front cover of Narrative As Communication
Narrative As Communication
Didier Coste
University of Minnesota Press, 1989

Narrative as Communication is the first major treatise on narrative and narrative theory to make use of all the analytic tools developed in the twenty years. Intended as an up-to-date introduction, it carefully defines narrative discourse, distinguishing it from other discourses, and analyzes what it entails by referring to numerous examples spanning a wide range of media and literary works. At the same time, it orients narrative theory in the current debates surrounding the “New Historicism” and postmodern ideology, showing that theories of narrative are necessarily central to any understanding of history.

Not restricted to any single genre, Coste’s text emphasizes the production of narrative meaning in diverse contexts: The Epic of Gilgamesh, a John Ford film classic, French American, and Spanish new fiction, Dante, Shakespeare, the pastoral, the fairy tale, The Communist Manifesto, Prescott’s History of the Conquest of Peru, a painting by Gustave Moreau. Coste thoroughly and critically examines the usual concepts of voice, character, point of view and narrative syntax, and he develops radical revisions in the notion of fictionality, character, narrative economy and the function of narrative meaning itself. The book is a remarkable synthesis that will likely become a reference for future studies in narratology.
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The Networked Wilderness
Communicating in Early New England
Matt Cohen
University of Minnesota Press, 2009

In The Networked Wilderness, Matt Cohen examines communications systems in early New England and finds that, surprisingly, struggles over information technology were as important as theology, guns, germs, or steel in shaping the early colonization of North America. Colonists in New England have generally been viewed as immersed in a Protestant culture of piety and alphabetic literacy. At the same time, many scholars have insisted that the culture of the indigenous peoples of the region was a predominantly oral culture. But what if, Cohen posits, we thought about media and technology beyond the terms of orality and literacy?

Reconceptualizing aural and inscribed communication as a spectrum, The Networked Wilderness bridges the gap between the history of the book and Native American systems of communication. Cohen reveals that books, paths, recipes, totems, and animals and their sounds all took on new interactive powers as the English negotiated the well-developed informational trails of the Algonquian East Coast and reported their experiences back to Europe. Native and English encounters forced all parties to think of each other as audiences for any event that might become a kind of "publication."

Using sources ranging from Thomas Morton's Maypole festival to the architecture of today's Mashantucket Pequot Museum and Research Center, Cohen shows that the era before the printing press came to New England was one of extraordinary fertility for communications systems in America.

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front cover of News and Frontier Consciousness in the Late Roman Empire
News and Frontier Consciousness in the Late Roman Empire
Mark W. Graham
University of Michigan Press, 2006
Prior to the third century A.D., two broad Roman conceptions of frontiers proliferated and competed: an imperial ideology of rule without limit coexisted with very real and pragmatic attempts to define and defend imperial frontiers. But from about A.D. 250-500, there was a basic shift in mentality, as news from and about frontiers began to portray a more defined Roman world—a world with limits—allowing a new understanding of frontiers as territorial and not just as divisions of people. This concept, previously unknown in the ancient world, brought with it a new consciousness, which soon spread to cosmology, geography, myth, sacred texts, and prophecy. The “frontier consciousness” produced a unified sense of Roman identity that transcended local identities and social boundaries throughout the later Empire.

Approaching Roman frontiers with the aid of media studies as well as anthropological and sociological methodologies, Mark W. Graham chronicles and documents this significant transition in ancient thought, which coincided with, but was not necessarily dependent on, the Christianization of the Roman world.


Mark W. Graham is Assistant Professor of History at Grove City College.
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front cover of No Communication with the Sea
No Communication with the Sea
Searching for an Urban Future in the Great Basin
Tim Sullivan
University of Arizona Press, 2010
Few other places in the United States are as high, dry, sparsely inhabited—and urbanized—as the Great Basin of Utah and Nevada. The great majority of the population of this rapidly growing region lives in the two metropolitan areas at its edges, Salt Lake City and the Wasatch Front, and Reno and the Truckee Meadows. These cities embody the allure and the challenge of the contemporary American West, deemed by some “The New American Heartland.”

No Communication with the Sea is a journey through this urbanizing Great Basin landscape. Here, the land fosters illusions of limitless space and resources, but its space and resources are severely limited; its people live clustered in cities but are often reluctant to embrace urbanity. These tensions led journalist and urban planner Tim Sullivan to explore the developing centers and edges of the Great Basin cities and the ways some are trying to build livable and sustainable urban environments.

In this highly readable book of creative nonfiction, Sullivan employs a variety of methods—including interviews, research, travelogues, and narrative—to survey the harsh landscape for clues to the ways cities can adapt to their geography, topography, ecology, hydrography, history, and culture. No Communication with the Sea embarks on a quest for a livable future for the heart of the interior West. In the process, it both unearths the past and ponders the present and future Great Basin cities.
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