front cover of Companion to A Sand County Almanac
Companion to A Sand County Almanac
Interpretive and Critical Essays
J. Baird Callicott
University of Wisconsin Press, 1987
The first sustained study of Leopold's seminal book as well as a work of art, philosophy, and social commentary.
[more]

front cover of A Companion to Ancient Philosophy
A Companion to Ancient Philosophy
Edited and with an introduction by Sean D. Kirkland and Eric Sanday
Northwestern University Press, 2018
A Companion to Ancient Philosophy is a collection of essays on a broad range of themes and figures spanning the entire period extending from the Pre-Socratics to Plato, Aristotle, and the Hellenistic thinkers. 

Rather than offering synoptic and summary treatments of preestablished positions and themes, these essays engage with the ancient texts directly, focusing attention on concepts that emerge as urgent in the readings themselves and then clarifying those concepts interpretively. Indeed, this is a companion volume that takes a very serious and considered approach to its designated task—accompanying readers as they move through the most crucial passages of the infinitely rich and compelling texts of the ancients. Each essay provides a tutorial in close reading and careful interpretation. 

Because it offers foundational treatments of the most important works of ancient philosophy and because it, precisely by doing so, arrives at numerous original interpretive insights and suggests new directions for research in ancient philosophy, this volume should be of great value both to students just starting off reading the ancients and to established scholars still fascinated by philosophy's deepest abiding questions.
 
[more]

front cover of A Companion to Apollonius of Rhodes
A Companion to Apollonius of Rhodes
Ruth Scodel
University of Michigan Press, 2025
This volume presents a companion text to ancient Greek poet Apollonius of Rhodes, author of the epic poem Argonautica, which stands on a level of importance with other major ancient epics like the Aeneid or the Odyssey. Ruth Scodel and her contributors examine Apollonius’ work from three points of view—his literary influences and impact on contemporary writers, the actual work of Apollonius, and his later reception in Latin. This companion volume seeks to help readers with varied reasons to be interested in Apollonius—whether they are interested in Latin poets whom he influenced, or in patronage, or narrative method.

A Companion to Apollonius of Rhodes aims to help contemporary readers appreciate what is most characteristic of Apollonius’ epic—its fascination with ritual and myth, gods who act without the direction of Zeus, frequent distanced narration, the portrayal of characters in situations where there are no good choices. It includes thorough analyses of the poem's relationship to contemporary art with illustrations and treats familiar topics, such as Jason's leadership, with nuance. Contributors include Benjamin Acosta-Hughes, Annemarie Ambühl, Anja Bettenworth, Keyne Cheshire, Christopher Chinn, James Clauss, Adele Teresa Cozzoli, Kristopher Fletcher, Regina Höschele, Alexander Hollmann, Niklas Holzberg, Alison Keith, Adolf Köhnken†, Anatole Mori, William H. Race, Norman Sandridge, Selina Stewart, Stefanie Stürner, and Graham Zanker.
[more]

front cover of A Companion to Crime and Deviance in the Middle Ages
A Companion to Crime and Deviance in the Middle Ages
Hannah Skoda
Arc Humanities Press, 2023
This reference work examines the ways in which some medieval behaviours and identities were categorized as criminal or deviant. It also explores the implications of modern demonization of the Middle Ages. As well as discussing constructions of deviance, this book also explores the behaviours and identities which provoked these labels and processes. The model is one of reciprocity between behaviours and processes of demonisation and criminalisation. Each authoritative essay engages carefully with this approach, examining behaviours, the ways they were demonized, and the relationship between the two processes. The three parts of the volume are centred around forms of discursive and normative power—religious ideologies, political ideologies, and legalism. The authors also explore issues of political discourse, spiritual censure, justice and punishment, and the construction of taboos. This reference work examines the ways in which some medieval behaviours and identities were categorized as criminal or deviant. It also explores the implications of modern demonization of the Middle Ages. As well as discussing constructions of deviance, this book also explores the behaviours and identities which provoked these labels and processes. The model is one of reciprocity between behaviours and processes of demonisation and criminalisation. Each authoritative essay engages carefully with this approach, examining behaviours, the ways they were demonized, and the relationship between the two processes. The three parts of the volume are centred around forms of discursive and normative power—religious ideologies, political ideologies, and legalism. The authors also explore issues of political discourse, spiritual censure, justice and punishment, and the construction of taboos.
[more]

