BiblioVault - Books about Cochran, Terry

Edward Said and the Work of the Critic

Speaking Truth to Power

Paul A. Bové, ed.

Duke University Press, 2000

For at least two decades the career of Edward Said has defined what it means to be a public intellectual today. Although attacked as a terrorist and derided as a fraud for his work on behalf of his fellow Palestinians, Said’s importance extends far beyond his political activism. In this volume a distinguished group of scholars assesses nearly every aspect of Said’s work—his contributions to postcolonial theory, his work on racism and ethnicity, his aesthetics and his resistance to the aestheticization of politics, his concepts of figuration, his assessment of the role of the exile in a metropolitan culture, and his work on music and the visual arts.
In two separate interviews, Said himself comments on a variety of topics, among them the response of the American Jewish community to his political efforts in the Middle East. Yet even as the Palestinian struggle finds a central place in his work, it is essential—as the contributors demonstrate—to see that this struggle rests on and gives power to his general "critique of colonizers" and is not simply the outgrowth of a local nationalism. Perhaps more than any other person in the United States, Said has changed how the U.S. media and American intellectuals must think about and represent Palestinians, Islam, and the Middle East. Most importantly, this change arises not as a result of political action but out of a potent humanism—a breadth of knowledge and insight that has nourished many fields of inquiry. Originally a special issue of boundary 2, the book includes new articles on minority culture and on orientalism in music, as well as an interview with Said by Jacqueline Rose.
Supporting the claim that the last third of the twentieth century can be called the "Age of Said," this collection will enlighten and engage students in virtually any field of humanistic study.

Contributors. Jonathan Arac, Paul A. Bové, Terry Cochran, Barbara Harlow, Kojin Karatani, Rashid I. Khalidi, Sabu Kohsu, Ralph Locke, Mustapha Marrouchi, Jim Merod, W. J. T. Mitchell, Aamir R. Mufti, Jacqueline Rose, Edward W. Said, Gayatri Chakravorty Spivak, Lindsay Waters

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Questing Fictions

Latin America’s Family Romance

Djelal KadirForeword by Terry Cochran

University of Minnesota Press, 1986

Questing Fictions was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Questing Fictions analyzes twentieth-century Latin American fiction in the light of contemporary literary theory. Djelal Kadir examines key works by several writers—including Jorges Luis Borges, Octavio Paz, Lezama Lima, Alejo Carpentier, Juan Rulfo, and Carlos Fuentes—and demonstrates how these writers are obliged to invent their own reality and how their successors inevitably must continue that inventive tradition. In a larger sense, Kadir describes how works of literature originate and, in turn, generate other literary works.

Aiming at the specific nature of discourse written from the perspective of non-European cultures, Questing Fictions identifies and focuses on the predicament of writers caught between the cultural domination of Europe and the need to strive for cultural autonomy. Kadir explains that this predicament is shared by all Latin American authors and may well characterize all recently emergent literatures. He traces the problems of continuity and rupture within the Latin American tradition and addresses, as well, deeper questions of narrative and narration. In the process, Kadir reveals the interrelatedness of the continent's principal fables and shows their relationship to the larger Western tradition. Finally, Questing Fictions posits that Latin American narratives cannot escape the the quest for an identity that they can never fully attain.

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Twilight of the Literary

Figures of Thought in the Age of Print

Terry Cochran

Harvard University Press, 2005

In Western thought, the modern period signals a break with stagnant social formations, the advent of a new rationalism, and the emergence of a truly secular order, all in the context of an overarching globalization. In The Twilight of the Literary, Terry Cochran links these developments with the rise of the book as the dominant medium for recording, preserving, and disseminating thought. Consequently, his book explores the role that language plays in elaborating modern self-understanding. It delves into what Cochran calls the "figures of thought" that have been an essential component of modern consciousness in the age of print technology--and questions the relevance of this "print-bound" thinking in a world where print no longer dominates.

Cochran begins by examining major efforts of the eighteenth century that proved decisive for modern conceptions of history, knowledge, and print. After tracing late medieval formulations of vernacular language that proved crucial to print, he analyzes the figures of thought in print culture as they proceed from the idea of the collective spirit (the "people"), an elaboration of modern history. Cochran reconsiders basic texts that, in his analysis, reveal the underpinnings of modernity's formation--from Dante and Machiavelli to Antonio Gramsci and Walter Benjamin. Moving from premodern models for collective language to competing theories of history, his work offers unprecedented insight into the means by which modern consciousness has come to know itself.

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