A SCHOLARLY BOOK REPOSITORY
A group of highly distinguished scholars takes up important issues, theories, and methods stemming from the nascent body of research on comparative archaeology to showcase and apply important theories of households, power, and how the development of complex societies can be extended and refined. Drawing on the archaeological, ethnohistorical, and ethnographic records, the chapters in this volume contain critical investigations on the role of collective action, economics, and corporate cognitive codes in structuring complex societies.
Alternative Pathways to Complexity is an important addition to theoretical development and empirical research on Mesoamerica, the Old World, and cross-cultural studies. The theoretical implications addressed in the chapters will have broad appeal for scholars grappling with alternative pathways to complexity in other regions as well as those addressing diverse cross-cultural research.
Contributors: Sarah B. Barber, Cynthia L. Bedell, Christopher S. Beekman, Frances F. Berdan, Tim Earle, Carol R. Ember, Gary M. Feinman, Arthur A. Joyce, Stephen A. Kowalewski, Lisa J. LeCount, Linda M. Nicholas, Peter N. Peregrine, Peter Robertshaw, Barbara L. Stark, T. L. Thurston, Deborah Winslow, Rita Wright
But revivalism has always generated opposition, too, even in its century of glory. In Anti-Revivalism in Antebellum America, James D. Bratt offers extensive introductions to primary anti-revivalist documents. These works range from the Philadelphia Methodist John F. Watson's protests against camp meetings in 1819, to Elizabeth Cady Stanton's "Eighty Years and More," written in 1898, in which she recalls her youthful encounter with revival preaching and her rebound into political activism and religious agnosticism. Through the recovered voices of antebellum religious critics, Bratt shows how American culture was already being reshaped a generation before the Civil War and how evangelical religion stood at the center of a "culture war."
If revivals typified the era when Americans launched and defined their new nation, then objections to these revivals embodied the growing discontent at what the nation had become. An important and long overdue collection, this book urges an understanding of anti-revival literature both in the context of the era when it emerged as well as in terms of the broader dynamic of American life.
Includes selections from Orestes Brownson, Horace Bushnell, Calvin Colton, Orville Dewey, Albert Baldwin Dod, George Elley, Charles G. Finney, John Williamson Nevin, Stephen Olin, Phoebe Palmer, Daniel Alexander Payne, Ephraim Perkins, Elizabeth Cady Stanton, Joseph Smith, Harriet Beecher Stowe, La Roy Sunderland, John Fanning Watson, Ellen G. White, and Friedrich C. D. Wyneken.
Contributors: Chloe Aridjis, Tash Aw, Claire-Louise Bennett, Teju Cole, Geoff Dyer, Sheila Heti, Katie Kitamura, Chris Kraus, Jhumpa Lahiri, Ben Lerner, Orhan Pamuk, Ali Smith, Zadie Smith, Heidi Sopinka, Hanya Yanagihara
In these pages we see the panoply of LGBTQ life in Alaska today, from the quotidian urban adventures of a family—shopping, going out, working—to intimate encounters with Alaska’s breathtaking natural beauty. At a time of great change and major strides in LGBTQ civil rights, Building Fires in the Snow shows us an Alaska that shatters stereotypes and reveals a side of Alaska that’s been little seen until now.
The rich Chol oral narrative tradition is represented by eleven stories, each printed in the original language of the storytellers with parallel English translations and accompanied by a brief introduction that provides the relevant cultural and mythological background. Included with eight of the stories is a link to an audio clip of the tale told aloud in the Chol language. In addition, Chol (Mayan) Folktales introduces a model for the analysis of narratives that can be used to demonstrate the existence of a tradition of storytelling applicable to other Maya lore, including Classic period hieroglyphic texts.
Creating a nuanced sense of the Mayan oral tradition and revealing a highly structured literary style, this collection provides insight into contemporary Maya culture as well as a greater understanding of Classic period society. It will be of interest to students and scholars of folklore and literature and to anthropologists and linguists.
