front cover of Back Road To Crazy
Back Road To Crazy
Stories From The Field
Jennifer Bove
University of Utah Press, 2005
Strap on your snake chaps and slap on some sunscreen as biologist Jennifer Bové takes you out to the field in the company of biologists working on the frontlines of wildlife studies, botany, and resource management. This exuberant and entertaining collection of stories ranges from Myanmar to the Midwest, from Argentina to Alaska and many points in between, offering tales that are by turns thoughtful, funny, tragic, and just-plain-crazy.

During five years of working in snake-ridden sloughs and rough northern seas, Jennifer Bové often asked herself 'Why am I doing this?' Realizing her own experiences were only the tip of the iceberg, she invited friends and colleagues to answer the same question. The result is stories that include deadly snakebites, a plague of marmots, special delivery skunk oil, bald eagle wrangling, and a mountain goat loose in the galley of a research vessel. These adventures are the details behind the data collected by these men and women driven to unlock nature’s truths. In The Back Road to Crazy, seasoned researchers and novices alike reveal the impulse to trade the comfort of a more sheltered career for demanding physical labor, whims of weather, and the company of unruly creatures.
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front cover of The Cool and the Crazy
The Cool and the Crazy
Pop Fifties Cinema
Stanfield, Peter
Rutgers University Press, 2015
Explosive! Amazing! Terrifying! You won’t believe your eyes! 
 
Such movie taglines were common in the 1950s, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture.  
 
Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were “ripped from the headlines” on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s Western. 
 
Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950s “pop,” Stanfield reveals something new about what films do and the pleasures they provide.
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