front cover of A Companion to Global Queenship
A Companion to Global Queenship
Elena Woodacre
Arc Humanities Press, 2018
This collection expands previous regional and individual studies of queenship and female political agency in order to engage in a comparative study of premodern female rule on a global scale. While the field of queenship studies and examinations of gender and power have been flourishing, the literature has tended to be dominated by studies of European royalty. This volume aims toembrace and develop the trend towards an increasingly global outlook for the field of queenship studies. Case studies of women from different periods, places, and religions are deliberately mixed to compare and contrast the realities of queenship in varied settings. Lesser studied examples of queens are provided alongside fresh perspectives on more familiar figures and regions. The authors increase our understanding of understudied individuals and groups of queens, and they encourage the comparison of the practice of queenship in the premodern era. This authoritative and comprehensive Companion will be required readingfor all scholars and students of premodern gender and political studies.
[more]

front cover of A Companion to Greek Tragedy
A Companion to Greek Tragedy
By John Ferguson
University of Texas Press, 1972

This handbook provides students and scholars with a highly readable yet detailed analysis of all surviving Greek tragedies and satyr plays. John Ferguson places each play in its historical, political, and social context—important for both Athenian and modern audiences—and he displays a keen, discriminating critical competence in dealing with the plays as literature.

Ferguson is sensitive to the meter and sound of Greek tragedy, and, with remarkable success, he manages to involve even the Greekless reader in an actual encounter with the Greek as poetry. He examines language and metrics in relation to each tragedian's dramatic purpose, thus elucidating the crucial dimension of technique that other handbooks, mostly the work of philologists, renounce in order to concentrate on structure and plot. The result is perceptive criticism in which the quality of Ferguson's scholarship vouches for what he sees in the plays.

The book is prefaced with a general introduction to ancient Greek theatrical production, and there is a brief biographical sketch of each tragedian. Footnotes are avoided: the object of this handbook is to introduce readers to the plays as dramatic poetry, not to detail who said what about them. There is an extensive bibliography for scholars and a glossary of Greek words to assist the student with the operative moral and stylistic terms of Greek tragedy.

[more]

logo for Harvard University Press
Companion to The Divine Comedy
Commentary by C. H. Grandgent as edited by Charles S. Singleton
Charles Southward Singleton
Harvard University Press, 1975

front cover of A Companion to John Dewey's
A Companion to John Dewey's "Democracy and Education"
D. C. Phillips
University of Chicago Press, 2016
This year marks the centenary publication of John Dewey’s magnum opus, Democracy and Education. Despite its profound importance as a foundational text in education, it is notoriously difficult and—dare we say it—a little dry. In this charming and often funny companion, noted philosopher of education D. C. Phillips goes chapter by chapter to bring Dewey to a twenty-first-century audience. Drawing on over fifty years of thinking about this book—and on his own experiences as an educator—he lends it renewed clarity and a personal touch that proves its lasting importance.
           
Phillips bridges several critical pitfalls of Democracy and Education that often prevent contemporary readers from fully understanding it. Where Dewey sorely needs a detailed example to illustrate a point—and the times are many—Phillips steps in, presenting cases from his own classroom experiences. Where Dewey casually refers to the works of people like Hegel, Herbart, and Locke—common knowledge, apparently, in 1916—Phillips fills in the necessary background. And where Dewey gets convoluted or is even flat-out wrong, Phillips does what few other scholars would do: he takes Dewey to task. The result is a lively accompaniment that helps us celebrate and be enriched by some of the most important ideas ever offered in education.
 