In Chronic Obstructive Pulmonary Disease: A Collection of Personal Stories, you will learn what COPD is and what it is not. Written in the actual voices of real patients and family members, you will hear what worried them, what helped them, the good advice they have to share, and even some unexpected joys discovered in the course of their journey. There is also a long list of resources for those who are exploring COPD topics. This collection of personal stories and photos was written by COPD patients and family members for the benefit of newly-diagnosed patients and their families. The authors want you to know that you are not alone.
Proceeds from this book will be used to improve the patient experience at Michigan Medicine.
This book is a resource for all those interested in learning more about childhood cancer, including health practitioners, family, and friends. These stories also have the potential to help other youth diagnosed with cancer.
All of the proceeds received by the University of Michigan Division of Pediatric Hematology/Oncology for this book will be donated: 50% to the Block Out Cancer campaign for pediatric cancer research at the University of Michigan and 50% to the Child and Family Life Program at the University of Michigan C.S. Mott Children’s Hospital.
In “Chronicling Idiopathic Pulmonary Fibrosis: A Collection of Personal Stories,” you’ll hear the voices of real patients and family members as they talk about what worries them, the coping techniques they have tried and the bright spots of beauty they have found in the course of their journey with this disease. Readers will learn what IPF is and what it is not. They will find new resources and even some questions to help guide their own thoughts when reflecting on what an IPF diagnosis means to them.
The author is grateful to the FRIENDS of the University of Michigan Hospitals Patient Education Library for their generous support of this book. Proceeds from this book will be used to improve the patient experience at the University of Michigan Health System.
The Ranters - like the Levellers and the Diggers - were a group of religious libertarians who flourished during the English Civil War (1642–1651), a period of social and religious turmoil which saw, in the words of the historian Christopher Hill, 'the world turned upside down'.
A Collection of Ranter Writings is the most notable attempt to anthologise the key Ranter writings, bringing together some of the most remarkable, visionary and unforgettable texts. The subjects range from the limits to pleasure and divine right, to social justice and collective action.
The Ranters have intrigued and captivated generations of scholars and philosophers. This carefully curated collection will be of great interest to historians, philosophers and all those trying to understand past radical traditions.
Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of song lyrics by literati poets. The collection has traditionally been studied as the precursor to the lyrics of the Song dynasty, or in terms of what it contributed to the later development of the genre. But scholars have rarely examined the work as an anthology, and have more often focused on the work of individual poets and their respective contributions to the genre.
In this book, Anna Shields examines the influence of court culture on the creation of the anthology and the significance of imitation and convention in its lyrics. Shields suggests that by considering the Huajian ji only in terms of its contributions to a later "model," we unnecessarily limit ourselves to a single literary form, and risk overlooking the broader influence of Tang culture on the Huajian ji. By illuminating the historical and literary contexts of the anthology, the author aims to situate the Huajian ji within larger questions of Chinese literary history, particularly the influence of cultural forces on the emergence of genres and the development of romantic literature.
Some of the dimmest years in Walt Whitman’s life precede the advent of Leaves of Grass in 1855, when he was working as a journalist and fiction writer. Starting around 1850, what he’d begun writing in his personal notebooks was far more enigmatic than anything he’d done before.
One of Whitman’s most secretive projects during this timeframe was a novel, Life and Adventures of Jack Engle; serialized anonymously in the spring of 1852, and rediscovered and properly published in 2017. The key to the novel’s later discovery were plot notes Whitman had made in one of his private notebooks.
Whitman’s invaluable notebooks have been virtually inaccessible to the public, until now. Maintaining the early notebooks’ wild, syncretic feel and sample illustrations of Whitman’s beautiful and unkempt pages, scholars Zachary Turpin and Matt Miller’s thorough transcriptions have made these notebooks available to all; sharing Whitman’s secret space for developing his poetry, his writing, his philosophy, and himself.
Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.
Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín
Inception and implosion, Chicago’s grit and grandiosity all come together in the finite poetic power of the original Slam igniter, renowned poet Marc Kelly Smith and his retrospect denotation, Ground Zero.
A cultural, community, and adversarial figure, Smith has challenged the status quo and raised new questions about an environment in a state of continuous calamity. Smith’s power and influence have inspired celebrated figures who cut their teeth on both the stage and the page under his watchful eye—always speaking in the traditions of Carl Sandburg and Gwendolyn Brooks. Ground Zero challenges but pays homage to the thousand underbellies of Chicago with Smith’s wicked, cigarette-in-the-beer language: “I ain’t diggin’ no concrete coffin, / No backyard mausoleum / To keep me a pickle sweet aplenty / Plied with sardines and pork sausage wieners / Livin’ out the chance that some bubble-flesh victim / Will come puckered up and scabby lipped / To kiss me in the name of a new mankind.”
Ground Zero leaves no doubt. The Slampapi / instigator / visionary / you-may-love-me-or-hate-me-but-my-history-will-always-be-chiseled-in-everything-the-poetry-world-does-next collects a survey of his land and his experience, no matter how beautiful or flawed. This book lets the landmines of imagery and Chicago’s slow and uneasy drawl showcase one of our most original voices.
History and the Social Web was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this volume of twelve essays a distinguished historian demonstrates that the roots and branches of history form a continuous social web, that the events and societies of pasts eras and modern times form a complex and interlocking pattern when seen as a whole, and that a knowledge of history has a profound application to the problems and pleasures of the present. The volume includes the well-known essay, "A City That Art Built," which has long been out of print. The first group of essays is devoted to aspects of medieval and renaissance history, and those in the second section point up the continuity of the thread of world history. The essays on law, education, and medicine which form a part of the first section will be of particular interest to members of these professions.
The Peruvian Mario Vargas Llosa has been acclaimed throughout the literary world as one of Latin America's finest writers, yet until recently little has been written about his work in English. While his work has the subject of an increasing flow of critical commentary in Spanish and his major novels have been translated into English, this is the first full-scale critical treatment of Vargas Llosa published in the English language.
These articles by a number of established writers and critics appraise Vargas Llosa's individual novels as well as the body of his work. The Time of the Hero, The Green House, Conversation in The Cathedral, and Pantaleón y las visitadoras are examined in order of publication, A second group of more general essays ranges across Vargas Llosa's work and explores pervasive themes and concerns.
Two pieces by José Miguel Oviedo serve as a coda. In a bilingual interview, Oviedo and Vargas Llosa discuss Vargas Llosa's novel La tía Julia y el escribidor. Oviedo concludes with a critical discussion of that novel. A Vargas Llosa chronology compiled by the editors is also included.
Most of these essays originally appeared in 1977 as a special issue of Texas Studies in Literature and Language. The concluding essay by Oviedo was prepared especially for this edition.
A new reading strategy for the Thanksgiving Hymns
Hasselbalch asserts that current theories about the social background of Thanksgiving Hymns are unable to explain its heterogeneous character. Instead the author suggests a reading strategy that leaves presumptions about the underlying social contexts aside to instead consider the collection’s hybridity as a clue to understanding the collection as a whole.
Features:
- Systemic Functional Linguistics applied to four Hodayot
- Analysis that highlights the role of a mediator in the agency of God
- An approach that highlights the unity of the collection
This uplifting book contains practical advice and a helpful list of resources for patients and family members. It is a must-read for those who are facing dialysis and/or kidney transplant and for those considering becoming a living donor.
The book’s editor has dedicated this book to new patients, understanding that patient-to-patient communication is a unique and effective way to improve patient and family education. Proceeds from this book will be used to improve the patient experience at Michigan Medicine.
