BiblioVault - Books about Clock

Caring on the Clock

The Complexities and Contradictions of Paid Care Work

Duffy, Mignon

Rutgers University Press, 2015

A nurse inserts an I.V. A personal care attendant helps a quadriplegic bathe and get dressed. A nanny reads a bedtime story to soothe a child to sleep. Every day, workers like these provide critical support to some of the most vulnerable members of our society. Caring on the Clock provides a wealth of insight into these workers, who take care of our most fundamental needs, often at risk to their own economic and physical well-being.

Caring on the Clock is the first book to bring together cutting-edge research on a wide range of paid care occupations, and to place the various fields within a comprehensive and comparative framework across occupational boundaries. The book includes twenty-two original essays by leading researchers across a range of disciplines—including sociology, psychology, social work, and public health. They examine the history of the paid care sector in America, reveal why paid-care work can be both personally fulfilling but also make workers vulnerable to burnout, emotional fatigue, physical injuries, and wage exploitation. Finally, the editors outline many innovative ideas for reform, including top-down and grassroots efforts to improve recognition, remuneration, and mobility for care workers.

As America faces a series of challenges to providing care for its citizens, including the many aging baby boomers, this volume offers a wealth of information and insight for policymakers, scholars, advocates, and the general public.

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Clock and Compass

How John Byron Plato Gave Farmers a Real Address

Mark Monmonier

University of Iowa Press, 2022

A city guy who aspired to be a farmer, John Byron Plato took a three-month winter course in agriculture at Cornell before starting high school, which he left a year before graduation to fight in the Spanish-American War. He worked as a draftsman, ran a veneers business, patented and manufactured a parking brake for horse-drawn delivery wagons, taught school, and ran a lumber yard. In his early thirties he bought some farmland north of Denver, Colorado, and began raising Guernsey cattle, which he advertised for sale in the local paper. When an interested buyer eager to see his calves couldn’t find his farm, Plato realized that an RFD postal address was only good for delivering mail.

Plato’s solution was a map-and-directory combo that used direction and distance from a local business center to give farmers a real address, just like city dwellers. He patented his invention called the “Clock System” and tried to sell it to the Post Office Department. What follows is a tale of persistence and failure as rural farming declined and technology and capitalism overtook John Byron Plato’s chances at geographic immortality.

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Compass and Clock

Poems

David Sanders

Ohio University Press, 2016

The poems of Compass and Clock take their inspiration from the intersection of the natural world and the human, exploring the landscapes in which those intersections occur. Those landscapes range from David Sanders’s native midwestern countryside to the caves of Lascaux and an enchanted lake where relics of lost lives are washed ashore. Yet, the true source of the poems’ vitality is Sanders’s attention to the missed or misread moments, those times when the act fails, and the perceived clashes with the actual.

Here, the satisfying pairing of elegance and vulnerability invites the reader to tour those uncanny landscapes from which one returns irrevocably changed—refreshed, but wistful. In a review of his earlier limited-edition work, Time in Transit, the Hudson Review called David Sanders “a poet to watch.” With the Swallow Press publication of Compass and Clock, we have the realization of that promise.

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Time, Duration and Change in Contemporary Art

Beyond the Clock

Kate Bretkelly-Chalmers

Intellect Books, 2018

Time, Duration and Change in Contemporary Art presents a major study of time as a key aesthetic dimension of recent art practices. This book explores different aspects of time across a broad range of artistic media and draws on recent movements in philosophy, science, and technology to show how artists generate temporal experiences that resist the standardized time of modernity: Olafur Eliasson’s melting icebergs produce fragile temporal ecologies; Marina Abramović’s performances test the durations of the human body; Christian Marclay’s The Clock conflates past and present chronologies.
This book examines alternative frameworks of time, duration, and change in prominent philosophical, scientific, and technological traditions, including physics, psychology, phenomenology, neuroscience, media theory, and selected environmental sciences. It suggests that art makes a crucial contribution to these discourses not by “visualizing” time, but by entangling viewers in different sensory, material, and imaginary temporalities.

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