[more]

front cover of A Companion to Margaret More Roper Studies
A Companion to Margaret More Roper Studies
Life Records, Essential Texts, and Critical Essays
Elizabeth McCutcheon
Catholic University of America Press, 2022
This volume is an important contribution to the field of Margaret More Roper studies, early modern women's writing, as well as Erasmian piety, Renaissance humanism, and historical and cultural studies more generally.

Margaret More Roper is the learned daughter of St. Thomas More, the Catholic martyr; their lives are closely linked to each other and to early sixteenth-century changes in politics and religion and the social upheaval and crises of conscience that they brought. Specifically, Roper's major works - her translation of Erasmus's commentary on the Lord's Prayer and the long dialogue letter between More and Roper on conscience - highlight two major preoccupations of the period: Erasmian humanism and More's last years, which led to his death and martyrdom.

Roper was one of the most learned women of her time and a prototype of the woman writer in England, and this edited volume is a tribute to her life, writings, and place among early women authors. It combines comprehensive and convenient joining of biographical, textual, historical, and critical components within a single volume for the modern reader. There is no comparable study in print, and it fills a significant gap in studies of early modern women writers.
[more]

front cover of A Companion to Medieval Translation
A Companion to Medieval Translation
Jeanette Beer
Arc Humanities Press, 2019
<div>Translation played an essential role throughout the Middle Ages, bridging the gap between literate and lay, and enabling intercourse between languages in multi-lingual Europe. Medieval translation was extremely diverse, ranging from the literality and Latinity of legal documents to the free adaptation of courtly romance. </div><div>This guide to medieval translation covers a broad range of religious and vernacular texts and addresses the theoretical and pragmatic problems faced by modern translators of medieval works as they attempt to mediate between past and present.</div>
[more]

front cover of A Companion to the Cavendishes
A Companion to the Cavendishes
Lisa Hopkins
Arc Humanities Press, 2021
The noble Cavendishes were one of the most influential families in the politics and culture of early modern England and beyond. A Companion to the Cavendishes offers a comprehensive account of the Cavendish family's creative output and cultural significance in the seventeenth century. It discusses the writings of individuals including William and Margaret Cavendish, and William's daughters Jane and Elizabeth; family members' work and patronage in other media such as music, architecture, and the visual arts; their participation in contemporary developments in politics, philosophy, and horsemanship; and the networks in which they moved both in England and in continental Europe. It also covers the work of less well-known family members such as the poet and biographer George Cavendish and the composer Michael Cavendish. This volume combines path-breaking scholarship with discussion of existing research, making it an invaluable resource for all those interested in this fascinating and diverse group of men and women.
[more]

front cover of A Companion to the Global Early Middle Ages
A Companion to the Global Early Middle Ages
Erik Hermans
Arc Humanities Press, 2020
<div>This companion introduces the connections between early medieval societies that have previously been studied in isolation. By bringing together nineteen experts on different regions across the globe, from Oceania to Europe and beyond, it transcends conventional disciplinary boundaries and synthesizes parallel historiographical narratives.</div>
[more]

front cover of A Companion to The Iliad
A Companion to The Iliad
Malcolm M. Willcock
University of Chicago Press, 1976
Those who are able to read Homer in Greek have ample recourse to commentaries, but the vast majority who read the Iliad in translation have not been so well served—the many available translations contain few, if any, notes. For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.
 
The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed.

Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.
[more]

front cover of A Companion to the Works of Elizabeth Strout
A Companion to the Works of Elizabeth Strout
Katherine Montwieler
Ohio University Press, 2022

Including an exclusive interview with bestselling American novelist Elizabeth Strout, this groundbreaking study will engage literature scholars and general readers alike.

Written in accessible language, this book is the first to offer a sustained analysis of Elizabeth Strout’s work. A recipient of the Pulitzer Prize and the O. Henry Award, among other accolades, Strout has achieved a vast popular following as well. Amy and Isabelle was made into a television movie; Olive Kitteridge, which sold more than one million copies, was adapted as a miniseries; The Burgess Boys has been optioned for HBO; and My Name Is Lucy Barton was reimagined for the stage in London and on Broadway. Oh William!, the sequel to My Name Is Lucy Barton, appeared in 2021, and Strout’s latest book, Lucy by the Sea, is slated for release in fall 2022.

