In Jews, Christians, and the Abode of Islam, Jacob Lassner examines the triangular relationship that during the Middle Ages defined—and continues to define today—the political and cultural interaction among the three Abrahamic faiths. Lassner looks closely at the debates occasioned by modern Western scholarship on Islam to throw new light on the social and political status of medieval Jews and Christians in various Islamic lands from the seventh to the thirteenth century. Utilizing a vast array of primary sources, Lassner balances the rhetoric of literary and legal texts from the Middle Ages with other, newly discovered medieval sources that describe life as it was actually lived among the three faith communities. Lassner shows just what medieval Muslims meant when they spoke of tolerance, and how that abstract concept played out at different times and places in the real world of Christian and Jewish communities under Islamic rule. Finally, he considers what a more informed picture of the relationship among the Abrahamic faiths in the medieval Islamic world might mean for modern scholarship on medieval Islamic civilization and, not the least, for the highly contentious global environment of today.

Journal I is a story of revewal—of the new life that began for Mircea Eliade in the fall of 1945 when he became an expatriate. Eliade came to Paris virtually empty-handed, following the death of his first wife and the Soviet takeover of Romania, which made him a persona non grata there. He had left half a lifetime in Romania: his parents, whom he never saw again; his library; unpublished and unfinished manuscripts, including the journal notebooks prior to 1940; an academic career; and Zalmoxis, the journal of religious studies he founded.

During the lean years in Paris Eliade lived and worked in small, cold rooms; prepared meals on a Primus stove; pawned his valuables; and asked friends for loans. Eventually he secured a research stipend from the Bollingen Foundation. His ten years in Paris were among his most productive; the books he wrote during this period brought him worldwide acclaim as a historian of religions. He records his first meetings with Carl Jung, Pierre Teilhard de Chardin, Gershom Scholem, Georges Bataille, André Breton, Raffaele Pettazzoni, and many other scholars and writers.

Eliade also continued to write literary works. Numerous entries describe his five-year struggle with his novel The Forbidden Forest. Spanning the twelve fateful years from 1936 to 1948, it expresses within a fictional framework the central themes of Eliade's work on religions. Writing the novel was a Herculean task in which Eliade summarized and memorialized his old Romanian life.

Mircea Eliade's journal of the years 1957-1969, originally published in English under the title No Souvenirs, is the testimony of a "wandering scholar" caught between three worlds: his native Romania, the France he fled to, and his last homeland, the United States. The journal is filled with his work, dreams, memories of his youth, stories of his travels, the reflections of each day.

More an eloquent chronicle of the mind's life than a recital of daily routine, this volume of Mircea Eliade's journal offers a remarkably candid portrait of a renowned scholar and his work. The entries—full of marvelous ideas, outlines for works never written, responses to the works of others, and much more—reveal many rarely glimpsed sides of the private, as well as public, man. What did he really think of the students who came to him for instruction in black magic? What were his private reflections on feminism, student drug use, the sexual revolution, the nature of American scholars and scholarship? Who were his best friends, why did he enjoy their company, and why did he shun the company of others?

Quite apart from the personal, biographical interest the journal holds, it is a document of cultural and intellectual significance. Eliade remarks on such colleagues and friends as Jung, Dumézil, Ricoeur, Bellow, and Ionesco. Moreover, the period covered encompasses Eliade's most active years as a teacher, and the journal beautifully reflects his developing views on religion, history, and the nature of academic culture. Bits and pieces of Eliade's past life are juxtaposed with thoughts about ongoing projects and work yet to be undertaken as well as with anecdotes of his travels and comments on world events.

A genuine treat for Eliade readers and those interested in history of religions, Journal III provides new perspectives on many of Eliade's other works—the History of Religious Ideas, Ordeal by Labyrinth, the Autobiography. At the same time the journal is a mature scholar's record of the aftermath of the 1960s, a turbulent period that profoundly affected American university life. As such, these writings hold valuable insights into not only the life and work of one man but also the cultural history of an entire era.

Journal IV is the first publication, in a translation from the Romanian manuscript, of the journal that Mircea Eliade kept during the last seven years of his life. In this period, Eliade is ensconced as a famous scholar—his works are being translated into many languages and books about him arrive regularly in the mail. His encounters with scholars of like repute are recorded in the journal; after a party in Paris, Eliade shares a taxi with Claude Lévi-Strauss and inadvertently makes off with his raincoat.

Running like a fault line through the peak of his success, however, is Eliade's painful awareness of his physical decline—failing vision, arthritic hands, and continual fatigue. Again and again he repeats how little time he has to finish the projects he is working on—his autobiography, the third and fourth volumes of his History of Religious Ideas, and the duties associated with his editorship of the Encyclopedia of Religion. He poignantly recounts the sharpest blow: the disorganization and eventual destruction by fire of his personal library.

Within the scope of Journal IV Eliade and his world go to ruin. What does not decline is the vivid and persistent voice of Eliade the writer, an unbreaking voice that—with death only months away—plans a reply to critics, plots out an article, and ruminates on characters to people another novella.