front cover of Contested Lands
Contested Lands
A History of the Middle East since the First World War
T. G. Fraser
Haus Publishing, 2024
A history of the last century of tensions in the Middle East.

Until the First World War, the Ottoman Empire had dominated the Middle East for four centuries. Its collapse, coupled with the subsequent clash of European imperial policies, unleashed a surge of political feelings among the people of the Middle East as they vied for national self-determination. Over the century that followed, the region has become almost synonymous with unrest and conflict.

An accessible survey of the last century, Contested Lands tells the story of what happened in the Middle East and what it means today. T. G. Fraser analyzes the fault lines of the tension, including the damage brought by imperialism, the creation of the State of Israel, competition between secular rulers and emerging democratic and theocratic forces, and the rise of Arab Nationalism in the face of fraying regional alliances and the Islamic revival. Fraser offers a close look at how the events of the twenty-first century—the tragedy of 9/11, the Arab Spring, and Syria’s civil war—have combined with complex social and economic changes to transform the region. Untangling the history of the Middle East, this book offers a detailed and insightful picture of the region and why its heritage remains important today.
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front cover of Contested Lands
Contested Lands
Israel-Palestine, Kashmir, Bosnia, Cyprus, and Sri Lanka
Sumantra Bose
Harvard University Press, 2012

The search for durable peace in lands torn by ethno-national conflict is among the most urgent issues of international politics. Looking closely at five flashpoints of regional crisis, Sumantra Bose asks the question upon which our global future may depend: how can peace be made, and kept, between warring groups with seemingly incompatible claims? Global in scope and implications but local in focus and method, Contested Lands critically examines the recent or current peace processes in Israel-Palestine, Kashmir, Bosnia, Cyprus, and Sri Lanka for an answer.

Israelis and Palestinians, Turkish and Greek Cypriots, Bosnia's Muslims, Serbs, and Croats, Sinhalese and Tamil Sri Lankans, and pro-independence, pro-Pakistan, and pro-India Kashmiris share homelands scarred by clashing aspirations and war. Bose explains why these lands became zones of zero-sum conflict and boldly tackles the question of how durable peace can be achieved. The cases yield important general insights about the benefits of territorial self-rule, cross-border linkages, regional cooperation, and third-party involvement, and the risks of a deliberately gradual ("incremental") strategy of peace-building.

Rich in narrative and incisive in analysis, this book takes us deep into the heartlands of conflict--Jerusalem, Kashmir's Line of Control, the divided cities of Mostar in Bosnia and Nicosia in Cyprus, Sri Lanka's Jaffna peninsula. Contested Lands illuminates how chronic confrontation can yield to compromise and coexistence in the world's most troubled regions--and what the United States can do to help.

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Encounters on Contested Lands
Indigenous Performances of Sovereignty and Nationhood in Québec
Julie Burelle
Northwestern University Press, 2019
Winner, 2019 John W. Frick Book Award
Winner, 2020 Ann Saddlemyer Award
Finalist, ATHE Outstanding Book Award for 2020
Mention Spéciale, Société québécoise d'études théâtrale


In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. 

Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. 

The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.
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