At the height of her literary powers as a chronicler of American life and particularly the lives of American women, Strout is currently enjoying both commercial and critical success. Her sales and perennial presence on book club lists indicate a tremendous impact on the popular realm and the growing attention to her in academia charts her importance in American letters. This book will satisfy readers looking for a serious, in-depth introduction to Strout’s work, as well as those interested in women’s writing, contemporary fiction, ethics, and literature. It includes a new interview with Strout in which she discusses these issues.

Montwieler traces the evolution of Strout’s voice, themes, and characters, which uniquely address American twenty-first-century feminine perspectives and sensibilities. From classic domestic spats between a mother and daughter to hate crimes aimed at mosques, from sweeping forays into decades past to snapshots of contemporary life, Strout compassionately portrays humanity at its most brutal and its most intimate. Though her canvas is vast, her eye for detail is astute and her ear for nuance is keen. Looking across Strout’s work, Montwieler explores how she portrays the endurance of hope, the complexities of family, the effects of trauma on individuals and communities, the sustaining power of the natural world, and the effects of place on personal and collective character.

Strout’s creations cultivate empathy in her readers, teaching them to be attuned to the suffering of others and to the human need for connection. Across her work and in the new interview included within this book, Strout shows her readers that they are not alone in this impersonal, often violent world. The connection that acknowledges our limitations, our woundedness, our capability to do harm, our remorse, and our recognition of beauty and humor distinguishes Strout’s unique contribution to contemporary American letters.

[more]

front cover of Experimenting with Ethnography
Experimenting with Ethnography
A Companion to Analysis
Andrea Ballestero and Brit Ross Winthereik, editors
Duke University Press, 2021
Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers.

Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik
 
[more]

front cover of Gates of Understanding Volume 1 - PDF Electronic Version
Gates of Understanding Volume 1 - PDF Electronic Version
A Companion Volume to Gates of Prayer
Chaim Stern
Central Conference of American Rabbis, 1977
A book about prayer, written to enrich Gates of Prayer, for which it gives sources of al the prayers, additional meditatios and songs. Explores the worship service, obstacles to prayer, the function of the prayer book, and other topics.
[more]

front cover of A Historical Commentary on Thucydides
A Historical Commentary on Thucydides
A Companion to Rex Warner's Penguin Translation
David Cartwright
University of Michigan Press, 1997
Much of the modern way of thinking about history and historiography in fact begins with the great Greek historian Thucydides, an Athenian general in the latter half of the fifth century b.c.e. It is also Thucydides who provides us with the historical framework for fifth-century Greece, a period of progress and creativity rarely equaled in human history. His work, The Peloponnesian War, recounts that destructive conflict and also includes the only surviving contemporary record of the rise of the Athenian empire. Thucydides teaches his readers that the most powerful states in the world can come to a humiliating end, that a careless tyranny, especially toward the weak, and, nearly two millennia before Machiavelli, that absolute power corrupts absolutely.
In A Historical Commentary on Thucydides, David Cartwright aims to guide the Greekless reader through Thucydides' fascinating yet demanding narrative. Cartwright's is the only such full-length, one-volume commentary and companion: it is based on Rex Warner's Penguin translation of Thucydides--the most widely used translation--and requires no knowledge of Greek. The introduction to A Historical Commentary on Thucydides includes a brief biography of Thucydides: his approach, aims, and methods are discussed, as are the general character of his work and his contribution to historiography. The commentary gives brief accounts of the people and places mentioned by Thucydides and puts events in their immediate and wider contexts. Cartwright provides occasional summaries, explains Greek concepts and technical terms, and offers interpretations of difficult or controversial passages. The author also picks out important historiographical issues and discusses the themes' underlying events.
For both first-time readers and seasoned students, this commentary gives broad access to one of antiquity's most profound and difficult writers. Historians, classicists, and anyone else interested in the cultural and intellectual achievements of ancient Greece will find A Historical Commentary on Thucydides a welcome addition to their library.
David Cartwright is Head of Classics at Dulwich College, London, England.
[more]

