The contemporary moment has been described in terms of both a “narrative” and a “performative turn,” but the overlap between these two has largely escaped attention. This curious gap is explained by the ways in which scholars across the humanities have defined narrative and performance as opposite forces, emphasizing their respective affiliations with time vs. space and identity constitution vs. its undoing. Although the opposition has been acknowledged as false by many in this simple form, its shifting instantiations continue to shape the ways we make sense of the arts as well as society. Instead, An Aesthetics of Narrative Performance: Transnational Theater, Literature, and Film in Contemporary Germany by Claudia Breger maps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance: an ensemble of techniques exploring the interplay of rupture and recontextualization in the process of configuration. Interlacing diverging definitions of both narrative and performance, the study outlines two clusters of such techniques—scenic narration and narrative “presencing” in performance vs. forms of narrative theatricalization—and analyzes the cultural work they do in individual works in three different media: literature, film, and theater. These readings focus on the rich configurations of contemporary worldmaking “at location Germany.” In the discussed representations of German unification, contemporary cultures of migration, and the transnational War on Terror, the aesthetics of narrative performance finds its identity as a multifaceted imaginative response to the post/modern crisis of narrative authority.

Antisemitism never disappeared in Europe. In fact, there is substantial evidence that it is again on the rise, manifest in violent acts against Jews in some quarters, but more commonly noticeable in everyday discourse in mainstream European society. This innovative empirical study examines written examples of antisemitism in contemporary Germany. It demonstrates that hostility against Jews is not just a right-wing phenomenon or a phenomenon among the uneducated, but is manifest among all social classes, including intellectuals. Drawing on 14,000 letters and e-mails sent between 2002 and 2012 to the Central Council of Jews in Germany and to the Israeli embassy in Berlin, as well as communications sent between 2010 and 2011 to Israeli embassies in Austria, Switzerland, Belgium, England, Ireland, the Netherlands, Sweden, and Spain, this volume shows how language plays a crucial role in activating and re-activating antisemitism. In addition, the authors investigate the role of emotions in antisemitic argumentation patterns and analyze “anti-Israelism” as the dominant form of contemporary hatred of Jews.

A decade after reunification, with Germany laboring to define a new national identity, the defunct German Democratic Republic has gained a second life in the pages of history. The former GDR, and particularly the fate of its intellectuals, has become the subject of novels, memoirs, and films, and it has also become the backdrop for general debates over the power of intellectuals in contemporary media and society.

This new collection of essays considers the demise of the GDR and its impact on the place of intellectuals in Germany today. Distinguished contributors from Germany, Austria, and the United States survey aspects of high and low culture, including the current nostalgia for East German film, the demise of the GDR rock scene, the pivotal role of East German poets, the consolidation and privatization of German media, and the frightening new resurgence of right-wing violence. The result is a timely volume that charts Germany's rocky transition from one world to another.

Contributors:
Mitchell G. Ash
Simone Barck
David Bathrick
John Borneman
Dorothea Dornhof
Michael Geyer
Andreas Graf
Dietrich Hohmann
Andreas Huyssen
Konrad Jarausch
Alexander Kluge
Loren Kruger
Martina Langermann
Siegfried Lokatis
Patricia Anne Simpson
Frank Trommler
Katie Trumpener