the Caucasus by Aleksandre Qazbegi, one of the most prescient and gifted chroniclers of the Georgian encounter with colonial modernity. His stories offer an invaluable counterpoint to the predominantly Russian narratives that have hitherto shaped scholarly accounts of the nineteenth-century Caucasus. “Memoirs of a Shepherd” poignantly chronicles the young author’s decision to pass seven years of his life as a shepherd with Georgian mountaineers. “Eliso” (the name of a Chechen girl) offers one of the most searing accounts on record of the forced migration of this people from their homeland to Ottoman lands. Set in the sixteenth century, “Khevis Beri Gocha” (the name of a Georgian village chief) classically chronicles a tragic misunderstanding between a severe father and his loving son.

When a murder takes place in Dawson’s Landing, Missouri, the lives of twin Italian noblemen, the courageous slave Roxy, her 1/32nd “black” son who has been raised “white,” and a failing lawyer with an intense interest in the science of fingerprinting become tangled. The unsolved riddle at the heart of Pudd’nhead Wilson is less the identity of the murderer than it is the question of whether nature or nurture makes the man.

In his introduction, Werner Sollors illuminates the complex web of uncertainty that is the switched-and-doubled-identity world of Mark Twain’s novel. This edition follows the text of the 1899 De Luxe edition and for the first time reprints all the E. W. Kemble illustrations that accompanied it.

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.