Playwrights for Tomorrow was first published in 1973. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume presents four plays by writers who have worked under the program of the Office for Advanced Drama Research (O.A.D.R.) at the University of Minnesota, an experimental project which provides promising playwrights with the opportunity of working with cooperating theatres in the production of their plays. Arthur H. Ballet, the editor, is director of the
O.A.D.R.
The plays in this volume and the theatres which cooperated in their production are Boxes by Susan Yankowitz, Magic Theatre, Berkeley, California; Canvas by David Roszkowski, Scorpio Rising Theatre, Los Angeles; Bierce Takes on the Railroad! by Philip A. Bosakowski, Theatre III, College of Marin, Kentfield, California; and Chamber Piece by John O'Keefe, Magic Theatre, Berkeley, California.
In an introduction Professor Ballet discussed the program and accomplishments of the O. A.D.R., which was established with the aid of a Rockefeller Foundation grant. He writes: "It seemed obvious that no artist worked in more lonely isolation and needed more direct contact with the theatre than the playwright. Despite loud pronouncements . . . that theatres outside of New York were searching for new plays and writers, the evidence indicates that very few theatres really wanted to work with unknown but living playwrights. The O.A.D.R., in its small way, has tried to open a highway . . . between new, often untried writers and willing, even brave theatres.
As Speech and Drama (England) pointed out in a review of earlier volumes of the Playwrights for Tomorrow series: "Schemes like this one at Minnesota deserve the highest praise. On the evidence of these volumes, the executive committee which operates this venture is not attempting to impose any single imprint on its authors—a further example of the generosity of the patronage."
Playwrights for Tomorrow was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is the fourth in a series of volumes which offer collections of plays by dramatists who have participated in an experimental program conducted at the University of Minnesota under the auspices of the Office of Advanced Drama Research (O.A.D.R.). Dr. Arthur H. Ballet, editor of the series, is the director of the O.A.D.R.
This volume contains three full-length plays and one short play. They are The World Tipped Over, and Laying on Its Side (one act) by Mary Feldhaus-Weber, Visions of Sugar Plums by Barry Pritchard, The Strangler by Arnold Powell, and The Long War by Kevin O' Morrison. Mary Feldhaus-Weber is a St. Paul poet who has chosen to work in the theatre. Mr. Pritchard, a former playwright in residence at Theatre St. Paul, now writes for television and films in Hollywood. Mr. Powell is a teacher and theatre director at Birmingham-Southern College in Atlanta, and Mr. O'Morrison pursues an acting career in the Broadway theatre.
As Dr. Ballet explains in his introduction, the program of the O.A.D.R. is designed to give promising playwrights a testing ground for their ideas, skills, and talents by providing them with a chance to have their plays actually produced and, whenever possible, the opportunity of working with the producing groups. He points out that a number of the writers associated with the O.A.D.R. have subsequently moved into the mainstream of contemporary American theatre. Publication of the plays will, it is hoped, bring them to the attention of larger audiences and stimulate further critical appraisal.
In this sophisticated debut collection, Ronald F. Smits deftly weaves the comic with the tragic as he vividly recreates days past in rural Pennsylvania. With a boyish charm, the eighty poems in Push lyrically recall baseball games, campouts under the stars, and dusty treks along lonely back roads—bringing to life a vision of mid-century America that is by turns nostalgic and clear-eyed, humorous and heartfelt. A masterly evocation of a place and a time that feel quintessentially American, Push opens our eyes to the twinned power of literature and memory.
The museum recently reopened after a ten-year renovation that cost more than $400 million, and the result is stunning: never before has the Rijksmuseum’s collection been displayed so well. This book offers a lavishly illustrated chronicle of both the collection and the building that houses it. Though nothing can replace an actual trip to the Rijksmuseum—as the more than two million annual visitors can attest—this book comes as close as possible, taking art lovers on a virtual tour of the greatest masterworks of Western art in a building that is brilliantly designed to show them at their best.
Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world. A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.
Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen. Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.
Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike. This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.
This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.
Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.
Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack
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