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The Material Unconscious
American Amusement, Stephen Crane, and the Economics of Play
William Brown
Harvard University Press, 1996

Within the ephemera of the everyday--old photographs, circus posters, iron toys--lies a challenge to America's dominant cultural memory. What this memory has left behind, Bill Brown recovers in the "material unconscious" of Stephen Crane's work, the textual residues of daily sensations that add up to a new history of the American 1890s. As revealed in Crane's disavowing appropriation of an emerging mass culture--from football games and freak shows to roller coasters and early cinema--the decade reappears as an underexposed moment in the genealogy of modernism and modernity.

Brown's story begins on the Jersey Shore, in Asbury Park, where Crane became a writer in the shadow of his father, a grimly serious Methodist minister who vilified the popular amusements his son adored. The coastal resorts became the stage for debates about technology, about the body's visibility, about a black service class and the new mass access to leisure. From this snapshot of a recreational scene that would continue to inspire Crane's sensational modernism, Brown takes us to New York's Bowery. There, in the visual culture established by dime museums, minstrel shows, and the Kodak craze, he exhibits Crane dramatically obscuring the typology of race.

Along the way, Brown demonstrates how attitudes toward play transformed the image of war, the idea of childhood and nationhood, and the concept of culture itself. And by developing a new conceptual apparatus (with such notions as "recreational time," "abstract leisure," and the "amusement/knowledge system"), he provides the groundwork for a new politics of pleasure. A crucial theorization of how cultural studies can and should proceed, The Material Unconscious insists that in the very conjuncture of canonical literature and mass culture, we can best understand how proliferating and competing economies of play disrupt the so-called "logic" and "work" of culture.

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The Pluralistic Philosophy of Stephen Crane
Patrick K. Dooley
University of Illinois Press, 1993
The first extended analysis by a scholar
formally trained in the discipline of philosophical inquiry. Dooley shows how
Crane's philosophical pluralism, which represents his response to the acute moral
uncertainties resulting from the decline of late nineteenth-century religious
authority, allies him with the contextualism of such contemporary philosophers
as William James, C. S. Peirce, and Josiah Royce."
-- James B. Colvert, author of Stephen Crane
 
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Private Fleming at Chancellorsville
The Red Badge of Courage and the Civil War
Perry Lentz
University of Missouri Press, 2006
Famous for its insight into a young, inexperienced soldier’s psychology, Stephen Crane’s The Red Badge of Courage has long been assumed to have been based on little more than magazine articles and veterans’ reminiscences. It also has been subject to various misreadings, including ones unduly influenced by fictional responses to the wars of the twentieth century. Perry Lentz now draws on more than three decades of teaching the novel and his own experience as a historical novelist to plumb the historical realities that actually shaped Crane’s work and to confront these misreadings.
Taking a new look at a classic work that many may feel they already know, Lentz shows how this apparently impressionistic novel is actually a faithful reflection of Civil War combat based on thorough knowledge about combat in general and the battle of Chancellorsville in particular. Anchoring the novel’s action firmly in the Civil War, Lentz challenges the long-standing assumption that Crane did little research for the novel, arguing that he made extensive use of contemporary sources to fashion an accurate depiction of Chancellorsville.
Rich with information about infantry combat in the Civil War, from uniforms and weaponry to formations and battlefield tactics, Lentz’s study invites readers to follow the exploits of Private Henry Fleming of the 304th New York Volunteer Infantry Regiment as he and his fellow soldiers participate in this legendary battle. Lentz shows how Crane evokes a set of traditional responses from his reader and how close reading expands those responses. He examines Private Fleming’s adventures behind the lines of battle in terms of the historical situations in which they are set, then explains how Crane repeatedly entices readers into imposing their initial expectations and final evaluations upon the experiences of this particular soldier.
Lentz also investigates why the novel’s portrayal of its hero’s experiences on the second day of battle is sometimes ignored and always undervalued. By focusing on events both as they actually unfolded at Chancellorsville and as Crane depicted Fleming and his comrades experiencing them, he shows how these soldiers judge themselves, how others judge them, and how a reader can achieve a more sophisticated understanding of these judgments. Lentz’s work reclaims a place for this novel in the American canon and enhances our understanding of Crane, of a legendary battle, and of war literature in general.
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Realism, Writing, Disfiguration
On Thomas Eakins and Stephen Crane
Michael Fried
University of Chicago Press, 1987
"A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America."—Svetlana Alpers, University of California, Berkeley

"An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies."—Sacvan Bercovitch, Harvard University
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The Red Badge of Courage
Stephen Crane
Harvard University Press, 2009
Stephen Crane’s weirdly impressionistic The Red Badge of Courage is one of the first non-romantic novels of the Civil War—and the first non­romantic account to gain wide popularity. Paul Sorrentino introduces Red Badge to a new generation of readers for a fuller appreciation of the novel and its effects. He has selected as his text the first edition, published by D. Appleton & Co. in 1895.
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Stephen Crane
A Life of Fire
Paul Sorrentino
Harvard University Press, 2014

With the exception of Poe, no American writer has proven as challenging to biographers as the author of The Red Badge of Courage. Stephen Crane’s short, compact life—“a life of fire,” he called it—continues to be surrounded by myths and half-truths, distortions and outright fabrications. Mindful of the pitfalls that have marred previous biographies, Paul Sorrentino has sifted through garbled chronologies and contradictory eyewitness accounts, scoured the archives, and followed in Crane’s footsteps. The result is the most complete and accurate account of the poet and novelist written to date.

Whether Crane was dressing as a hobo to document the life of the homeless in the Bowery, defending a prostitute against corrupt New York City law enforcement, or covering the historic charge up the San Juan hills as a correspondent during the Spanish-American War, his adventures were front-page news. From Sorrentino’s layered narrative of the various phases of Crane’s life a portrait slowly emerges. By turns taciturn and garrulous, confident and insecure, romantic and cynical, Crane was a man of irresolvable contradictions. He rebelled against tradition yet was proud of his family heritage; he lived a Bohemian existence yet was drawn to social status; he romanticized women yet obsessively sought out prostitutes; he spurned a God he saw as remote yet wished for His presence.

Incorporating decades of research by the foremost authority on Crane’s work, Stephen Crane: A Life of Fire sets a new benchmark for biographers.

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Stephen Crane Remembered
Edited by Paul Sorrentino
University of Alabama Press, 2006
Revealing episodes in the life of the elusive writer, as told by acquaintances
 
This book collects reminiscences by contemporaries, friends, and associates of Stephen Crane that illuminate the life of this often misunderstood and misrepresented writer. Although Crane is widely regarded as a major American author, conclusions about his life, work, and thought remain obscure due to the difficulties in separating fact from fiction. His first biographer recorded mostly vague impressions and, to mythologize his subject, invented a multitude of the episodes and letters used in his account of Crane’s life. Subsequent biographies were either cursory summations or compendiums of verifiable facts. Crane himself was both reclusive and mercurial, protective of his inner life while projecting a variety of personae to suit others.

A flamboyant personality and close friend of writers such as William Dean Howells, Henry James, and Joseph Conrad, Crane made telling impressions on his contemporaries. They often constitute the best assessments of Crane’s own personality and work. The 90 reminiscences gathered here offer a much-needed account of Crane’s life from a variety of viewpoints, as well as important information about the contributors themselves.
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