logo for Harvard University Press
Holes in the Head
The Art and Archaeology of Trepanation in Ancient Peru
John W. Verano
Harvard University Press
Trepanation is the oldest surgical procedure known from antiquity, extending back more than five thousand years in Europe and to at least the fifth century BC in the New World. Anthropologists and medical historians have been investigating ancient trepanation since the mid-nineteenth century, but questions remain about its origins, evolution, and the possible motivations for conducting such a dangerous surgical procedure. Peru is particularly important to these questions, as it boasts more trepanned skulls than the rest of the world combined. This volume presents the results of a long-term research project that examined more than 800 trepanned skulls from recent archaeological excavations and from museum collections in Peru, the United States, and Europe. It examines trepanation in ancient Peru from a broad anthropological and historic perspective, focusing on the archaeological context of osteological collections and highlighting the history of discoveries. It explores the origins and spread of the practice throughout the Central Andes, with a focus on trepanation techniques, success rates, and motivations for trepanning. It examines the apparent disappearance of trepanation in the Andes following Spanish conquest, while noting that there are reports of trepanations being performed by healers in highland Peru and Bolivia into the twentieth century.
[more]

front cover of The Skull Collectors
The Skull Collectors
Race, Science, and America's Unburied Dead
Ann Fabian
University of Chicago Press, 2010

When Philadelphia naturalist Samuel George Morton died in 1851, no one cut off his head, boiled away its flesh, and added his grinning skull to a collection of crania. It would have been strange, but perhaps fitting, had Morton’s skull wound up in a collector’s cabinet, for Morton himself had collected hundreds of skulls over the course of a long career. Friends, diplomats, doctors, soldiers, and fellow naturalists sent him skulls they gathered from battlefields and burial grounds across America and around the world.

With The Skull Collectors, eminent historian Ann Fabian resurrects that popular and scientific movement, telling the strange—and at times gruesome—story of Morton, his contemporaries, and their search for a scientific foundation for racial difference. From cranial measurements and museum shelves to heads on stakes, bloody battlefields, and the “rascally pleasure” of grave robbing, Fabian paints a lively picture of scientific inquiry in service of an agenda of racial superiority, and of a society coming to grips with both the deadly implications of manifest destiny and the mass slaughter of the Civil War. Even as she vividly recreates the past, Fabian also deftly traces the continuing implications of this history, from lingering traces of scientific racism to debates over the return of the remains of Native Americans that are held by museums to this day.


Full of anecdotes, oddities, and insights, The Skull Collectors takes readers on a darkly fascinating trip down a little-visited but surprisingly important byway of American history.

[more]

front cover of The Swarts Ruin
The Swarts Ruin
A Typical Mimbres Site in Southwestern New Mexico, With a New Introduction by Steven A. LeBlanc
H. S. Cosgrove and C. Burton Cosgrove
Harvard University Press, 2011

This classic volume on the evocative and enigmatic pottery of the Mimbres people has become an irreplaceable design catalogue for contemporary Native American artists. Burt and Harriet (Hattie) Cosgrove were self-trained archaeologists who began excavating Mimbres materials in 1919. When their meticulous research came to the attention of Alfred V. Kidder of the Peabody Museum, he invited them to direct the Mimbres Valley Expedition at the Swarts Ranch in southern New Mexico on behalf of the Peabody.

Working in the summers of 1924 to 1927, the Cosgroves recovered nearly 10,000 artifacts at the Swarts site, including an extraordinary assemblage of Mimbres ceramics. Like their original 1932 report, this paperbound facsimile edition includes over 700 of Hattie Cosgrove’s beautiful line drawings of individual Mimbres pots. It also presents a new introduction by archaeologist Steven A. LeBlanc, who reviews the eighty years of research on the Mimbres that have followed the Cosgroves’ groundbreaking study. The Peabody’s reissue of The Swarts Ruin once again makes available a rich resource for scholars, artists, and admirers of Native American art, and it places in historical context the Cosgroves’ many contributions to North American archaeology.

[more]


Send via email Share on Facebook Share on Twitter