Many people worship not just one but many gods. Yet a relentless prejudice against polytheism denies legitimacy to some of the world’s oldest and richest religious traditions. In her examination of polytheistic cultures both ancient and contemporary—those of Greece and Rome, the Bible and the Quran, as well as modern India—Page duBois refutes the idea that the worship of multiple gods naturally evolves over time into the “higher” belief in a single deity. In A Million and One Gods, she shows that polytheism has endured intact for millennia even in the West, despite the many hidden ways that monotheistic thought continues to shape Western outlooks.
In English usage, the word “polytheism” comes from the seventeenth-century writings of Samuel Purchas. It was pejorative from the beginning—a word to distinguish the belief system of backward peoples from the more theologically advanced religion of Protestant Christians. Today, when monotheistic fundamentalisms too often drive people to commit violent acts, polytheism remains a scandalous presence in societies still oriented according to Jewish, Christian, and Muslim beliefs. Even in the multicultural milieus of twenty-first-century America and Great Britain, polytheism finds itself marginalized. Yet it persists, perhaps because polytheism corresponds to unconscious needs and deeply held values of tolerance, diversity, and equality that are central to civilized societies.
Conventional wisdom would have it that believing in one God is straightforward; that Muslims are expert at monotheism, but that Christians complicate it, weaken it, or perhaps even abandon it altogether by speaking of the Trinity. In this book, Muslim and Christian scholars challenge that opinion. Examining together scripture texts and theological reflections from both traditions, they show that the oneness of God is taken as axiomatic in both, and also that affirming God's unity has raised complex theological questions for both. The two faiths are not identical, but what divides them is not the number of gods they believe in.
The latest volume of proceedings of The Building Bridges Seminar—a gathering of scholar-practitioners of Islam and Christianity that meets annually for the purpose of deep study of scripture and other texts carefully selected for their pertinence to the year’s chosen theme—this book begins with a retrospective on the seminar’s first fifteen years and concludes with an account of deliberations and discussions among participants, thereby providing insight into the model of vigorous and respectful dialogue that characterizes this initiative.
Contributors include Richard Bauckham, Sidney Griffith, Christoph Schwöbel, Janet Soskice, Asma Afsaruddin, Maria Dakake, Martin Nguyen, and Sajjad Rizvi. To encourage further dialogical study, the volume includes those scripture passages and other texts on which their essays comment. A unique resource for scholars, students, and professors of Christianity and Islam.
The first substantial collection of essays about the trickster since 1955
Mythical Trickster Figures, is the first substantial collection of essays about the trickster to appear since Radin’s 1955 The Trickster. Contributions by leading scholars treat a wide range of manifestations of this mischievous character, ranging from the Coyote of the American Southwest to such African figures as Eshu-Elegba and Ananse, the Japanese Susa-no-o, the Greek Hermes, Christian adaptations of Saint Peter, and examples found in contemporary American fiction and drama.
The many humorous trickster stories included are fascinating in themselves, but Hynes and Doty also highlight the wide range of features of the trickster—the figure whose comic appearance often signifies that the most serious cultural values are being both challenged and enforced.
William Doty's popular text has been hailed as the most comprehensive work of its kind. Extensively rewritten and completely restructured, the new edition provides further depth and perspective and is even more accessible to students of myth. It includes expanded coverage of postmodern and poststructuralist perspectives, the Gernet Center, mythic iconography, neo-Jungian approaches, and cultural studies, and it summarizes what is new in the study of Greek myth, iconography, French classical scholarship, and ritual studies. It also features a comprehensive index of names and topics, a glossary, an up-to-date annotated bibliography, and a guide to myth on the Internet.
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