front cover of Jane Austen
Jane Austen
A Companion
Ross, Josephine
Rutgers University Press, 2003
The only best-selling authors in Jane Austen's league in the English language today are Shakespeare and Dickens. In the twenty-first century her boundless appeal continues to grow following the enormously successful television and film adaptations of Mansfield Park, Pride and Prejudice, Emma, Persuasion, and Sense and Sensibility.

This illuminating, entertaining, up-to-date companion is the only general guide to Jane Austen, her work, and her world. Josephine Ross explores the literary scene during the time Austen's works first appeared: the books considered classics then, the "horrid novels" and romances, and the grasping publishers. She looks at the architecture and décor of Austen's era that made up "the profusion and elegance of modern taste." Regency houses for instance, Chippendale furniture, and "picturesque scenery." On a smaller scale she answers questions that may baffle modern readers. What, for example, was "hartshorn"? How did Lizzy Bennet "let down" her gown to hide her muddy petticoat? Ross shows us the fashions, and the subtle ways Jane Austen used clothes to express character. Courtship, marriage, adultery, class and "rank," mundane tasks of ordinary life, all appear, as does the wider political and military world.

This book will add depth to all readers' enjoyment of Jane Austen, whether confirmed addicts or newcomers wanting to learn about one of the world's most popular and enduring writers.
[more]

logo for Ohio University Press
The Literary Guide and Companion to Southern England
Revised Edition
Robert M. Cooper
Ohio University Press, 1998

In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason.

This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.

[more]

front cover of Robert Walser
Robert Walser
A Companion
Edited by Samuel Frederick and Valerie Heffernan
Northwestern University Press, 2018

The Swiss writer Robert Walser (1878-1956) is now recognized as one of the most important European authors of the modernist period, having garnered high praise from such prominent voices as Susan Sontag, W. G. Sebald, and J. M. Coetzee. Robert Walser: A Companion is the first comprehensive guide to Walser’s work in English. The twelve essays in this collection examine Walser’s literary output, historical milieu, and idiosyncratic writing process, addressing aspects of his biography; discussing the various genres in which he wrote (the novel, short prose, drama, lyric poetry, and letters); and analyzing his best-known novels and short stories alongside lesser-known but no less fascinating poems, plays, and prose pieces.

An essential addition to the scholarship about this eccentric, prolific, and influential writer’s work, Robert Walser: A Companion will be of interest both to established scholars and to those coming to Walser for the first time.

[more]

logo for Harvard University Press
Spenser’s Art
A Companion to Book One of The Faerie Queene
Mark Rose
Harvard University Press, 1975

Edmund Spenser's art is intricate, intellectual, fanciful, and, finally, magnificent. Spenser is enshrined as one of the great English writers, and Book One of The Faerie Queene is regularly taught in colleges, not only in advanced courses but also in introductory surveys. Many teachers as well as students, however, find the poem baffling and know of no way to approach it except as an allegory whose several levels of meaning must be deciphered. Mark Rose shows that it is possible to read the poem as poetry—savoring the language, tracing Spenser's vision—without prior expertise in religion and philosophy, Renaissance iconography and mythology, or Tudor history. He offers a close reading of Book One, following the poem as it develops canto by canto.

Rather than expound the meaning, he attempts to draw the meaning out of the text while helping the reader respond freshly to the emotion, humor, grace, and humanity of the poem and conveying a sense of its richness and subtlety. Specialists will find many new insights in Spenser's Art, though the book is not addressed primarily to them; teachers who are not experts on Spenser will find it especially rewarding.

[more]

logo for University of North Texas Press
A Texas Baptist History Sourcebook
A Companion to McBeth's Texas Baptists
Joseph E. Early Jr.
University of North Texas Press, 2004


Send via email Share on Facebook Share on Twitter